What -- write my name!
How vain the feeble trust,
To be remembered
When the hand is dust --
Grieve rather that the talents freely given
Were used for earth -- not treasured up for Heaven!
Music I heard with you was more than music,
And bread I broke with you was more than bread;
Now that I am without you, all is desolate;
All that was once so beautiful is dead.
Your hands once touched this table and this silver,
And I have seen your fingers hold this glass.
These things do not remember you, beloved,
And yet your touch upon them will not pass.
For it was in my heart that you moved among them,
And blessed them with your hands and with your eyes;
And in my heart they will remember always,
Much like me, you make your way forward,
Walking with downturned eyes.
Well, I too kept mine lowered.
Passer-by, stop here, please.
Read, when you've picked your nosegay
Of henbane and poppy flowers,
That I was once called Marina,
And discover how old I was.
Don't think that there's any grave here,
Or that I'll come and throw you out ...
I myself was too much given
To laughing when one ought not.
The blood hurtled to my complexion,
My curls wound in flourishes ...
The sun, which doth the greatest comfort bring
To absent friends (because the self-same thing
They know they see, however absent), is
Here our best hay-maker (forgive me this,
It is our country style); in this warm shine
I lie, and dream of your full Mermaid wine.
Oh, we have water mixed with claret-lees,
Drink apt to bring in drier heresies
Than beer, good only for the sonnet strain,
With fustian metaphors to stuff the brain;
So mixed that given to the thirstiest one
Those of you that have got through the rest, I am going to rapidly
Devote a little time to showing you, those that can master it,
A few ideas about tactics, which must not be confused
With what we call strategy. Tactics is merely
The mechanical movement of bodies, and that is what we mean by it.
Or perhaps I should say: by them.
Strategy, to be quite frank, you will have no hand in.
It is done by those up above, and it merely refers to,
The larger movements over which we have no control.
It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.
Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.
It is morning. I stand by the mirror
The common is unusually calm--they captured the storm
last night, it's sleeping in the stockade, relieved
of its duty, pacified, tamed, a pussycat.
But not before it tied the flagpole in knots,
and not before it alarmed the firemen out of their pants.
Now it's really calm, almost too calm, as though
anything could happen, and it would be a first.
It could be the worst thing that ever happened.
All the little rodents are sitting up and counting
their nuts. What if nothing ever happened again?
Missis Moriarty called last week, and says she to me, says she:
"Sure the heart of me's broken entirely now -- it's the fortunate woman you are;
You've still got your Dinnis to cheer up your home, but me Patsy boy where is he?
Lyin' alone, cold as a stone, kilt in the weariful wahr.
Oh, I'm seein' him now as I looked on him last, wid his hair all curly and bright,
And the wonderful, tenderful heart he had, and his eyes as he wint away,
Shinin' and lookin' down on me from the pride of his proper height:
Miss Don't-do-this and Don't-do-that
Has such a sunny smile
You cannot help but chuckle at
Her cuteness and her guile.
Her locks are silken floss of gold,
Her eyes are pansy blue:
Maybe of years to eighty old
The best is two.
Miss Don't-do-this and Don't-do-that
To roguishness is fain;
To guard that laughter-loving brat
Is quite a strain;
But when she tires of prank and play
And says good-night,
I'm longing for another day
Of child delight.
Tonight at Fu-chou, this moon she watches
Alone in our room. And my little, far-off
Children, too young to understand what keeps me
Away, or even remember Chang'an. By now,
Her hair will be mist-scented, her jade-white
Arms chilled in its clear light. When
Will it find us together again, drapes drawn
Open, light traced where it dries our tears?
