1856

Paris, from throats of iron, silver, brass,
Joy-thundering cannon, blent with chiming bells,
And martial strains, the full-voiced pæan swells.
The air is starred with flags, the chanted mass
Throngs all the churches, yet the broad streets swarm
With glad-eyed groups who chatter, laugh, and pass,
In holiday confusion, class with class.
And over all the spring, the sun-floods warm!
In the Imperial palace that March morn,
The beautiful young mother lay and smiled;
For by her side just breathed the Prince, her child,

Oh, why are you shining so bright, big Sun,
And why is the garden so gay?
Do you know that my days of delight are done,
Do you know I am going away?
If you covered your face with a cloud, I 'd dream
You were sorry for me in my pain,
And the heads of the flowers all bowed would seem
To be weeping with me in the rain.

But why is your head so low, sweet heart,
And why are your eyes overcast?
Are they clouded because you know we must part,
Do you think this embrace is our last?
Then kiss me again, and again, and again,

The black snow runs down from the rooftops;
A red finger dips into your brow;
Blue snow flakes sink into the empty room,
They are a lovers’ dying mirrors.
Heavy and torn to pieces the mind muses,
Follows the shadow in the mirror of blue snow flakes,
The cold smile of a deceased harlot.
The evening’s wind weeps in the scent of carnations.

In the midnight of darkness and terror,
When I would grope nearer to God,
With my back to a record of error
And the highway of sin I have trod,
There comes to me shapes I would banish –
The shapes of the deeds I have done;
And I pray and I plead till they vanish –
All vanish and leave me, save one.

That one, with a smile like the splendour
Of the sun in the middle-day skies –
That one, with a spell that is tender –
That one with a dream in her eyes –
Cometh close, in her rare southern beauty,

VI
Fair is my love, and cruel as she's fair:
Her brow shades frowns although her eyes are sunny,
Her smiles are lightning though her pride despair,
And her disdains are gall, her favours honey;
A modest maid, deck'd with a blush of honour,
Whose feet do tread green paths of youth and love,
The wonder of all eyes that look upon her:
Sacred on earth, design'd a saint above.
Chastity and beauty, which were deadly foes,
Live reconciled friends within her brow;
And had she pity to conjoin with those,

Whey are those tears in your eyes, my child?
How horrid of them to be always scolding you for nothing!
You have stained your fingers and face with ink while writing-
is that why they call you dirty?
O, fie! Would they dare to call the full moon dirty because
it has smudged its face with ink?
For every little trifle they blame you, my child. They are
ready to find fault for nothing.
You tore your clothes while playing-is that why they call you
untidy?
O, fie! What would they call an autumn morning that smiles

Deep in a yew-sequestered grove
I sat and wept my heart away;
A child came by at close of day
With eyes as sweet as new-born love.

He came from sun-bleached meadows where
High on the hedge the topmost rose
Curtsies to every wind that blows.
A wanton of the summer air.

The sunset aureoled his brow,
Kindling the roses in his hand,
And by my side I saw him stand
To offer me his rose-red bough:

Take back thy gift--I sighed forlorn,
And showed where like the yew's red seed,

The morn arrived; his footstep quickly scared

The gentle sleep that round my senses clung,
And I, awak'ning, from my cottage fared,

And up the mountain side with light heart sprung;
At every step I felt my gaze ensnared

By new-born flow'rs that full of dew-drops hung;
The youthful day awoke with ecstacy,
And all things quicken'd were, to quicken me.

And as I mounted, from the valley rose

A streaky mist, that upward slowly spread,
Then bent, as though my form it would enclose,

In youth I longed to paint
The loveliness I saw;
And yet by dire constraint
I had to study Law.
But now all that is past,
And I have no regret,
For I am free at last
Law to forget.
II
To beauty newly born
With brush and tube I play;
And though my daubs you scorn,
I'll learn to paint some day.
When I am eighty old,
Maybe I'll better them,
And you may yet behold
A gem.
III
Old Renoir used to paint,
Brush strapped to palsied hand;
His fervour of a saint

Before the florid portico
I watched the gamblers come and go,
While by me on a bench there sat
A female in a faded hat;
A shabby, shrinking, crumpled creature,
Of waxy casino-ward with eyes
Of lost soul seeking paradise.
II
Then from the Café de la Paix
There shambled forth a waiter fellow,
Clad dingily, down-stooped and grey,
With hollow face, careworn and yellow.
With furtive feet before our seat
He came to a respectful stand,
And bowed, my sorry crone to greet,
Saying: "Princess, I kiss your hand."
III