On Cruachan's plain slept he
That must sing in a rhyme
What most could shake his soul:
'The stallion Eternity
Mounted the mare of Time,
'Gat the foal of the world.'
Nothing has changed.
The body is susceptible to pain,
it must eat and breathe air and sleep,
it has thin skin and blood right underneath,
an adequate stock of teeth and nails,
its bones are breakable, its joints are stretchable.
In tortures all this is taken into account.
Nothing has changed.
The body shudders as it shuddered
before the founding of Rome and after,
in the twentieth century before and after Christ.
Tortures are as they were, it's just the earth that's grown smaller,
Of pearies and their origin I sing:
How at the first great Jove the lord of air
Impelled the planets round the central sun
Each circling within each, until at last
The winged Mercury moves in molten fire.
And which of you, ye heavenly deities,
That hear the endless music of the spheres,
Hast given to man the secret of the Top?
Say, was it thou, O Fun, that dost prefer,
Before all temples, liberty and play?
Yes, yes, ’twas only thou, thou from the first
Wast present when the Roman children came
Too long, O Spirit of Storm,
Thy lightning sleeps in its sheath!
I am sick to the soul of yon pallid sky,
And the moveless sea beneath.
Come down in thy strength on the deep!
Worse dangers there are in life,
When the waves are still, and the skies look fair,
Than in their wildest strife.
A friend I knew, whose days
Were as calm as this sky overhead;
But one blue morn that was fairest of all,
The heart in his bosom fell dead.
And they thought him alive while he walked
This is To-day, a child in white and blue
Running to meet me out of Night who stilled
The ghost of Yester-eve; this is fair Morn
The mother of To-morrow. And these clouds
That chase the sunshine over gleaming hills
Are thoughts, delighting in the golden change
And the ceremony of their drifting state.
This is To-day. To-morrow might bring death,—
And Life, the gleeful madrigal of birds,
Be drowned in glimmer of sleep. To-day I know
How sweet it is to spend these eyes, and boast
Time! on whose arbitrary wing
The varying hours must flag or fly,
Whose tardy winter, fleeting spring,
But drag or drive us on to die---
Hail thou! who on my birth bestowed
Those boons to all that know thee known;
Yet better I sustain thy load,
For now I bear the weight alone.
I would not one fond heart should share
The bitter moments thou hast given;
And pardon thee---since thou couldst spare
All that I loved, to peace or Heaven.
To them be joy or rest---on me
Thy future ills shall press in vain;
And thou art dead, as young and fair
As aught of mortal birth;
And form so soft and charm so rare
Too soon returned to Earth!
Though Earth received them in her bed,
And o'er the spot the crowd may tread
In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.
I will not ask where thou liest low,
Nor gaze upon the spot;
There flowers or weeds at will may grow,
So I behold them not:
It is enough for me to prove
That what I loved, and long must love,
I
To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar
And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.
I ate my dinners between the battles,
I lay down to sleep among the murderers,
I didn't care for much for love
And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.
The city streets all led to foul swamps in my time,
How fares it, friend, since I by Fate annoy'd
Left the old home in need of livelier play
For body and mind? How fare, this many a day,
The stubborn thews and ageless heart of Floyd?
If not too well with country sport employ'd,
Visit my flock, the breezy hill that they
Choose for their fold; and see, for thence you may,
From rising walls all roofless yet and void,
The lovely city, thronging tower and spire,
The mind of the wide landscape, dreaming deep,
Grey-silvery in the vale; a shrine where keep
some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply
