I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;

Never again the sight of her?
Never her winsome smile
Shall light the path of my journeying
O'er many a weary mile?
Never again shall her soft voice come
To cheer me all the while?
O Thou, who hearest from above,
Tell me, is this the price of love?

Never again the touch of her lips?
Never her dark, brown eyes
Shall shine on me with the dancing joy
Of stars in the summer skies?
Never again shall my song be aught
Save minor chords of sighs?
O Thou, who hearest from above,

Guns,
Long, steel guns,
Pointed from the war ships
In the name of the war god.
Straight, shining, polished guns,
Clambered over with jackies in white blouses,
Glory of tan faces, tousled hair, white teeth,
Laughing lithe jackies in white blouses,
Sitting on the guns singing war songs, war chanties.

Shovels,
Broad, iron shovels,
Scooping out oblong vaults,
Loosening turf and leveling sod.

I ask you
To witness--
The shovel is brother to the gun.

I try to knead and spin, but my life is low the while.
Oh, I long to be alone, and walk abroad a mile;
Yet if I walk alone, and think of naught at all,
Why from me that's young should the wild tears fall?

The shower-sodden earth, the earth-colored streams,
They breathe on me awake, and moan to me in dreams,
And yonder ivy fondling the broke castle-wall,
It pulls upon my heart till the wild tears fall.

The cabin-door looks down a furze-lighted hill,
And far as Leighlin Cross the fields are green and still;

Read by the poet at The Public Ceremonial of The Naional Institute
of Arts and Letters at Carnegie Hall, New York, January 18th, 1941.

Great Muse, that from this hall absent for long
Hast never been,
Great Muse of Song,
Colossal Muse of mighty Melody,
Vocal Calliope,
With thine august and contrapuntal brow
And thy vast throat builded for Harmony,
For the strict monumental pure design,
And the melodic line:
Be thou tonight with all beneath these rafters—be with me.
If I address thee in archaic style—

Come down from heaven to meet me when my breath
Chokes, and through drumming shafts of stifling death
I stumble toward escape, to find the door
Opening on morn where I may breathe once more
Clear cock-crow airs across some valley dim
With whispering trees. While dawn along the rim
Of night’s horizon flows in lakes of fire,
Come down from heaven’s bright hill, my song’s desire.

Belov’d and faithful, teach my soul to wake
In glades deep-ranked with flowers that gleam and shake
And flock your paths with wonder. In your gaze

Oh, you who read some song that I have sung –
What know you of the soul from whence it sprung?

Dost dream the poet ever speaks aloud
His secret thought unto the listening crowd?

Go take the murmuring sea-shell from the shore-
You have its shape, its colour – and no more.

It tells not one of those vast mysteries
That lie beneath the surface of the seas.

Our songs are shells, cast out by waves of thought;
Here, take them at your pleasure; but think not

You’ve seen the beneath the surface of the waves,

Should you ask me,
whence these stories?
Whence these legends and traditions,
With the odors of the forest
With the dew and damp of meadows,
With the curling smoke of wigwams,
With the rushing of great rivers,
With their frequent repetitions,
And their wild reverberations
As of thunder in the mountains?
I should answer, I should tell you,
"From the forests and the prairies,
From the great lakes of the Northland,
From the land of the Ojibways,
From the land of the Dacotahs,
From the mountains, moors, and fen-lands

THOU art my love
And thou art the peace of sundown
When the blue shadows soothe
And the grasses and the leaves sleep
To the song of the little brooks
Woe is me.

Thou art my love,
And thou art a storm
That breaks black in the sky
And, sweeping headlong,
Drenches and cowers each tree
And at the panting end
There is no sound
Save the melancholy cry of a single owl
Woe is me!

Thou art my love
And thou art a tinsel thing
And I in my play
Broke thee easily
And from the little fragments

Far from the Rappahannock, the silent
Danube moves along toward the sea.
The brown and green Nile rolls slowly
Like the Niagara's welling descent.
Tractors stood on the green banks of the Loire
Near where it joined the Cher.
The St. Lawrence prods among black stones
And mud. But the Arno is all stones.
Wind ruffles the Hudson's
Surface. The Irawaddy is overflowing.
But the yellowish, gray Tiber
Is contained within steep banks. The Isar
Flows too fast to swim in, the Jordan's water
Courses over the flat land. The Allegheny and its boats