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Australian Engineers

Ah, well! but the case seems hopeless, and the pen might write in vain;

The people gabble of old things over and over again.

For the sake of the sleek importer we slave with the pick and the shears,

While hundreds of boys in Australia long to be engineers.



A new generation has risen under Australian skies,

Boys with the light of genius deep in their dreamy eyes---

Not as of artists or poets with their vain imaginings,

But born to be thinkers and doers, and makers of wonderful things.


Australia Infelix

HOW long, O Lord, shall this, my country, be
A nation of the dead? How long shall they
Who seek their own and live but for the day,
My country hinder from her destiny?
Around me, Lord, I seem again to see
That ancient valley where the dry bones lay,
And ’tis in vain that long I wait and pray
To see them rise to men resolved and free.
Yet sure, O Lord, upon this land of death
At last Thy Spirit will descend with power;
And Thou wilt kindle patriots with Thy breath,

Australasia

Celestial poesy! whose genial sway
Earth's furthest habitable shores obey;
Whose inspirations shed their sacred light,
Far as the regions of the Arctic night,
And to the Laplander his Boreal gleam
Endear not less than Phoebus' brighter beam, --
Descend thou also on my native land,
And on some mountain-summit take thy stand;
Thence issuing soon a purer font be seen
Than charmed Castalia or famed Hippocrene;
And there a richer, nobler fane arise,
Than on Parnassus met the adoring eyes.

Aurora Leigh excerpts

[Book 1]
I am like,
They tell me, my dear father. Broader brows
Howbeit, upon a slenderer undergrowth
Of delicate features, -- paler, near as grave ;
But then my mother's smile breaks up the whole,
And makes it better sometimes than itself.
So, nine full years, our days were hid with God
Among his mountains : I was just thirteen,
Still growing like the plants from unseen roots
In tongue-tied Springs, -- and suddenly awoke
To full life and life 's needs and agonies,
With an intense, strong, struggling heart beside

Aurora Borealis

    A crystallization of color spreads from the upper regions of the dark sky towards the trembling nipples of the waves. The feathering fringes of clouds fade behind pillars of green light. Transparent curtains tremble every-where. In the arctic temple, the hidden Samson of light shakes the moon-green pillars of the night.
    Color these crystals with sudden blood; it is dawn, or else the last consumptive saliva of the dying day. Heartless hard light!

Aubade

THE lark now leaves his wat'ry nest,
   And climbing shakes his dewy wings.
He takes this window for the East,
   And to implore your light he sings--
Awake, awake! the morn will never rise
Till she can dress her beauty at your eyes.

The merchant bows unto the seaman's star,
   The ploughman from the sun his season takes,
But still the lover wonders what they are
   Who look for day before his mistress wakes.
Awake, awake! break thro' your veils of lawn!

Atlantis

1. FAITH

“I’ve been having these
awful dreams, each a little different,
though the core’s the same—

we’re walking in a field,
Wally and Arden and I, a stretch of grass
with a highway running beside it,

or a path in the woods that opens
onto a road. Everything’s fine,
then the dog sprints ahead of us,

excited; we’re calling but
he’s racing down a scent and doesn’t hear us,
and that’s when he goes

onto the highway. I don’t want to describe it.
Sometimes it’s brutal and over,

Atalanta's Race

Through thick Arcadian woods a hunter went,
Following the beasts upon a fresh spring day;
But since his horn-tipped bow but seldom bent,
Now at the noontide nought had happed to slay,
Within a vale he called his hounds away,
Hearkening the echoes of his lone voice cling
About the cliffs and through the beech-trees ring.

But when they ended, still awhile he stood,
And but the sweet familiar thrush could hear,
And all the day-long noises of the wood,
And o'er the dry leaves of the vanished year

At This Moment Of Time

Some who are uncertain compel me. They fear
The Ace of Spades. They fear
Loves offered suddenly, turning from the mantelpiece,
Sweet with decision. And they distrust
The fireworks by the lakeside, first the spuft,
Then the colored lights, rising.
Tentative, hesitant, doubtful, they consume
Greedily Caesar at the prow returning,
Locked in the stone of his act and office.
While the brass band brightly bursts over the water
They stand in the crowd lining the shore
Aware of the water beneath Him. They know it. Their eyes
Are haunted by water

At the Opera

THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.

The curtain fell—the music died—
The lights grew bright, revealing there