Relinquunt Ommia Servare Rem Publicam.

The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.

Once my nose crawled like a snail on the glass;
my hand tingled to burst the bubbles
drifting from the noses of the cowed, compliant fish.

My hand draws back. I often sign still
for the dark downward and vegetating kingdom
of the fish and reptile. One morning last March,

She was so dear, so fair. Her memory stays,
Even her dying robs me not of this,
That I have walked with her in mortal ways
Whose tender beauty now immortal is.
There are sweet flowers that bloom in ways forlorn
And sad sweet eyes whose beauty is a flower
Blown in the night to which there is no morn,
Dream-born and dying in its dewy bower;
And she was such a flower, her sweet eyes such;
The secret hours that only the heart knows
Thrill with the glamour of her tone and touch
Like music that is sweetest at the close,

Hark, how all the welkin rings,
"Glory to the King of kings;
Peace on earth, and mercy mild,
God and sinners reconcil'd!"

Joyful, all ye nations, rise,
Join the triumph of the skies;
Universal nature say,
"Christ the Lord is born to-day!"

Christ, by highest Heaven ador'd,
Christ, the everlasting Lord:
Late in time behold him come,
Offspring of a virgin's womb!

Veil'd in flesh, the Godhead see,
Hail th' incarnate Deity!
Pleas'd as man with men to appear,
Jesus, our Immanuel here!

Crimson and cream and white -
My room is a garden of roses!
Centre and left and right,
Three several splendid posies.

As the sender is, they are sweet,
These lovely gifts of your sending,
With the stifling summer heat
Their delicate fragrance blending.

What more can my heart desire?
Has it lost the power to be grateful?
Is it only a burnt-out fire,
Whose ashes are dull and hateful?

Yet still to itself it doth say,
`I should have loved far better
To have found, coming in to-day,

On an ebony bed decorated
with coral eagles, sound asleep lies
Nero --- unconscious, quiet, and blissful;
thriving in the vigor of flesh,
and in the splendid power of youth.

But in the alabaster hall that encloses
the ancient shrine of the Aenobarbi
how restive are his Lares.
The little household gods tremble,
and try to hide their insignificant bodies.
For they heard a horrible clamor,
a deathly clamor ascending the stairs,
iron footsteps rattling the stairs.
And now in a faint the miserable Lares,

How strange to greet, this frosty morn,
In graceful counterfeit of flower,
These children of the meadows, born
Of sunshine and of showers!

How well the conscious wood retains
The pictures of its flower-sown home,
The lights and shades, the purple stains,
And golden hues of bloom!

It was a happy thought to bring
To the dark season's frost and rime
This painted memory of spring,
This dream of summertime.

Our hearts are lighter for its sake,
Our fancy's age renews its youth,

o



Whither, oh! whither wilt thou wing thy way?
What solemn region first upon thy sight
Shall break, unveiled for terror or delight?
What hosts, magnificent in dread array,
My spirit! when thy prison-house of clay
After long strife is rent? Fond, fruitless quest!
The unfledged bird, within his narrow nest,
Sees but a few green branches oer him play,
And through their parting leaves, by fits revealed,
A glimpse of summer sky; nor knows the field
Wherein his dormant powers must yet be tried.

BENEATH this narrow jostling street,
Unruffled by the noise of feet,
Like a slow organ-note I hear
The pulses of the great world beat.

Unseen beneath the city’s show
Through this aorta ever flow
The currents of the universe—
A thousand pulses throbbing low!

Unheard beneath the pavement’s din
Unknown magicians sit within
Dim caves, and weave life into words
On patient looms that spin and spin.

There, uninspired, yet with the dower
Of mightier mechanic power,

The man Flammonde, from God knows where,
With firm address and foreign air
With news of nations in his talk
And something royal in his walk,
With glint of iron in his eyes,
But never doubt, nor yet surprise,
Appeared, adn stayed, and held his head
As one by kings accredited.

Erect, with his alert repose
About him, and about his clothes,
He pictured all tradition hears
Of what we owe to fifty years.
His cleansing heritage of taste
Paraded neither want nor waste;
And what he needed for his fee

Elan that lifts me above the clouds
into pure space, timeless, yea eternal
Breath transmuted into words
Transmuted back to breath
in one hundred two hundred years
nearly Immortal, Sappho's 26 centuries
of cadenced breathing -- beyond time, clocks, empires, bodies, cars,
chariots, rocket ships skyscrapers, Nation empires
brass walls, polished marble, Inca Artwork
of the mind -- but where's it come from?
Inspiration? The muses drawing breath for you? God?
Nah, don't believe it, you'll get entangled in Heaven or Hell --