I'm sick of embarking in dories
Upon an emotional sea.
I'm wearied of playing Dolores
(A role never written for me).

I'll never again like a cub lick
My wounds while I squeal at the hurt.
No more I'll go walking in public,
My heart hanging out of my shirt.

I'm tired of entwining me garlands
Of weather-worn hemlock and bay.
I'm over my longing for far lands-
I wouldn't give that for Cathay.

I'm through with performing the ballet
Of love unrequited and told.
Euterpe, I tender you vale;

I'd watched the sorrow of the evening sky,
And smelt the sea, and earth, and the warm clover,
And heard the waves, and the seagull's mocking cry.

And in them all was only the old cry,
That song they always sing -- "The best is over!
You may remember now, and think, and sigh,
O silly lover!"
And I was tired and sick that all was over,
And because I,
For all my thinking, never could recover
One moment of the good hours that were over.
And I was sorry and sick, and wished to die.

Then from the sad west turning wearily,

In a vision Liberty stood
By the childless charm-stricken bed
Where, barren of glory and good,
Knowing nought if she would not or would,
England slept with her dead.

Her face that the foam had whitened,
Her hands that were strong to strive,
Her eyes whence battle had lightened,
Over all was a drawn shroud tightened
To bind her asleep and alive.

She turned and laughed in her dream
With grey lips arid and cold;
She saw not the face as a beam
Burn on her, but only a gleam
Through her sleep as of new-stamped gold.

Now, God be thanked Who has watched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye, and sharpened power,
To turn, as swimmers into cleanness leaping,
Glad from a world grown old and cold and weary,
Leave the sick hearts that honour could not move,
And half-men, and their dirty songs and dreary,
And all the little emptiness of love!

Oh! we, who have known shame, we have found release there,
Where there's no ill, no grief, but sleep has mending,

A RETURN TO THE COVER OF

THIS BOOK



Dear Trout Fishing in America:



I met your friend Fritz in Washington Square. He told me

to tell you that his case went to a jury and that he was acquit-

ted by the jury.

He said that it was important for me to say that his case

went to a jury and that he was acquitted by the jury,

said it again.

He looked in good shape. He was sitting in the sun. There's

an old San Francisco saying that goes: "It's better to rest in

Along the sprawled body of the derailed Great Northern freight car,
I strike a match slowly and lift it slowly.
No wind.

Beyond town, three heavy white horses
Wade all the way to their shoulders
In a silo shadow.

Suddenly the freight car lurches.
The door slams back, a man with a flashlight
Calls me good evening.
I nod as I write good evening, lonely
And sick for home.

Out of the cradle endlessly rocking,
Out of the mocking-bird's throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands and the fields beyond, where the child
leaving his bed wander'd alone, bareheaded, barefoot,
Down from the shower'd halo,
Up from the mystic play of shadows twining and twisting as
if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories sad brother, from the fitful risings and
fallings I heard,

In our street, the main street
Running thro' the town,
You see a lot of busy folk
Going up and down:

Bag men and basket men,
Men with loads of hay,
Buying things and selling things
And carting things away.

The butcher is a funny man,
He calls me Dandy Dick;
The baker is a cross man,
I think he's often sick;

The fruiterer's a nice man,
He gives me apples, too;
The grocer says, "Good morning, boy,
What can I do for you?"

Of all the men in our street
I like the cobbler best,

We were out on the hills that night
To watch our sheep;
Drowsily by the fire we lay
Where the waning flame did flicker and leap,
And some were weary and half asleep,
And some talked low of their flocks and the fright
Of a lion that day.

But I had drawn from the others apart;
I was only a lad,
And the night's great silence so filled my heart
That I dared not talk and I dared not jest;
The moon had gone down behind the hill
And even the wind of the desert was still;
As the touch of death the air was cold,

Oh, it's pleasant sitting here,
Seeing all the people pass;
You beside your bock of beer,
I behind my demi-tasse.
Chatting of no matter what.
You the Mummer, I the Bard;
Oh, it's jolly, is it not? --
Sitting on the Boulevard.

More amusing than a book,
If a chap has eyes to see;
For, no matter where I look,
Stories, stories jump at me.
Moving tales my pen might write;
Poems plain on every face;
Monologues you could recite
With inimitable grace.

(Ah! Imagination's power)
See yon demi-mondaine there,