1 When the last faint red of the day is dead,
2 And the dim, far heaven is lit
3 With the silvern cars
4 Of the orient stars,
5 And the winged winds whimper and flit;

6 Then I rise through the dome of my aerodrome,
7 Like a giant eagle in flight;
8 And I take my place
9 In the vengeful race
10 With the sinister fleets of night.

11 As I rise and rise in the cloudy skies,
12 No sound in the silence is heard,

The Morning Star paled slowly, the Cross hung low to the sea,
And down the shadowy reaches the tide came swirling free,
The lustrous purple blackness of the soft Australian night,
Waned in the gray awakening that heralded the light;
Still in the dying darkness, still in the forest dim
The pearly dew of the dawning clung to each giant limb,
Till the sun came up from ocean, red with the cold sea mist,
And smote on the limestone ridges, and the shining tree-tops kissed;
Then the fiery Scorpion vanished, the magpie's note was heard,

The skies that arched his land were blue,

His bush-born winds were warm and sweet,

And yet from earliest hours he knew

The tides of victory and defeat;

From fierce floods thundering at his birth,

From red droughts ravening while he played,

He learned to fear no foes on earth –

“The bravest thing God ever made!”



The bugles of the motherland

Rang ceaselessly across the sea,

To call him and his lean brown band

To shape imperial destiny;

PART I

The auld wife sat at her ivied door,
(Butter and eggs and a pound of cheese)
A thing she had frequently done before;
And her spectacles lay on her apron’d knees.

The piper he pip’d on the hill-top high,
(Butter and eggs and a pound of cheese)
Till the cow said, “I die,” and the goose asked “Why?”
And the dog said nothing, but search’d for fleas.

The farmer he strode through the square farmyard;
(Butter and eggs and a pound of cheese)
His last brew of ale was a trifle hard,

Nor thou, Habib, nor I are glad,
when rosy limbs and sweat entwine;
But rapture drowns the sense and self,
the wine the drawer of the wine,

And Him that planted first the grape-
o podex, in thy vault there dwells
A charm to make the member mad,
And shake the marrow of the spine.

O member, in thy stubborn strenght
a power avails on podex-sense
To boil the blood in breast and brain;
shudder the nreves incarnadine!

From me thou drawest pearly drink -
and in its pourings both are drunk.

What are you doing here, Tom Thorne, on the white top-knot o' the world,
Where the wind has the cut of a naked knife and the stars are rapier keen?
Hugging a smudgy willow fire, deep in a lynx robe curled,
You that's a lord's own son, Tom Thorne -- what does your madness mean?

Go home, go home to your clubs, Tom Thorne! home to your evening dress!
Home to your place of power and pride, and the feast that waits for you!
Why do you linger all alone in the splendid emptiness,
Scouring the Land of the Little Sticks on the trail of the caribou?

It begins again, the nocturnal pulse.
It courses through the cables laid for it.
It mounts to the chandeliers and beats there, hotly.
We are too close. Too late, we would move back.
We are involved with the surge.

Now it bursts. Now it has been announced.
Now it is being soaked up by newspapers.
Now it is running through the streets.
The crowd has it. The woman selling carnations
And the man in the straw hat stand with it in their shoes.

Here is the red marquee it sheltered under.
Here is the ballroom, here

WHILE my wife at my side lies slumbering, and the wars are over long,
And my head on the pillow rests at home, and the vacant midnight
passes,
And through the stillness, through the dark, I hear, just hear, the
breath of my infant,
There in the room, as I wake from sleep, this vision presses upon me:
The engagement opens there and then, in fantasy unreal;
The skirmishers begin--they crawl cautiously ahead--I hear the
irregular snap! snap!

Leonardo imagined the first one.
The next was a pole lathe with a drive cord,
illustrated in Plumier's L'art de tourner en perfection.
Then Ramsden, Vauconson, the great Maudslay,
his student Roberts, Fox, Clement, Whitworth.

The long line of machinists to my left
lean into their work, ungloved hands adjusting the calipers,
tapping the bit lightly with their fingertips.
Each man withdraws into his house of work:
the rough cut, shearing of iron by tempered steel,
blue-black threads lifting like locks of hair,

I

Stripped to the waist, his copper-coloured skin
Red from the smouldering heat of hate within,
Lean as a wolf in winter, fierce of mood--
As all wild things that hunt for foes, or food--
War paint adorning breast and thigh and face,
Armed with the ancient weapons of his race,
A slender ashen bow, deer sinew strung,
And flint-tipped arrow each with poisoned tongue,--
Thus does the Red man stalk to death his foe,
And sighting him strings silently his bow,
Takes his unerring aim, and straight and true