An olive fire's a lovely thing;
Somehow it makes me think of Spring
As in my grate it over-spills
With dancing flames like daffodils.
They flirt and frolic, twist and twine,
The brassy fire-irons wink and shine. . . .
Leap gold, you flamelets! Laugh and sing:
An olive fire's a lovely thing.
II
An olive fire's a household shrine:
A crusty loaf, a jug of wine,
An apple and a chunk of cheese -
Oh I could be content with these.
But if my curse of oil is there,
To fry a fresh-caught fish, I swear
I do not envy any king,

“Is that the Three-and-Twentieth, Strabo mine,
Marching below, and we still gulping wine?”
From the sad magic of his fragrant cup
The red-faced old centurion started up,
Cursed, battered on the table. “No,” he said,
“Not that! The Three-and-Twentieth Legion’s dead,
Dead in the first year of this damned campaign—
The Legion’s dead, dead, and won’t rise again.
Pity? Rome pities her brave lads that die,
But we need pity also, you and I,
Whom Gallic spear and Belgian arrow miss,
Who live to see the Legion come to this,

Dustily over the highway pipes the loud nor'-wester at morn,
Wind and the rising sun, and waving tussock and corn;
It brings to me days gone by when first in my ears it rang,
The wind is the voice of my home, and I think of the songs it sang
When, fresh from the desk and ledger, I crossed the long leagues of sea --
"The old worn world is gone and the new bright world is free."

The wide, wild pastures of old are fading and passing away,
All over the plain are the homes of the men who have come to stay --

Dear old road, wheel-worn and broken,
   Winding thro' the forest green,
Barred with shadow and with sunshine,
   Misty vistas drawn between.
Grim, scarred bluegums ranged austerely,
   Lifting blackened columns each
To the large, fair fields of azure,
   Stretching ever out of reach.

See the hardy bracken growing
   Round the fallen limbs of trees;
And the sharp reeds from the marshes,
   Washed across the flooded leas;

All hail to the Empress of India, Great Britain's Queen!
Long may she live in health, happy and serene;
Loved by her subjects at home and abroad;
Blest may she be when lying down
To sleep, and rising up, by the Eternal God;
Happy may her visions be in sleep ...
And happy her thoughts in the day time;
Let all loyal subjects drink to her health
In a flowing bumper of Rhenish Wine.
And when the final hour shall come to summon her away,
May her soul be wafted to the realms of bliss,
I most sincerely do pray, to sing with saints above,

At dusk, when lowlands where dark waters glide
Robe in gray mist, and through the greening hills
The hoot-owl calls his mate, and whippoorwills
Clamor from every copse and orchard-side,
I watched the red star rising in the East,
And while his fellows of the flaming sign
From prisoning daylight more and more released,
Lift their pale lamps, and, climbing higher, higher,
Out of their locks the waters of the Line
Shaking in clouds of phosphorescent fire,
Rose in the splendor of their curving flight,

(March 4, 1913)


Thine aid, O Muse, I consciously beseech;
I crave thy succour, ask for thine assistance
That men may cry: "Some little ode! A peach!"
O Muse, grant me the strength to go the distance!
For odes, I learn, are dithyrambs, and long;
Exalted feeling, dignity of theme
And complicated structure guide the song.
(All this from Webster's book of high esteem.)

Let complicated structures not becloud
My lucid lines, nor weight with overloading.
To Shelley, Keats, and Wordsworth and that crowd

Wilt thou go with me, sweet maid,
Say, maiden, wilt thou go with me
Through the valley-depths of shade,
Of night and dark obscurity;
Where the path has lost its way,
Where the sun forgets the day,
Where there's nor life nor light to see,
Sweet maiden, wilt thou go with me!

Where stones will turn to flooding streams,
Where plains will rise like ocean waves,
Where life will fade like visioned dreams
And mountains darken into caves,
Say, maiden, wilt thou go with me
Through this sad non-identity,

When such a day, blesst the Arcadian plaine,
Warm without Sun, and shady without rain,
Fann'd by an air, that scarsly bent the flowers,
Or wav'd the woodbines, on the summer bowers,
The Nymphs disorder'd beauty cou'd not fear,
Nor ruffling winds uncurl'd the Shepheards hair,
On the fresh grasse, they trod their measures light,
And a long Evening made, from noon, to night.
Come then my Dafnis, from those cares descend
Which better may the winter season spend.
Come, and the pleasures of the feilds, survey,

Many decades after graduation
the students sneak back onto
the school-grounds at night
and within the pane-lit windows
catch me their teacher at the desk
or blackboard cradling a chalk:
someone has erased their youth,
and as they crouch closer to see
more it grows darker and quieter
than they have known in their lives,
the lesson never learned surrounds
them; why have they come? Is
there any more to memorize now
at the end than there was then"
What is it they peer at through shades
of time to hear, X times X repeated,