power

Softly, slyly, flute and drum begin to weave their net
Of notes; the slow seductive beat evokes the stomp of gypsy feet
Inside some smoky dim cantina, where a woman's silhouette
Is dancing with abandon to the pulsing, pounding theme
Of the flamenco or fandango...the bolero or beguine.
It's unremitting rhythm, darkly sensual in tone,
Restrains a fierce and frenzied spirit in it's own
Measured meter...persistent and alone
Beneath the sultry overtones
Of the trumpets and trombones,

Art thou a woman? -- so am I; and all
That woman can be, I have been, or am;
A daughter, sister, consort, mother, widow.
Whiche'er of these thou art, O be the friend
Of one who is what thou canst never be!
Look on thyself, thy kindred, home, and country,
Then fall upon thy knees, and cry "Thank GOD,
An English woman cannot be a SLAVE!"

Art thou a man? -- Oh! I have known, have loved,
And lost, all that to woman man can be;
A father, brother, husband, son, who shared
My bliss in freedom, and my woe in bondage.

Know Celia, since thou art so proud,
'Twas I that gave thee thy renown;
Thou hadst, in the forgotten crowd
Of common beauties, liv'd unknown,
Had not my verse exhal'd thy name,
And with it imp'd the wings of fame.

That killing power is none of thine,
I gave it to thy voice, and eyes;
Thy sweets, thy graces, all are mine;
Thou art my star, shin'st in my skies;
Then dart not from thy borrow'd sphere
Lightning on him that fix'd thee there.

Tempt me with such affrights no more,

The fervent, pale-faced Mother ere she sleep,
Looks out upon the zigzag-lighted square,
The beautiful bare trees, the blue night-air,
The revelation of the star-strewn deep,
World above world, and heaven over heaven.
Between the tree-tops and the skies, her sight
Rests on a steadfast, ruddy-shining light,
High in the tower, an earthly star of even.
Hers is the faith in saints' and angels' power,
And mediating love--she breathes a prayer
For yon tired watcher in the gray old tower.

Lo giorno se n'andava, e l'aere bruno
toglieva li animai che sono in terra
da le fatiche loro; e io sol uno

The day was now departing; the dark air
released the living beings of the earth
from work and weariness; and I myself


m'apparecchiava a sostener la guerra
sì del cammino e sì de la pietate,
che ritrarrà la mente che non erra .

alone prepared to undergo the battle
both of the journeying and of the pity,
which memory, mistaking not, shall show.

How often we forget all time, when lone
Admiring Nature's universal throne;
Her woods - her winds - her mountains - the intense
Reply of Hers to Our intelligence!

I.

In youth I have known one with whom the Earth
In secret communing held - as he with it,
In daylight, and in beauty, from his birth:
Whose fervid, flickering torch of life was lit
From the sun and stars, whence he had drawn forth
A passionate light - such for his spirit was fit -
And yet that spirit knew - not in the hour

No stir in the air, no stir in the sea,
The Ship was still as she could be;
Her sails from heaven received no motion,
Her keel was steady in the ocean.

Without either sign or sound of their shock,
The waves flow’d over the Inchcape Rock;
So little they rose, so little they fell,
They did not move the Inchcape Bell.

The Abbot of Aberbrothok
Had placed that bell on the Inchcape Rock;
On a buoy in the storm it floated and swung,
And over the waves its warning rung.

A stone's throw out on either hand
From that well-ordered road we tread,
And all the world is wild and strange;
Churel and ghoul and Djinn and sprite
Shall bear us company to-night,
For we have reached the Oldest Land
Wherein the powers of Darkness range.

I traced the Circus whose gray stones incline
Where Rome and dim Etruria interjoin,
Till came a child who showed an ancient coin
That bore the image of a Constantine.

She lightly passed; nor did she once opine
How, better than all books, she had raised for me
In swift perspective Europe's history
Through the vast years of Caesar's sceptred line.

For in my distant plot of English loam
'Twas but to delve, and straightway there to find
Coins of like impress. As with one half blind

I traced the Circus whose gray stones incline
Where Rome and dim Etruria interjoin,
Till came a child who showed an ancient coin
That bore the image of a Constantine.

She lightly passed; nor did she once opine
How, better than all books, she had raised for me
In swift perspective Europe's history
Through the vast years of Caesar's sceptred line.

For in my distant plot of English loam
'Twas but to delve, and straightway there to find
Coins of like impress. As with one half blind