smile

Does the Eagle know what is in the pit?
Or wilt thou go ask the Mole?
Can Wisdom be put in a silver rod?
Or Love in a golden bowl?

I

The daughters of the Seraphim led round their sunny flocks,
All but the youngest: she in paleness sought the secret air,
To fade away like morning beauty from her mortal day:
Down by the river of Adona her soft voice is heard,
And thus her gentle lamentation falls like morning dew:

The blue bell is the sweetest flower
That waves in summer air;
Its blossoms have the mightiest power
To soothe my spirit's care.

There is a spell in purple heath
Too wildly, sadly dear;
The violet has a fragrant breath
But fragrance will not cheer.

The trees are bare, the sun is cold;
And seldom, seldom seen;
The heavens have lost their zone of gold
The earth its robe of green;

And ice upon the glancing stream
Has cast its sombre shade
And distant hills and valleys seem

A fine and subtle spirit dwells
In every little flower,
Each one its own sweet feeling breathes
With more or less of power.
There is a silent eloquence
In every wild bluebell
That fills my softened heart with bliss
That words could never tell.

Yet I recall not long ago
A bright and sunny day,
'Twas when I led a toilsome life
So many leagues away;

That day along a sunny road
All carelessly I strayed,
Between two banks where smiling flowers
Their varied hues displayed.

Beneath the blaze of a tropical sun the mountain peaks are the Thrones of
Frost, through the absence of objects to reflect the rays. `What no one
with us shares, seems scarce our own.' The presence of a ONE,

The best belov'd, who loveth me the best,

is for the heart, what the supporting air from within is for the hollow
globe with its suspended car. Deprive it of this, and all without, that
would have buoyed it aloft even to the seat of the gods, becomes a burthen
and crushes it into flatness.

II

Up in my garret bleak and bare
I tilted back on my broken chair,
And my three old pals were with me there,
Hunger and Thirst and Cold;
Hunger scowled at his scurvy mate:
Cold cowered down by the hollow grate,
And I hated them with a deadly hate
As old as life is old.

So up in my garret that's near the sky
I smiled a smile that was thin and dry:
"You've roomed with me twenty year," said I,
"Hunger and Thirst and Cold;
But now, begone down the broken stair!

She lay like a saint on her copper couch;
Like an angel asleep she lay,
In the stare of the ghoulish folks that slouch
Past the Dead and sneak away.

Then came old Jules of the sightless gaze,
Who begged in the streets for bread.
Each day he had come for a year of days,
And groped his way to the Dead.

"What's the Devil's Harvest to-day?" he cried;
"A wanton with eyes of blue!
I've known too many a such," he sighed;
"Maybe I know this . . . mon Dieu!"

I

When of tender mind and body
I was moved by minstrelsy,
And that strain "The Bridge of Lodi"
Brought a strange delight to me.

II

In the battle-breathing jingle
Of its forward-footing tune
I could see the armies mingle,
And the columns cleft and hewn

III

On that far-famed spot by Lodi
Where Napoleon clove his way
To his fame, when like a god he
Bent the nations to his sway.

IV

Hence the tune came capering to me

I

When of tender mind and body
   I was moved by minstrelsy,
And that strain "The Bridge of Lodi"
   Brought a strange delight to me.

II

In the battle-breathing jingle
   Of its forward-footing tune
I could see the armies mingle,
   And the columns cleft and hewn

III

On that far-famed spot by Lodi
   Where Napoleon clove his way
To his fame, when like a god he
   Bent the nations to his sway.

IV

Hence the tune came capering to me

When Love was born of heavenly line,
What dire intrigues disturbed Cythera's joy!
Till Venus cried, 'A mother's heart is mine;
None but myself shall nurse my boy,'

But, infant as he was, the child
In that divine embrace enchanted lay;
And, by the beauty of the vase beguiled,
Forgot the beverage--and pined away.

'And must my offspring languish in my sight?'
(Alive to all a mother's pain,
The Queen of Beauty thus her court addressed)
'No: Let the most discreet of all my train

We are a people living in shells and moving
Crablike; reticent, awkward, deeply suspicious;
Watching the world from a corner of half-closed eyelids,
Afraid lest someone show that he hates or loves us,
Afraid lest someone weep in the railway train.

We are coiled and clenched like a foetus clad in armour.
We hold our hearts for fear they fly like eagles.
We grasp our tongues for fear they cry like trumpets.
We listen to our own footsteps. We look both ways
Before we cross the silent empty road.