red

we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you . . .
something at 8 a.m., something in the library
something in the river,
everything and nothing.

So much I gazed on beauty,
that my vision is replete with it.

Contours of the body. Red lips. Voluptuous limbs.
Hair as if taken from greek statues;
always beautiful, even when uncombed,
and it falls, slightly, over white foreheads.
Faces of love, as my poetry
wanted them.... in the nights of my youth,
in my nights, secretly, met....

At first she was sure it was just a bit of dried strawberry juice,
or a fleck of her mother's red nail polish that had flaked off
when she'd patted her daughter to sleep the night before.
But as she scrubbed, Snow felt a bump, something festering
under the surface, like a tapeworm curled up and living
in her left cheek.
Doc the Dwarf was no dermatologist
and besides Snow doesn't get to meet him in this version
because the mint leaves the tall doctor puts over her face

Out of their slumber Europeans spun
Dense dreams: appeasements, miracle, glimpsed flash
Of a new golden era; but could not restrain
The vertical white weight that fell last night
And made their continent a blank.

Hush, says the sameness of the snow
The Ural and Jura now rejoin
The furthest Arctic's desolation. All is one;
Sheer monotone: plain, mountain; country, town:
Contours and boundaries no longer show.

The warring flags hang colourless a while;
Now midnight's icy zero feigns a truce

She bade me follow to her garden where
The mellow sunlight stood as in a cup
Between the old grey walls; I did not dare
To raise my face, I did not dare look up
Lest her bright eyes like sparrows should fly in
My windows of discovery and shrill 'Sin!'

So with a downcast mien and laughing voice
I followed, followed the swing of her white dress
That rocked in a lilt along: I watched the poise
Of her feet as they flew for a space, then paused to press
The grass deep down with the royal burden of her:

By day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman

13

Sleep is supposed to be
By souls of sanity
The shutting of the eye.

Sleep is the station grand
Down which, on either hand
The hosts of witness stand!

Morn is supposed to be
By people of degree
The breaking of the Day.

Morning has not occurred!

That shall Aurora be—
East of Eternity—
One with the banner gay—
One in the red array—
That is the break of Day!

The king sits in Dumferling toune,
Drinking the blude-reid wine:
"O whar will I get guid sailor,
To sail this schip of mine?"

Up and spak an eldern knicht,
Sat at the kings richt kne:
"Sir Patrick Spence is the best sailor
That sails upon the se."

The king has written a braid letter,
And signd it wi his hand,
And sent it to Sir Patrick Spence,
Was walking on the sand.

The first line that Sir Patrick red,
A loud lauch lauched he;
The next line that Sir Patrick red,

I like the cool and heft of it, dull metal on the palm,
And the click, the hiss, the spark fuming into flame,
Boldface of fire, the rage and sway of it, raw blue at the base
And a slope of gold, a touch to the packed tobacco, the tip
Turned red as a warning light, blown brighter by the breath,
The pull and the pump of it, and the paper's white
Smoothed now to ash as the smoke draws back, drawn down
To the black crust of lungs, tar and poisons in the pink,
And the blood sorting it out, veins tight and the heart slow,

(for Elizabeth Bishop)

Nautilus Island's hermit
heiress still lives through winter in her Spartan cottage;
her sheep still graze above the sea.
Her son's a bishop. Her farmer is first selectman in our village;
she's in her dotage.

Thirsting for
the hierarchic privacy
of Queen Victoria's century
she buys up all
the eyesores facing her shore,
and lets them fall.

The season's ill--
we've lost our summer millionaire,
who seemed to leap from an L. L. Bean