I'll tell the story, kissing
This white hand for my pains:
No sweeter heart, nor falser
E'er filled such fine, blue veins.

I'll sing a song of true love,
My Lilith dear! to you;
Contraria contrariis
The rule is old and true.

The happiest of all lovers
Was Ernst of Edelsheim;
And why he was the happiest,
I'll tell you in my rhyme.

One summer night he wandered
Within a lonely glade,
And, couched in moss and moonlight,
He found a sleeping maid.

The stars of midnight sifted

I

Like the bright lamp, that shone in Kildare's holy fane,
And burn'd through long ages of darkness and storm,
Is the heart that sorrows have frown'd on in vain,
Whose spirit outlives them, unfading and warm.
Erin, oh Erin, thus bright through the tears
Of a long night of bondage, thy spirit appears.

II

I

Erin! the tear and the smile in thine eyes
Blend like the rainbow that hangs in thy skies,
Shining through sorrow's stream,
Saddening through pleasure's beam,
Thy suns with doubtful gleam,
Weep while they rise.

II

Erin, thy silent tear never shall cease,
Erin, thy languid smile ne'er shall increase,
Till, like the rainbow's light,
Thy various tints unite,
And form in heaven's sight
One arch of peace!

'Twas summer, when softly the breezes were blowing,
And Hudson majestic so sweetly was flowing,
The groves rang with music & accents of pleasure
And nature in rapture beat time to the measure,
When Helen and Jonas, so true and so loving,
Along the green lawn were seen arm in arm moving,
Sweet daffodils, violets and roses spontaneous
Wherever they wandered sprang up instantaneous.
The ascent the lovers at length were seen climbing
Whose summit is grac'd by the temple of Hymen:
The genius presiding no sooner perceived them

Hark, hearer, hear what I do; lend a thought now, make believe
We are leafwhelmed somewhere with the hood
Of some branchy bunchy bushybowered wood,
Southern dene or Lancashire clough or Devon cleave,
That leans along the loins of hills, where a candycoloured, where a gluegold-brown
Marbled river, boisterously beautiful, between
Roots and rocks is danced and dandled, all in froth and waterblowballs, down.
We are there, when we hear a shout
That the hanging honeysuck, the dogeared hazels in the cover
Makes dither, makes hover

I. EDWIN BOOTH

An old actor at the Player's Club told me that Edwin Booth first impersonated Hamlet when a barnstormer in California. There were few theatres, but the hotels were provided with crude assembly rooms for strolling players.


The youth played in the blear hotel.
The rafters gleamed with glories strange.
And winds of mourning Elsinore
Howling at chance and fate and change;
Voices of old Europe's dead
Disturbed the new-built cattle-shed,
The street, the high and solemn range.

The while the coyote barked afar

All her hours were yellow sands,
Blown in foolish whorls and tassels;
Slipping warmly through her hands;
Patted into little castles.

Shiny day on shiny day
Tumble in a rainbow clutter,
As she flipped them all away,
Sent them spinning down the gutter.

Leave for her a red young rose,
Go your way, and save your pity;
She is happy, for she knows
That her dust is very pretty.

Heap not on this mound
Roses that she loved so well:
Why bewilder her with roses,
That she cannot see or smell?

She is happy where she lies
With the dust upon her eyes.

Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry 'mong the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:

Think not this paper comes with vain pretense
To move your pity, or to mourn th'offense.
Too well I know that hard obdurate heart;
No softening mercy there will take my part,
Nor can a woman's arguments prevail,
When even your patron's wise example fails.
But this last privilege I still retain;
Th'oppressed and injured always may complain.
Too, too severely laws of honor bind
The weak submissive sex of womankind.
If sighs have gained or force compelled our hand,
Deceived by art, or urged by stern command,