The essence of true beauty
Lingers in all-encompassing rainbows
Of your joy and laughter
You hold my hand and smile
As we ensconce ourselves in our world of fire
Our love is all there is
I touch your face
Your gentleness astounds me
I'm held in the honour of your love
Then overnight, the wrold truns suor
61 mInnIts past the ELevenTHH HouRR
I'M A L 0 N E
Sleep sweetly in your humble graves,
Sleep, martyrs of a fallen cause;
Though yet no marble column craves
The pilgrim here to pause.
II
In seeds of laurel in the earth
The blossom of your fame is blown,
And somewhere, waiting for its birth,
The shaft is in the stone!
III
Meanwhile, behalf the tardy years
Which keep in trust your storied tombs,
Behold! your sisters bring their tears,
And these memorial blooms.
IV
They said he sent his love to me,
They wouldn't put it in my hand,
And when I asked them where it was
They said I couldn't understand.
I thought they must have hidden it,
I hunted for it all the day,
And when I told them so at night
They smiled and turned their heads away.
They say that love is something kind,
That I can never see or touch.
I wish he'd sent me something else,
I like his cough-drops twice as much.
From billabong or pond
he serenades the moon
upon his small bassoon;
the moon does not respond
but in the hope she might
he keeps it up all night.
The meatworker in magpie suit
goes home and practices his flute
ten times on end he will begin
the Bridal March from Lohengrin,
or make the Kookaburra smile
by his attempts at Fairest Isle.
He needs both industry and skill
the satisfy his hunger
did he run up that monstrous bill
of his at the fishmonger?
Go, songs, for ended is our brief, sweet play;
Go, children of swift joy and tardy sorrow:
And some are sung, and that was yesterday,
And some are unsung, and that may be tomorrow.
Go forth; and if it be o'er stony way,
Old joy can lend what newer grief must borrow:
And it was sweet, and that was yesterday,
And sweet is sweet, though purchased with sorrow.
Go, songs, and come not back from your far way:
And if men ask you why ye smile and sorrow,
Tell them ye grieve, for your hearts know Today,
Golden slumbers kiss your eyes,
Smiles awake you when you rise ;
Sleep, pretty wantons, do not cry,
And I will sing a lullaby,
Rock them, rock them, lullaby.
Care is heavy, therefore sleep you,
You are care, and care must keep you ;
Sleep, pretty wantons, do not cry,
And I will sing a lullaby,
Rock them, rock them, lullaby.
Go, Valentine, and tell that lovely maid
Whom fancy still will portray to my sight,
How here I linger in this sullen shade,
This dreary gloom of dull monastic night;
Say, that every joy of life remote
At evening's closing hour I quit the throng,
Listening in solitude the ring-dome's note,
Who pours like me her solitary song;
Say, that of her absence calls the sorrowing sigh;
Say, that of all her charms I love to speak,
In fancy feel the magic of her eye,
In fancy view the smile illume her cheek,
Harry Wilmans! You who fell in a swamp
Near Manila, following the flag,
You were not wounded by the greatness of a dream,
Or destroyed by ineffectual work,
Or driven to madness by Satanic snags;
You were not torn by aching nerves,
Nor did you carry great wounds to your old age.
You did not starve, for the government fed you.
You did not suffer yet cry "forward"
To an army which you led
Against a foe with mocking smiles,
Sharper than bayonets. You were not smitten down
By invisible bombs. You were not rejected
God moves in a mysterious way
His wonders to perform;
He plants His footsteps in the sea,
And rides upon the storm.
Deep in unfathomable mines
Of never-failing skill
He treasures up His bright designs,
And works His sovereign will.
Ye fearful saints, fresh courage take,
The clouds ye so much dread
Are big with mercy, and shall break
In blessings on your head.
Judge not the Lord by feeble sense,
But trust Him for His grace;
Behind a frowning providence
He hides a smiling face.
Maxine, back from a weekend with her boyfriend,
smiles like a big cat and says
that she's a conjugated verb.
She's been doing the direct object
with a second person pronoun named Phil,
and when she walks into the room,
everybody turns:
some kind of light is coming from her head.
Even the geraniums look curious,
and the bees, if they were here, would buzz
suspiciously around her hair, looking
for the door in her corona.
We're all attracted to the perfume
of fermenting joy,
