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Modern Love

1.

They are survivors, the sole
occupants of this one guarded world.
The local repertory theatre packed
up & departed elsewhere. These two
old troupers stay on as the sweeper
plays his broom against the grain
backstage. They play out by agreement
the familiar angers to a suspension
of hostilities. A semi-believed in love
tried but haunted by its past. A
self-deceiving hope posturing the loss
of lives that went before of youth,
of partners had & names forgotten.
What holds at the seasons close
is passion flogged to life like a

Love's Consummations.

The summer passed, the autumn came;
The world swung over toward the night;
The forests robed themselves in flame,
Then faded slowly into white;
And set within a crystal frame

Of frozen streams, the shaggy boles
Of oak and elm, with leafless crowns,
Were painted stark upon the knolls;
And cots and villages and towns
On virgin canvas glowed like coals

In tawny-red, or strove in vain
To shame the white in which they stood.
The fairest tint was but a stain
Upon the snow, that quenched the wood,
And paved the street, and draped the plain!

VIII.If Music And Sweet Poetry Agree,

If music and sweet poetry agree,
As they must needs, the sister and the brother,
Then must the love be great 'twixt thee and me,
Because thou lovest the one, and I the other.
Dowland to thee is dear, whose heavenly touch
Upon the lute doth ravish human sense;
Spenser to me, whose deep conceit is such
As, passing all conceit, needs no defence.
Thou lovest to bear the sweet melodious sound
That Phoebus' lute, the queen of music, makes;
And I in deep delight am chiefly drown'd
Whenas himself to singing he betakes.
One god is god of both, as poets feign;

The Arraying.

The blue-eyed maidens of the sea
With trembling haste approach the lee,
So small and smooth, they seem to be
Not waves, but children of the waves,
And as each link`ed circle laves
The crescent marge of creek and bay,
Their mingled voices all repeat--
O lovely May! O long'd-for May!
We come to bathe thy snow-white feet.

We bring thee treasures rich and rare,
White pearl to deck thy golden hair,
And coral beads, so smoothly fair
And free from every flaw or speck;
That they may lie upon thy neck,
This sweetest day--this brightest day

Love's Language.

Need I say how much I love thee?--
Need my weak words tell,
That I prize but heaven above thee,
Earth not half so well?
If this truth has failed to move thee,
Hope away must flee;
If thou dost not feel I love thee,
Vain my words would be!

Need I say how long I've sought thee--
Need my words declare,
Dearest, that I long have thought thee
Good and wise and fair?
If no sigh this truth has brought thee,
Woe, alas! to me;
Where thy own heart has not taught thee,
Vain my words would be!

Need I say when others wooed thee,

Sonnets:XI As To Some Lovely Temple, Tenantless

As to some lovely temple, tenantless
Long since, that once was sweet with shivering brass,
Knowing well its altars ruined and the grass
Grown up between the stones, yet from excess
Of grief hard driven, or great loneliness,
The worshiper returns, and those who pass
Marvel him crying on a name that was,--
So is it now with me in my distress.
Your body was a temple to Delight;
Cold are its ashes whence the breath is fled,
Yet here one time your spirit was wont to move;
Here might I hope to find you day or night,
And here I come to look for you, my love,

Sonnets:VIII And You As Well Must Die, Beloved Dust

And you as well must die, beloved dust,
And all your beauty stand you in no stead;
This flawless, vital hand, this perfect head,
This body of flame and steel, before the gust
Of Death, or under his autumnal frost,
Shall be as any leaf, be no less dead
Than the first leaf that fell,--this wonder fled.
Altered, estranged, disintegrated, lost.
Nor shall my love avail you in your hour.
In spite of all my love, you will arise
Upon that day and wander down the air
Obscurely as the unattended flower,
It mattering not how beautiful you were,

Sonnets:VI No Rose That In A Garden Ever Grew

No rose that in a garden ever grew,
In Homer's or in Omar's or in mine,
Though buried under centuries of fine
Dead dust of roses, shut from sun and dew
Forever, and forever lost from view,
But must again in fragrance rich as wine
The grey aisles of the air incarnadine
When the old summers surge into a new.
Thus when I swear, "I love with all my heart,"
'Tis with the heart of Lilith that I swear,
'Tis with the love of Lesbia and Lucrece;
And thus as well my love must lose some part
Of what it is, had Helen been less fair,

Sonnets: II Into the Golden Vessel of Great Song

Into the golden vessel of great song
Let us pour all our passion; breast to breast
Let other lovers lie, in love and rest;
Not we,--articulate, so, but with the tongue
Of all the world: the churning blood, the long
Shuddering quiet, the desperate hot palms pressed
Sharply together upon the escaping guest,
The common soul, unguarded, and grown strong.
Longing alone is singer to the lute;
Let still on nettles in the open sigh
The minstrel, that in slumber is as mute
As any man, and love be far and high,
That else forsakes the topmost branch, a fruit

Passer Mortuus Est

Death devours all lovely things;
Lesbia with her sparrow
Shares the darkness,--presently
Every bed is narrow.

Unremembered as old rain
Dries the sheer libation,
And the little petulant hand
Is an annotation.

After all, my erstwhile dear,
My no longer cherished,
Need we say it was not love,
Now that love is perished?