"the cure of souls." Henry James


The radiant soda of the seashore fashions
Fun, foam and freedom. The sea laves
The Shaven sand. And the light sways forward
On self-destroying waves.

The rigor of the weekday is cast aside with shoes,
With business suits and traffic's motion;
The lolling man lies with the passionate sun,
Or is drunken in the ocean.

A socialist health take should of the adult,
He is stripped of his class in the bathing-suit,
He returns to the children digging at summer,
A melon-like fruit.

She did not know that she was dead,
But, when the pang was o'er,
Sat down to wait her Master's tread
Upon the Golden Floor,

With ears full-cock and anxious eye
Impatiently resigned;
But ignorant that Paradise
Did not admit her kind.

Persons with Haloes, Harps, and Wings
Assembled and reproved;
Or talked to her of Heavenly things,
But Dinah never moved.

There was one step along the Stair
That led to Heaven's Gate;
And, till she heard it, her affair
Was--she explained--to wait.

Ruggiero, to amaze the British host,
And wake more wonder in their wondering ranks,
The bridle of his winged courser loosed,
And clapped his spurs into the creature's flanks;
High in the air, even to the topmost banks
Of crudded cloud, uprose the flying horse,
And now above the Welsh, and now the Manx,
And now across the sea he shaped his course,
Till gleaming far below lay Erin's emerald shores.


There round Hibernia's fabled realm he coasted,
Where the old saint had left the holy cave,

“HO, Sailor of the sea!
How’s my boy—my boy?”
“What’s your boy’s name, good wife,
And in what good ship sail'd he?”
“My boy John— He that went to sea—
What care I for the ship, sailor?
My boy's my boy to me.
“You come back from sea,
And not know my John?
I might as well have ask’d some landsman
Yonder down in the town.
There ’s not an ass in all the parish
But he knows my John.

“How’s my boy—my boy?
And unless you let me know
I’ll swear you are no sailor,
Blue jacket or no,

How tuneful is the voice of sea,
What true accord in ocean's murmur,
And in the reed's light, rhythmic tremour
What tender musicality!

In nature all is harmony,
A consonance fore'er agreed on,
And 'tis alone our phantom freedom
That is disturbingly off-key.

Whence comes this breach? How to explain
Why with the sea its song sonorous
The soul declines to sing in chorus?
Why does the thinking reed complain?

When the cabin port-holes are dark and green
Because of the seas outside
When the ship goes wop (with a wiggle between)
And steward falls into the soup-tureen,
And trunks begin to slide;
When Nursey lies on the floor in a heap,
And Mummy tells you to let her sleep,
And you aren't waked or washed or dressed,
Why, then you will know (if you haven't guessed)
You're "Fifty North and Forty West!"

There was an agile sailor lad
Who longed to know the bush
So with his swag and billy-can
He said he'd make a push.
He left his ship in Moreton Bay
And faced the Western run,
And asked his way, ten times a day,
And steered for Bandy's Run.
Said Bandy: "You can start, my son,
If you can ride a horse,"
For stockmen on the cattle-run
Were wanted there, of course.
Now Jack had strode the cross-bars oft
On many a bounding sea,
So reckoned he'd be safe enough
On any moke you see.

They caught him one and saddled it,

The future was dark and the past was dead
As they gazed on the sea once more –
But a nation was born when the immigrants said
"Good-bye!" as they stepped ashore!
In their loneliness they were parted thus
Because of the work to do,
A wild wide land to be won for us
By hearts and hands so few.

The darkest land 'neath a blue sky's dome,
And the widest waste on earth;
The strangest scenes and the least like home
In the lands of our fathers' birth;
The loneliest land in the wide world then,

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How sick—to wait—in any place—but thine—
I knew last night—when someone tried to twine—
Thinking—perhaps—that I looked tired—or alone—
Or breaking—almost—with unspoken pain—

And I turned—ducal—
That right—was thine—
One port—suffices—for a Brig—like mine—

Ours be the tossing—wild though the sea—
Rather than a Mooring—unshared by thee.
Ours be the Cargo—unladed—here—
Rather than the "spicy isles—"
And thou—not there—

How shall my animal
Whose wizard shape I trace in the cavernous skull,
Vessel of abscesses and exultation's shell,
Endure burial under the spelling wall,
The invoked, shrouding veil at the cap of the face,
Who should be furious,
Drunk as a vineyard snail, flailed like an octopus,
Roaring, crawling, quarrel
With the outside weathers,
The natural circle of the discovered skies
Draw down to its weird eyes?

How shall it magnetize,
Towards the studded male in a bent, midnight blaze