Had she come all the way for this,
To part at last without a kiss?
Yea, had she borne the dirt and rain
That her own eyes might see him slain
Beside the haystack in the floods?

Along the dripping leafless woods,
The stirrup touching either shoe,
She rode astride as troopers do;
With kirtle kilted to her knee,
To which the mud splash'd wretchedly;
And the wet dripp'd from every tree
Upon her head and heavy hair,
And on her eyelids broad and fair;
The tears and rain ran down her face.

Had she come all the way for this,
To part at last without a kiss?
Yea, had she borne the dirt and rain
That her own eyes might see him slain
Beside the haystack in the floods?

Along the dripping leafless woods,
The stirrup touching either shoe,
She rode astride as troopers do;
With kirtle kilted to her knee,
To which the mud splash'd wretchedly;
And the wet dripp'd from every tree
Upon her head and heavy hair,
And on her eyelids broad and fair;
The tears and rain ran down her face.
By fits and starts they rode apace,

Pray why are you so bare, so bare,
Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
Runs a shudder over me?
My leaves were green as the best, I trow,
And sap ran free in my veins,
But I say in the moonlight dim and weird
A guiltless victim's pains.
They'd charged him with the old, old crime,
And set him fast in jail:
Oh, why does the dog howl all night long,
And why does the night wind wail?
He prayed his prayer and he swore his oath,
And he raised his hand to the sky;

Blats booted to blatant
dubbing the avenue dire
with rubbings of Sveinn Forkbeard
leading a black squall of Harleys
with Moe Snow-Whitebeard and

Possum Brushbeard and their ladies
and, sphincter-lipped, gunning,
massed in leather muscle on a run,
on a roll, Santas from Hell
like a whole shoal leaning

wide wristed, their tautness stable
in fluency, fast streetscape dwindling,
all riding astride, on the outside
of sleek grunt vehicles, woman-clung,
forty years on from Marlon.

The fox lay still by the birch-tree's root
In the heather.
The hare was running with nimble foot
O'er the heather.
Was ever brighter a sunshine-day,
Before, behind me, and every way,
O'er the heather!

The fox laughed low by the birch-tree's root
In the heather.
The hare was running with daring foot
O'er the heather.

I am so happy for everything!
Hallo! Why go you with mighty spring
O'er the heather?

The fox lay hid by the birch-tree's root
In the heather.

at a Gracious Answer


‘But tell me, child, your choice; what shall I buy
You?’—‘Father, what you buy me I like best.’
With the sweetest air that said, still plied and pressed,
He swung to his first poised purport of reply.

What the heart is! which, like carriers let fly—
Doff darkness, homing nature knows the rest—
To its own fine function, wild and self-instressed,
Falls light as ten years long taught how to and why.

Mannerly-hearted! more than handsome face—
Beauty’s bearing or muse of mounting vein,

Playing her parchment moon
Precosia comes
along a watery path of laurels and crystal lights.
The starless silence, fleeing
from her rhythmic tambourine,
falls where the sea whips and sings,
his night filled with silvery swarms.
High atop the mountain peaks
the sentinels are weeping;
they guard the tall white towers
of the English consulate.
And gypsies of the water
for their pleasure erect
little castles of conch shells
and arbors of greening pine.

Playing her parchment moon
Precosia comes.

Oh, there's some that breeds the Devon that's as solid as a stone,
And there's some that breeds the brindle which they call the "Goulburn Roan";
But amongst the breeds of cattle there are very, very few
Like the hairy-whiskered bullock that they breed at Gundaroo.
Far away by Grabben Gullen, where the Murrumbidgee flows,
There's a block of broken country-side where no one ever goes;
For the banks have gripped the squatters, and the free selectors too,
And their stock are always stolen by the men of Gundaroo.

1 'I die, I die!' the Mother said,
2 'My children die for lack of bread.
3 What more has the merciless Tyrant said?'
4 The Monk sat down on the stony bed.

5 The blood red ran from the Grey Monk's side,
6 His hands and feet were wounded wide,
7 His body bent, his arms and knees
8 Like to the roots of ancient trees.

9 His eye was dry; no tear could flow:
10 A hollow groan first spoke his woe.
11 He trembled and shudder'd upon the bed;
12 At length with a feeble cry he said:

ALL singers have shadows
That follow like fears,
But I know a singer
Who never saw tears;
A gay love—a green love—
Delightsome—divine:
The Spring is that singer—
An old love of mine!

All players have shadows,
And into the play
Old sorrows will saunter—
Old sorrows will stay.
But here is a player
Whose speech is divine:
The Spring is that player—
An old love of mine!

All singers grow heavy:
Their hours as they run