Almighty Framer of the Skies!
O let our pure devotion rise,
Like Incense in thy Sight!
Wrapt in impenetrable Shade
The Texture of our Souls were made
Till thy Command gave light.
The Sun of Glory gleam'd the Ray,
Refin'd the Darkness into Day,
And bid the Vapours fly;
Impell'd by his eternal Love
He left his Palaces above
To cheer our gloomy Sky.

How shall we celebrate the day,
When God appeared in mortal clay,
The mark of worldly scorn;
When the Archangel's heavenly Lays,

You may have heard of Proclus, sir,
If you have been a reader;
And you may know a bit of her
Who helped the Lycian leader.
I have my doubts -- the head you "sport"
(Now mark me, don't get crusty)
Is hardly of the classic sort --
Your lore, I think, is fusty.

Most likely you have stuck to tracts
Flushed through with flaming curses --
I judge you, neighbour, by your acts --
So don't you damn my verses.

But to my theme. The Asian sage,
Whose name above I mention,
Lived in the pitchy Pagan age,

Nestled into the side of a hill
Warm fire, blazing
Comforter and footstool
Coffee steaming from a freshly brewed pot
Through the windows’ bay
A circle of stone to
Frame the sky
Mist in the valley like a dream
Awakening
The red light of morning
Peeking o’er the trees…

Somewhere below
Down a road winding through
An unseen distance
The clip-clop, clip-clop
Horse and buggy on its way
Bird song and cow bell
Dragonfly and wildflower
Still pond and fragrant field
The beckoning promise of
Another day.

Act II Scene ii, lines 26-55


A ho! A ho!
Love's horn doth blow,
And he will out a-hawking go.
His shafts are light as beauty's sighs,
And bright as midnight's brightest eyes,
And round his starry way
The swan-winged horses of the skies,
With summer's music in their manes,
Curve their fair necks to zephyr's reins,
And urge their graceful play.

A ho! A ho!
Love's horn doth blow,
And he will out a-hawking go.
The sparrows flutter round his wrist.
The feathery thieves that Venus kissed

The image of the moon at night
All trembling in the ocean lies,
But she, with calm and steadfast light,
Moves proudly through the radiant skies,

How like the tranquil moon thou art--
Thou fairest flower of womankind!
And, look, within my fluttering heart
Thy image trembling is enshrined!

Good morning, Life--and all
Things glad and beautiful.
My pockets nothing hold,
But he that owns the gold,
The Sun, is my great friend--
His spending has no end.

Hail to the morning sky,
Which bright clouds measure high;
Hail to you birds whose throats
Would number leaves by notes;
Hail to you shady bowers,
And you green field of flowers.

Hail to you women fair,
That make a show so rare
In cloth as white as milk--
Be't calico or silk:
Good morning, Life--and all

Not, exactly, green:
closer to bronze
preserved in kind brine,

something retrieved
from a Greco-Roman wreck,
patinated and oddly

muscular. We cannot
know what his fantastic
legs were like--

though evidence
suggests eight
complexly folded

scuttling works
of armament, crowned
by the foreclaws'

gesture of menace
and power. A gull's
gobbled the center,

leaving this chamber
--size of a demitasse--
open to reveal

a shocking, Giotto blue.
Though it smells

What story is here of broken love,
What idyllic sad romance,
What arrow fretted the silken dove
That met with such grim mischance?

I picture you, sleeper of long ago,
When you trifled and danced and smiled,
All golden laughter and beauty's glow
In a girl life sweet and wild.

Hair with the red gold's luring tinge,
Fine as the finest silk,
Violet eyes with a golden fringe
And cheeks of roses and milk.

Something of this you must have been,
Something gentle and sweet,

"Aged 17, OF A BROKEN HEART, January 1st, 1841."

What story is here of broken love,
   What idyllic sad romance,
What arrow fretted the silken dove
   That met with such grim mischance?

I picture you, sleeper of long ago,
   When you trifled and danced and smiled,
All golden laughter and beauty's glow
   In a girl life sweet and wild.

Hair with the red gold's luring tinge,
   Fine as the finest silk,
Violet eyes with a golden fringe

In the mid-city, under an oiled sky,
I lay in a garden of such dusky green
It seemed the dregs of the imagination.
Hedged round by elegant spears of iron fence
My face became a moon to absent suns.
A low heat beat upon my reading face;
There rose no roses in that gritty place
But blue-gray lilacs hung their tassels out.
Hard zinnias and ugly marigolds
And one sweet statue of a child stood by.

A gutter of poetry flowed outside the yard,
Making me think I was a bird of prose;
For overhead, bagged in a golden cloud,