New York: You take a train that rips through versts.
It feels as if the trains were running over your ears.

For many hours the train flies along the banks
of the Hudson about two feet from the water. At the stops,
passengers run out, buy up bunches of celery,
and run back in, chewing the stalks as they go.

Bridges leap over the train with increasing frequency.

At each stop an additional story grows
onto the roofs. Finally houses with squares
and dots of windows rise up. No matter how far
you throw back your head, there are no tops.

There is May in books forever;
May will part from Spenser never;
May's in Milton, May's in Prior,
May's in Chaucer, Thomson, Dyer;
May's in all the Italian books:--
She has old and modern nooks,
Where she sleeps with nymphs and elves,
In happy places they call shelves,
And will rise and dress your rooms
With a drapery thick with blooms.
Come, ye rains, then if ye will,
May's at home, and with me still;
But come rather, thou, good weather,
And find us in the fields together.

700 francs will get you $109.91
on this muggy May afternoon
which is good to know since
I just found 700 francs in my wallet
while Dinah Washington was singing
"My Old Flame" I was thinking of where
I was with Glen when Allen Ginsberg died
and if I could relax for one hour
if I knew what that felt like
it would seem like a very long time to me
so I'll have to settle for the next best thing
warm rain on a cool May evening
on Charles Street, turn left on West 4th,
cross Sixth and turn right on MacDougal

Maud Muller on a summer's day
Raked the meadow sweet with hay.

Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.

Singing, she wrought, and her merry gleee
The mock-bird echoed from his tree.

But when she glanced to the far-off town
White from its hill-slope looking down,

The sweet song died, and a vague unrest
And a nameless longing filled her breast,-

A wish that she hardly dared to own,
For something better than she had known.

The Judge rode slowly down the lane,

JUST as of yore the friendly rain
Patters its old and frank refrain;
Just as of yore the world swings by
The little window where I lie
Watching the shadows wax and wane.

I see, beyond the Aegean main,
His cross upon the grave-scarred plain—
Yet still the dawn-flush climbs the sky,
Just as of yore!

His cross—and mine! They try in vain
With careful phrase to stanch the pain;
They say, ‘A hero’s death!’ But I
Long only for his footstep nigh;

The sparrows wake beneath the convent eaves;
I think I have not slept the whole night through.
But I am old; the aged scarcely know
The times they wake and sleep, for life burns down;
They breathe the calm of death before they die.
The long night ends, the day comes creeping in,
Showing the sorrows that the darkness hid,
The bended head of Christ, the blood, the thorns,
The wall's gray stains of damp, the pallet bed
Where little Sister Marta dreams of saints,
Waking with arms outstretched imploringly

Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.

Other comments are more offhand, dismissive -
'Nonsense.' 'Please! ' 'HA! ! ' -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
why wrote 'Don't be a ninny'

[Brazil. A friend of the writer is speaking.]


Half squatter, half tenant (no rent)—
a sort of inheritance; white,
in your thirties now, and supposed
to supply me with vegetables,
but you don't; or you won't; or you can't
get the idea through your brain—
the world's worst gardener since Cain.
Titled above me, your gardens
ravish my eyes. You edge
the beds of silver cabbages
with red carnations, and lettuces
mix with alyssum. And then
umbrella ants arrive,
or it rains for a solid week

The sick grapes on the chair by the bed lie prone; at the window
The tassel of the blind swings gently, tapping the pane,
As a little wind comes in.
The room is the hollow rind of a fruit, a gourd
Scooped out and dry, where a spider,
Folded in its legs as in a bed,
Lies on the dust, watching where is nothing to see but twilight and walls.

And if the day outside were mine! What is the day
But a grey cave, with great grey spider-cloths hanging
Low from the roof, and the wet dust falling softly from them

3-foot blue cannisters of nitro
along a conveyor belt, slow fish
speaking the language of silence.
On the roof, I in my respirator
patching the asbestos gas lines
as big around as the thick waist
of an oak tree. "These here are
the veins of the place, stuff
inside's the blood." We work in rain,
heat, snow, sleet. First warm
spring winds up from Ohio, I
pause at the top of the ladder
to take in the wide world reaching
downriver and beyond. Sunlight
dumped on standing and moving
lines of freight cars, new fields