Where the slow river
meets the tide,
a red swan lifts red wings
and darker beak,
and underneath the purple down
of his soft breast
uncurls his coral feet.

Through the deep purple
of the dying heat
of sun and mist,
the level ray of sun-beam
has caressed
the lily with dark breast,
and flecked with richer gold
its golden crest.

Where the slow lifting
of the tide,
floats into the river
and slowly drifts
among the reeds,
and lifts the yellow flags,
he floats

One by one, like leaves from a tree
All my faiths have forsaken me;
But the stars above my head
Burn in white and delicate red,
And beneath my feet the earth
Brings the sturdy grass to birth.
I who was content to be
But a silken-singing tree,
But a rustle of delight
In the wistful heart of night--
I have lost the leaves that knew
Touch of rain and weight of dew.
Blinded by a leafy crown
I looked neither up nor down--
But the little leaves that die
Have left me room to see the sky;

Leaning into the afternoons I cast my sad nets
towards your oceanic eyes.

There in the highest blaze my solitude lengthens and flames,
its arms turning like a drowning man's.

I send out red signals across your absent eyes
that smell like the sea or the beach by a lighthouse.

You keep only darkness, my distant female,
from your regard sometimes the coast of dread emerges.

Leaning into the afternoons I fling my sad nets
to that sea that is thrashed by your oceanic eyes.

The birds of night peck at the first stars

Under the rose-tree's dancing shade
There stands a little ivory girl,
Pulling the leaves of pink and pearl
With pale green nails of polished jade.

The red leaves fall upon the mould,
The white leaves flutter, one by one,
Down to a blue bowl where the sun,
Like a great dragon, writhes in gold.

The white leaves float upon the air,
The red leaves flutter idly down,
Some fall upon her yellow gown,
And some upon her raven hair.

She takes an amber lute and sings,
And as she sings a silver crane

IN the hall the coffin waits, and the idle armourer stands.
At his belt the coffin nails, and the hammer in his hands.
The bed of state is hung with crape--the grand old bed where she was
wed--
And like an upright corpse she sitteth gazing dumbly at the bed.
Hour by hour her serving-men enter by the curtain'd door,
And with steps of muffled woe pass breathless o'er the silent floor,
And marshal mutely round, and look from each to each with eyelids red;

'Touch him not,' she shriek'd and cried, 'he is but newly dead!'

There was a high majestic fooling
Day before yesterday in the yellow corn.

And day after to-morrow in the yellow corn
There will be high majestic fooling.

The ears ripen in late summer
And come on with a conquering laughter,
Come on with a high and conquering laughter.

The long-tailed blackbirds are hoarse.
One of the smaller blackbirds chitters on a stalk
And a spot of red is on its shoulder
And I never heard its name in my life.

Some of the ears are bursting.
A white juice works inside.

The paddocks shave black
with a foam of smoke that stays,
welling out of red-black wounds.

In the white of a drought
this happens. The hardcourt game.
Logs that fume are mostly cattle,

inverted, stubby. Tree stumps are kilns.
Walloped, wiped, hand-pumped,
even this day rolls over, slowly.

At dusk, a family drives sheep
out through the yellow
of the Aboriginal flag.

WHERE is Australia, singer, do you know?
These sordid farms and joyless factories,
Mephitic mines and lanes of pallid woe?
Those ugly towns and cities such as these
With incense sick to all unworthy power,
And all old sin in full malignant flower?
No! to her bourn her children still are faring:
She is a temple that we are to build:
For her the ages have been long preparing:
She is a prophecy to be fulfilled!

All that we love in olden lands and lore

Last
night
thin
rain,
gusty
wind.

Dense
sleep
doesn't
fade
a wine
hangover.

I'm talking
to her
who
rolled up
the curtains.

Are you
blind!
I
say.

By now
they're
fat
green
and skimpy
red.

Remembering the Strait of Belle Isle or
some northerly harbor of Labrador,
before he became a schoolteacher
a great-uncle painted a big picture.

Receding for miles on either side
into a flushed, still sky
are overhanging pale blue cliffs
hundreds of feet high,

their bases fretted by little arches,
the entrances to caves
running in along the level of a bay
masked by perfect waves.

On the middle of that quiet floor
sits a fleet of small black ships,
square-rigged, sails furled, motionless,