6
Frequently the wood are pink—
Frequently are brown.
Frequently the hills undress
Behind my native town.
Oft a head is crested
I was wont to see—
And as oft a cranny
Where it used to be—
And the Earth— they tell me—
On its Axis turned!
Wonderful Rotation!
By but twelve performed!
Your lungs fill & spread themselves,
wings of pink blood, and your bones
empty themselves and become hollow.
When you breathe in you’ll lift like a balloon
and your heart is light too & huge,
beating with pure joy, pure helium.
The sun’s white winds blow through you,
there’s nothing above you,
you see the earth now as an oval jewel,
radiant & seablue with love.
It’s only in dreams you can do this.
Waking, your heart is a shaken fist,
a fine dust clogs the air you breathe in;
Time that is moved by little fidget wheels
Is not my time, the flood that does not flow.
Between the double and the single bell
Of a ship's hour, between a round of bells
From the dark warship riding there below,
I have lived many lives, and this one life
Of Joe, long dead, who lives between five bells.
Deep and dissolving verticals of light
Ferry the falls of moonshine down. Five bells
Coldly rung out in a machine's voice. Night and water
Pour to one rip of darkness, the Harbour floats
To all you ladies now at Bath,
And eke, ye beaux, to you,
With aching heart, and wat'ry eyes,
I bid my last adieu.
Farewell ye nymphs, who waters sip
Hot reeking from the pumps,
While music lends her friendly aid,
To cheer you from the dumps.
Farewell ye wits, who prating stand,
And criticise the fair;
Yourselves the joke of men of sense,
Who hate a coxcomb's air.
Farewell to Deard's, and all her toys,
Which glitter in her shop,
Deluding traps to girls and boys,
A Baby's feet, like sea-shells pink,
Might tempt, should heaven see meet,
An angel's lips to kiss, we think,
A baby's feet.
Like rose-hued sea-flowers toward the heat
They stretch and spread and wink
Their ten soft buds that part and meet.
No flower-bells that expand and shrink
Gleam half so heavenly sweet
As shine on life's untrodden brink
A baby's feet.
II.
A baby's hands, like rosebuds furled
Whence yet no leaf expands,
Ope if you touch, though close upcurled,
"Don't overdo it," Dad yelled, watching me
Play shortstop, collect stamps and shells,
Roll on the grass laughing until I peed my pants.
"Screw him," I said, and grabbed every cowry
I could find, hogged all the books I could
From Heights Library, wore out the baseball
Diamond dawn to dusk, and—parents in Duluth—
Gorged on bountiful Candy dusk to dawn.
Not until a Committee wrote of my poems,
"Enthusiasm should be tempered,"
Did I change my song. I write now
The way I live: calm and sober, steering
I think I'll buy a little field,
Though scant am I of pelf,
And hold the hope that it may yield
A living for myself;
For I have toiled ten thousand days
With ledger and with pen,
And I am sick of city ways
And soured with city men.
II
So I will plant my little plot
With lettuce, beans and peas;
Potatoes too - oh quite a lot,
An pear and apple trees.
My carrots will be coral pink,
My turnips ivory;
And I'll forget my pen and ink,
And office slavery.
III
THIS is the way we dress the Doll:—
You may make her a shepherdess, the Doll,
If you give her a crook with a pastoral hook,
But this is the way we dress the Doll.
Chorus
Bless the Doll, you may press the Doll,
But do not crumple and mess the Doll!
This is the way we dress the Doll.
First, you observe, her little chemise,
As white as milk, with ruches of silk;
And the little drawers that cover her knees,
As she sits or stands, with golden bands,
My own dream is lofty, simple thing:
To seize the oar, put feet into the stirrups,
And to deceive the time, that slow tries to stir us,
By kissing lips, forever new and pink;
When getting old, to keep the law of Christ,
Cast down looks, put on sackcloth and ashes,
Put on the chest, as heavy obligations,
The iron Cross, that He died on for us.
And only when, amidst the orgy’s madness,
I get my senses – a sleepwalker aimless,
Just frightened in the silence of his ways –
I am ill today but I am not
too ill. I am not ill at all.
It is a perfect day, warm
for winter, cold for fall.
A fine day for seeing. I see
ceramics, during lunch hour, by
Mir6, and I see the sea by Leger;
light, complicated Metzingers
and a rude awakening by Brauner,
a little table by Picasso, pink.
I am tired today but I am not
too tired. I am not tired at all.
There is the Pollock, white, harm
will not fall, his perfect hand
and the many short voyages. They'll
never fence the silver range.
