I knew it the first of the summer,
I knew it the same at the end,
That you and your love were plighted,
But couldn’t you be my friend?
Couldn’t we sit in the twilight,
Couldn’t we walk on the shore
With only a pleasant friendship
To bind us, and nothing more?

There was not a word of folly
Spoken between us two,
Though we lingered oft in the garden
Till the roses were wet with dew.
We touched on a thousand subjects –
The moon and the worlds above, -
And our talk was tinctured with science,

Pity me not because the light of day
At close of day no longer walks the sky;
Pity me not for beauties passed away
From field and thicket as the the year goes by;
Pity me not the waning of the moon,
Nor that the ebbing tide goes out to sea,
Nor that a man's desire is hushed so soon,
And you no longer look with love on me.
This have I known always: Love is no more
Than the wide blossom which the wind assails,
Than the great tide that treads the shifting shore,
Strewing fresh wreckage gathered in the gales:

Three of us afloat in the meadow by the swing,
Three of us abroad in the basket on the lea.
Winds are in the air, they are blowing in the spring,
And waves are on the meadow like the waves there are at sea.

Where shall we adventure, to-day that we're afloat,
Wary of the weather and steering by a star?
Shall it be to Africa, a-steering of the boat,
To Providence, or Babylon or off to Malabar?

Hi! but here's a squadron a-rowing on the sea--
Cattle on the meadow a-charging with a roar!

I'd watched the sorrow of the evening sky,
And smelt the sea, and earth, and the warm clover,
And heard the waves, and the seagull's mocking cry.

And in them all was only the old cry,
That song they always sing -- "The best is over!
You may remember now, and think, and sigh,
O silly lover!"
And I was tired and sick that all was over,
And because I,
For all my thinking, never could recover
One moment of the good hours that were over.
And I was sorry and sick, and wished to die.

Then from the sad west turning wearily,

A Vienna ci sono dieci ragazze,
una spalla dove piange la morte
e un bosco di colombe disseccate.
C'e' un frammento del mattino
nel museo della brina.
C'è un salone con mille vetrate.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer con la bocca chiusa.

Questo valzer, questo valzer, questo valzer,
di sì, di morte e di cognac
che si bagna la coda nel mare.

Io ti amo, io ti amo, io ti amo
con la poltrona e con il libro morto,
nel malinconico corridoio,
nell'oscura soffitta del giglio,
nel nostro letto della luna,

Faithful to your commandments, o consciousness, o

Holy bird of words soaring ever whether to nothingness or
to inconceivable fulfillment slowly:

And still I follow you, awkward as that dandy of ontology
and as awkward as his albatross and as

another dandy of ontology before him, another shepherd
and watchdog of being, the one who

Talked forever of forever as if forever of having been
and being an ancient mariner,

Hesitant forever as if forever were the albatross

The Crossing of the Rubicon

Wars worse than civil on Emathian plains,
And crime let loose we sing; how Rome's high race
Plunged in her vitals her victorious sword;
Armies akin embattled, with the force
Of all the shaken earth bent on the fray;
And burst asunder, to the common guilt,
A kingdom's compact; eagle with eagle met,
Standard to standard, spear opposed to spear.

Whence, citizens, this rage, this boundless lust
To sate barbarians with the blood of Rome?
Did not the shade of Crassus, wandering still,

Childish foosteps, just behind her,
Softly patter on the green.
Back she glances; tears may blind her,
But no little one is seen.
Blanched, as by an ill appalling,
Home in terror hastens she,
While a baby voice is calling,
"Mother! mother! wait for me."

Phantom footsteps! hear them
falling (falling, falling),
falling (falling, falling)
Now, wherever she may be!
(hear footsteps falling!)
While a baby voice is
call- (calling, calling,)
-ing, (calling, calling,)
"Mother! mother! wait for me."

"Death is to us change, not consummation."
Heart of Midlothian.

A change! no, surely, not a change,
   The change must be before we die;
Death may confer a wider range,
   From pole to pole, from sea to sky,
It cannot make me new or strange
   To mine own Personality!

For what am I? -- this mortal flesh,
   These shrinking nerves, this feeble frame,
For ever racked with ailments fresh
   And scarce from day to day the same --

Set within a desert lone,
Circled by an arid sea,
Stands a figure carved in stone,
Where a fountain used to be.

Two abraded, pleading hands
Held below a shapeless mouth,
Human-like the fragment stands,
Tortured by perpetual drouth.

Once the form was drenched with spray,
Deluged with the rainbow flushes;
Surplus water dashed away
To the lotus and the rushes.

Time was clothed in rippling fashion,.
Opulence of light and air,
Beauty changing into passion
Every hour and everywhere.