running

I must do as you do? Your way I own
Is a very good way, and still,
There are sometimes two straight roads to a town,
One over, one under the hill.

You are treading the safe and the well-worn way,
That the prudent choose each time;
And you think me reckless and rash to-day
Because I prefer to climb.

Your path is the right one, and so is mine.
We are not like peas in a pod,
Compelled to lie in a certain line,
Or else be scattered abroad.

'T were a dull old world, methinks, my friend,

The sea hath many thousand sands,
The sun hath motes as many;
The sky is full of stars, and Love
As full of woes as any:
Believe me, that do know the elf,
And make no trial by thyself!

It is in truth a pretty toy
For babes to play withal:
But O, the honies of our youth
Are oft our age's gall:
Self-proof in time will make thee know
He was a prophet told thee so:

A prophet that, Cassandra-like,
Tells truth without belief;
For headstrong Youth will run his race,
Although his goal be grief: -

FAIR stood the wind for France
When we our sails advance,
Nor now to prove our chance
   Longer will tarry;
But putting to the main,
At Caux, the mouth of Seine,
With all his martial train
   Landed King Harry.

And taking many a fort,
Furnish'd in warlike sort,
Marcheth tow'rds Agincourt
   In happy hour;
Skirmishing day by day
With those that stopp'd his way,
Where the French gen'ral lay
   With all his power.

Which, in his height of pride,

A long eugenic past
reduces roses to
a vain and pampered caste.

Their charm is artifice,
their fragile shell of cells
unfit for wilderness.

Their languid symmetries
and anorexic airs
exalt deformities.

A run of blossoms, thick
and tangled by the road,
displays a truer pick.

Prefer the bindweed vines
that cannot stand alone
yet clench the mossy spines

of trees and grasp as tight
as nightmares or disease
while hoarding hints of light.

When the vine again is blowing,

Then the wine moves in the cask;
When the rose again is glowing,

Wherefore should I feel oppress'd?

Down my cheeks run tears all-burning,

If I do, or leave my task;
I but feel a speechless yearning,

That pervades my inmost breast.

But at length I see the reason,

When the question I would ask:
'Twas in such a beauteous season,

Doris glowed to make me blest!

Dawn gilded over dunes of sand
That border Mobile Bay
The fleet, which under Farragut
In expectation lay.
For ere that rising sun should set,
Full many a sailor bold
Should perish, leaving but a name
On history's page of gold.

Others have sung and yet shall sing
Of Farragut's renown:
How to the Hartford's maintop lashed
He gained his conqueror's crown.
Let others sing those deeds while we,
In sorrow and in pride,
Tell how one gallant gentleman
With high decorum died.

On the field of Waterloo we made Napoleon rue
That ever out of Elba he decided for to come,
For we finished him that day, and he had to run away,
And yield himself to Maitland on the Billy-ruffium.

`Twas a stubborn fight, no doubt, and the fortune wheeled about,
And the brave Mossoos kept coming most uncomfortable near,
And says Wellington the hero, as his hopes went down to zero,
`I wish to God that Blooker or the night was only here!'

But Blooker came at length, and we broke Napoleon's strength,

For I can snore like a bullhorn
or play loud music
or sit up talking with any reasonably sober Irishman
and Fergus will only sink deeper
into his dreamless sleep, which goes by all in one flash,
but let there be that heavy breathing
or a stifled come-cry anywhere in the house
and he will wrench himself awake
and make for it on the run - as now, we lie together,
after making love, quiet, touching along the length of our bodies,
familiar touch of the long-married,

I. Kempton, Pennsylvania


Perhaps the last of the light
lifting this evening from the field of wheat

means something. Perhaps the view
includes us, and we are not errors
in the landscape

or meant to be erased. The painter, it's true,
prefers not to preserve
our figures in the brush

of hills layered into green. Perhaps he too
is careless with the truth. What lies

have you had to tell to land you here

outside Kempton, with the creek rising behind us?

Horace: Book I, Ode 23

"Vitas hinnuleo me similis, Chloë--"

Why shun me, my Chloë? Nor pistol nor bowie
Is mine with intention to kill.
And yet like a llama you run to your mamma;
You tremble as though you were ill.

No lion to rend you, no tiger to end you,
I'm tame as a bird in a cage.
That counsel maternal can run for The Journal--
You get me, I guess. . . . You're of age.