O SING unto my roundelay,
O drop the briny tear with me;
Dance no more at holyday,
Like a running river be:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Black his cryne as the winter night,
White his rode as the summer snow,
Red his face as the morning light,
Cold he lies in the grave below:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Sweet his tongue as the throstle's note,

Now that I have your face by heart, I look
Less at its features than its darkening frame
Where quince and melon, yellow as young flame,
Lie with quilled dahlias and the shepherd's crook.
Beyond, a garden, There, in insolent ease
The lead and marble figures watch the show
Of yet another summer loath to go
Although the scythes hang in the apple trees.

Now that I have your face by heart, I look.

Now that I have your voice by heart, I read
In the black chords upon a dulling page
Music that is not meant for music's cage,

From Harmony, from heavenly Harmony
This universal frame began:
When nature underneath a heap
Of jarring atoms lay
And could not heave her head,
The tuneful voice was heard from high,
Arise, ye more than dead!
Then cold, and hot, and moist, and dry
In order to their stations leap,
And Music's power obey.
From Harmony, from heavenly harmony
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

Is it dirty
does it look dirty
that's what you think of in the city

does it just seem dirty
that's what you think of in the city
you don't refuse to breathe do you

someone comes along with a very bad character
he seems attractive. is he really. yes. very
he's attractive as his character is bad. is it. yes

that's what you think of in the city
run your finger along your no-moss mind
that's not a thought that's soot

and you take a lot of dirt off someone
is the character less bad. no. it improves constantly

Oh! To be a flower
Nodding in the sun,
Bending, then upspringing
As the breezes run;
Holding up
A scent-brimmed cup,
Full of summer's fragrance to the summer sun.

Oh! To be a butterfly
Still, upon a flower,
Winking with its painted wings,
Happy in the hour.
Blossoms hold
Mines of gold
Deep within the farthest heart of each chaliced flower.

Oh! To be a cloud
Blowing through the blue,
Shadowing the mountains,
Rushing loudly through
Valleys deep
Where torrents keep

When thy beauty appears
In its graces and airs
All bright as an angel new dropp'd from the sky,
At distance I gaze and am awed by my fears:
So strangely you dazzle my eye!

But when without art
Your kind thoughts you impart,
When your love runs in blushes through every vein;
When it darts from your eyes, when it pants in your heart,
Then I know you're a woman again.

There 's a passion and pride
In our sex (she replied),
And thus, might I gratify both, I would do:
Still an angel appear to each lover beside,

He hurried away, young heart of joy, under our Devon sky!
And I watched him go, my beautiful boy, and a weary woman was I.
For my hair is grey, and his was gold; he'd the best of his life to live;
And I'd loved him so, and I'm old, I'm old; and he's all I had to give.

Ah yes, he was proud and swift and gay, but oh how my eyes were dim!
With the sun in his heart he went away, but he took the sun with him.
For look! How the leaves are falling now, and the winter won't be long. . . .
Oh boy, my boy with the sunny brow, and the lips of love and of song!

Something has fallen wordlessly
and holds still on the black driveway.

You find it, like a jewel,
among the empty bottles and cans

where the dogs toppled the garbage.
You pick it up, not sure

if it is stone or wood
or some new plastic made

to replace them both.
When you raise your sunglasses

to see exactly what you have
you see it is only a shadow

that has darkened your fingers,
a black ink or oil,

and your hand suddenly smells
of c1assrooms when the rain

we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you . . .
something at 8 a.m., something in the library
something in the river,
everything and nothing.

This is what I vow;
He shall have my heart to keep,
Sweetly will we stir and sleep,
All the years, as now.
Swift the measured sands may run;
Love like this is never done;
He and I are welded one:
This is what I vow.

This is what I pray:
Keep him by me tenderly;
Keep him sweet in pride of me,
Ever and a day;
Keep me from the old distress;
Let me, for our happiness,
Be the one to love the less:
This is what I pray.

This is what I know:
Lovers' oaths are thin as rain;