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Our Country 1859

A land there is, lying near far-northern snow,
Where only the fissures life's springtime may know.
But surging, the sea tells of great deeds done,
And loved is the land as a mother by son.

What time we were little and sat on her knee,
She gave us her saga with pictures to see.
We read till our eyes opened wide and moist,
While nodding and smiling she mute rejoiced.

We went to the fjord and in wonder beheld
The ashen-gray bauta, that record of eld;
Still older she stood and her silence kept,

Our Bog is Dood

Our Bog is dood, our Bog is dood,
They lisped in accents mild,
But when I asked them to explain
They grew a little wild.
How do you know your Bog is dood
My darling little child?
We know because we wish it so
That is enough, they cried,
And straight within each infant eye
Stood up the flame of pride,
And if you do not think it so
You shall be crucified.
Then tell me, darling little ones,
What's dood, suppose Bog is?
Just what we think, the answer came,
Just what we think it is.

Our Blessings

Sitting to-day in the sunshine,
That touched me with fingers of love,
I thought of the manifold blessings
God scatters on earth, from above;
And they seemed, as I numbered them over,
Far more than we merit, or need,
And all that we lack is the angels
To make earth a heaven indeed.

The winter brings long, pleasant evenings,
The spring brings a promise of flowers
That summer breathes to fruition,
And autumn brings glad, golden hours.
The woodlands re-echo with music,
The moonbeams ensilver the sea;

Our biggest fish

When in the halcyon days of old, I was a little tyke,
I used to fish in pickerel ponds for minnows and the like;
And oh, the bitter sadness with which my soul was fraught
When I rambled home at nightfall with the puny string I'd caught!
And, oh, the indignation and the valor I'd display
When I claimed that all the biggest fish I'd caught had got away!

Sometimes it was the rusty hooks, sometimes the fragile lines,
And many times the treacherous reeds would foil my just designs;
But whether hooks or lines or reeds were actually to blame,

Orpheus In The Underworld

Curtains of rock
And tears of stone,
Wet leaves in a high crevice of the sky:
From side to side the draperies
Drawn back by rigid hands.

And he came carrying the shattered lyre,
And wearing the blue robes of a king,
And looking through eyes like holes torn in a screen;
And the distant sea was faintly heard,
From time to time, in the suddenly rising wind,
Like a broken song.

Out of his sleep, from time to time,
From between half open lips,
Escaped the bewildered words which try to tell
The tale of his bright night

Orpheus

Orpheus with his lute made trees
And the mountain tops that freeze
   Bow themselves when he did sing:
To his music plants and flowers
Ever sprung; as sun and showers
   There had made a lasting spring.

Every thing that heard him play,
Even the billows of the sea,
   Hung their heads and then lay by.
In sweet music is such art,
   Killing care and grief of heart
   Fall asleep, or hearing, die.

Orlie Wilde

A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.

Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.

I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:--

"We artists live ideally:
We breed our firmest facts of air;

Orkney Lullaby

A moonbeam floateth from the skies,
Whispering, "Heigho, my dearie!
I would spin a web before your eyes,--
A beautiful web of silver light,
Wherein is many a wondrous sight
Of a radiant garden leagues away,
Where the softly tinkling lilies sway,
And the snow-white lambkins are at play,--
Heigho, my dearie!"

A brownie stealeth from the vine
Singing, "Heigho, my dearie!
And will you hear this song of mine,--
A song of the land of murk and mist
Where bideth the bud the dew hath kist?
Then let the moonbeam's web of light

Orinda To Lucasia Parting October 1661 At London

Adieu dear object of my Love's excess,
And with thee all my hopes of happiness,
With the same fervent and unchanged heart
Which did it's whole self once to thee impart,
(And which though fortune has so sorely bruis'd,
Would suffer more, to be from this excus'd)
I to resign thy dear Converse submit,
Since I can neither keep, nor merit it.
Thou hast too long to me confined been,
Who ruine am without, passion within.
My mind is sunk below thy tenderness,
And my condition does deserve it less;
I'm so entangl'd and so lost a thing

Oread

Whirl up, sea—
Whirl your pointed pines.
Splash your great pines
On our rocks.
Hurl your green over us—
Cover us with your pools of fir.