IN days of ancient history
Who were you? Tell me if you know.
Between your kisses answer me
To-night, Chicot.

Were you a faun by Castaly
Tracking Urania or Clio?
Or a white boy in Arcady
Astray, Chicot?

Were you a satin-supple page
Swinging a curtain to and fro,
Chanting some impudent addage
Of love, Chicot?

Were you the subtlest cardinal
That ever blessing did bestow?
At Fontarabia did you fall,
Fighting, Chicot?

Or at some monarch' table set,
Did the bells twink at wrist and toe?

LACON. For a kiss or two, confess,
What doth cause this pensiveness,
Thou most lovely neat-herdess?
Why so lonely on the hill?
Why thy pipe by thee so still,
That erewhile was heard so shrill?
Tell me, do thy kine now fail
To fulfil the milking-pail?
Say, what is't that thou dost ail?

THYR. None of these; but out, alas!
A mischance is come to pass,
And I'll tell thee what it was:
See, mine eyes are weeping ripe.
LACON. Tell, and I'll lay down my pipe.

THYR. I have lost my lovely steer,
That to me was far more dear

“Gabble-gabble,… brethren,… gabble-gabble!”
My window frames forest and heather.
I hardly hear the tuneful babble,
Not knowing nor much caring whether
The text is praise or exhortation,
Prayer or thanksgiving, or damnation.

Outside it blows wetter and wetter,
The tossing trees never stay still.
I shift my elbows to catch better
The full round sweep of heathered hill.
The tortured copse bends to and fro
In silence like a shadow-show.

The parson’s voice runs like a river
Over smooth rocks. I like this church:

Corinna, Pride of Drury-Lane,
For whom no Shepherd sighs in vain;
Never did Covent Garden boast
So bright a batter'd, strolling Toast;
No drunken Rake to pick her up,
No Cellar where on Tick to sup;
Returning at the Midnight Hour;
Four Stories climbing to her Bow'r;
Then, seated on a three-legg'd Chair,
Takes off her artificial Hair:
Now, picking out a Crystal Eye,
She wipes it clean, and lays it by.
Her Eye-Brows from a Mouse's Hide,
Stuck on with Art on either Side,
Pulls off with Care, and first displays 'em,

Kneel down, fair Love, and fill thyself with tears,
Girdle thyself with sighing for a girth
Upon the sides of mirth,
Cover thy lips and eyelids, let thine ears
Be filled with rumour of people sorrowing;
Make thee soft raiment out of woven sighs
Upon the flesh to cleave,
Set pains therein and many a grievous thing,
And many sorrows after each his wise
For armlet and for gorget and for sleeve.

O Love's lute heard about the lands of death,
Left hanged upon the trees that were therein;
O Love and Time and Sin,

A little soul scarce fledged for earth
Takes wing with heaven again for goal
Even while we hailed as fresh from birth
A little soul.

Our thoughts ring sad as bells that toll,
Not knowing beyond this blind world's girth
What things are writ in heaven's full scroll.

Our fruitfulness is there but dearth,
And all things held in time's control
Seem there, perchance, ill dreams, not worth
A little soul.



The little feet that never trod
Earth, never strayed in field or street,
What hand leads upward back to God

He shows a fool in every wise
Who day and night forever hies
From feast to feat to fill his paunch
And make his figure round and staunch,
As though his mission he were filling
By drinking too much wine and swilling
And bringing hoar-frost o’er the grape.
In to the fool’s ship toss the ape,
He kills all reason, is not sage,
And will regret it in old age.
His head and hands will ever shake,
His life a speedy end may take,
For wine’s a very harmful thing,
And man shows no strong reasoning
Who only drinks for sordid ends,

As Christ the Lord was passing by,
He came, one night, to a cottage door.
He came, a poor man, to the poor;
He had no bed whereon to lie.

He asked in vain for a crust of bread,
Standing there in the frozen blast.
The door was locked and bolted fast.
‘Only a beggar!’ the poor man said.

Christ the Lord went further on,
Until He came to a palace gate.
There a king was keeping his state,
In every window the candles shone.

The king beheld Him out in the cold.

'And ask ye why these sad tears stream?'

‘Te somnia nostra reducunt.’
OVID.

And ask ye why these sad tears stream?
Why these wan eyes are dim with weeping?
I had a dream–a lovely dream,
Of her that in the grave is sleeping.

I saw her as ’twas yesterday,
The bloom upon her cheek still glowing;
And round her play’d a golden ray,
And on her brows were gay flowers blowing.

With angel-hand she swept a lyre,
A garland red with roses bound it;
Its strings were wreath’d with lambent fire

Me thinks this heart should rest awhile
So stilly round the evening falls
The veiled sun sheds no parting smile
Nor mirth nor music wakes my Halls

I have sat lonely all the day
Watching the drizzly mist descend
And first conceal the hills in grey
And then along the valleys wend

And I have sat and watched the trees
And the sad flowers how drear they blow
Those flowers were formed to feel the breeze
Wave their light leaves in summer's glow

Yet their lives passed in gloomy woe
And hopeless comes its dark decline