Sweet Auburn! loveliest village of the plain,
Where health and plenty cheered the labouring swain,
Where smiling spring its earliest visits paid,
And parting summer's lingering blooms delayed:
Dear lovely bowers of innocence and ease,
Seats of my youth, where every sport could please,
How often have I loitered o'er your green,
Where humble happiness endeared each scene;
How often have I paused on every charm,
The sheltered cot, the cultivated farm,
The never-failing brook, the busy mill,
The decent church that topped the neighbouring hill,

I mind me in the days departed,
How often underneath the sun
With childish bounds I used to run
To a garden long deserted.

The beds and walks were vanished quite;
And wheresoe'er had struck the spade,
The greenest grasses Nature laid
To sanctify her right.

I called the place my wilderness,
For no one entered there but I;
The sheep looked in, the grass to espy,
And passed it ne'ertheless.

The trees were interwoven wild,
And spread their boughs enough about
To keep both sheep and shepherd out,

I know a village in a far-off land
Where from a sunny, mountain-girdled plain
With tinted walls a space on either hand
And fed by many an olive-darkened lane
The high-road mounts, and thence a silver band
Through vineyard slopes above and rolling grain,
Winds off to that dim corner of the skies
Where behind sunset hills a stately city lies.

Here, among trees whose overhanging shade
Strews petals on the little droves below,
Pattering townward in the morning weighed
With greens from many an upland garden-row,

Who dwelt in yonder lonely Cot,
Why is it thus forsaken?
It seems, by all the world forgot,
Above its path the high grass grows,
And through its thatch the northwind blows
--Its thatch, by tempests shaken.

And yet, it tops a verdant hill
By Summer gales surrounded:
Beneath its door a shallow rill
Runs brawling to the vale below,
And near it sweetest flowrets grow
By banks of willow bounded.

Then why is ev'ry casement dark?
Why looks the Cot so chearless?
Ah ! why does ruin seem to mark

It is so long ago; and men well-nigh
Forget what gladness was, and how the earth
Gave corn in plenty, and the rivers fish,
And the woods meat, before he went away.
His going was on this wise.
All the works
And words and ways of men and beasts became
Evil, and all their thoughts continually
Were but of evil. Then he made a feast.
Upon the shore that is beside the sea
That takes the setting sun, he ordered it,
And called the beasts thereto. Only the men
He called not, seeing them evil utterly.

The snow lies deep on hill and dale,
In rocky gulch and grassy vale,
The tiny, trickling, tumbling falls
Are frozen 'twixt their rocky walls
That grey and brown look silent down
Upon Kiandra's shrouded town.



The Eucumbene itself lies dead,
Fast frozen in its narrow bed,
And distant sounds ring out quite near,
The crystal air is froze so clear,
While to and fro the people go
In silent swiftness o'er the snow.



And, like a mighty gallows-frame,
The derrick in the New Chum claim

Up yonder in Buena Park
There is a famous spot,
In legend and in history
Yclept the Waller Lot.

There children play in daytime
And lovers stroll by dark,
For 't is the goodliest trysting-place
In all Buena Park.

Once on a time that beauteous maid,
Sweet little Sissy Knott,
Took out her pretty doll to walk
Within the Waller Lot.

While thus she fared, from Ravenswood
Came Injuns o'er the plain,
And seized upon that beauteous maid
And rent her doll in twain.

Oh, 't was a piteous thing to hear

The deepest dream is of mad governors,
Down, down we feel it, till the very crust
Of the world cracks, and where there was no dust,
Atoms of ruin rise. Confusion stirs,
And fear; and all our thoughts--dark scavengers--
Feed on the center's refuse. Hope is thrust
Like wind away, and love sinks into lust
For merest safety, meanest of levelers.

And then we wake. Or do we? Sleep endures
More than the morning can, when shadows lie
Sharper than mountains, and the cleft is real
Between us and our kings. What sun assures

Who's that I hear?—It's me—Who?—Your heart
Hanging on by the thinnest thread
I lose all my strength, substance, and fluid
When I see you withdrawn this way all alone
Like a whipped cur sulking in the corner
Is it due to your mad hedonism?—
What's it to you?—I have to suffer for it—
Leave me alone—Why?—I'll think about it—
When will you do that?—When I've grown up—
I've nothing more to tell you—I'll survive without it—

What's your idea?—To be a good man—
You're thirty, for a mule that's a lifetime
You call that childhood?—No—Madness

The melancholy days are come, the saddest of the year,
Of wailing winds, and naked woods, and meadows brown and sere.
Heaped in the hollows of the grove, the autumn leaves lie dead;
They rustle to the eddying gust, and to the rabbit's tread;
The robin and the wren are flown, and from the shrubs the jay,
And from the wood-top calls the crow through all the gloomy day.

Where are the flowers, the fair young flowers, that lately sprang and stood
In brighter light and softer airs, a beauteous sisterhood?