I

Faint falls the gentle voice of prayer
In the wild sounds that fill the air,
Yet, Lord, we know that voice is heard,
Not less than if Thy throne it stirred.

II

Thine ear, thou tender One, is caught,
If we but bend the knee in thought;
No choral song that shakes the sky
Floats farther than the Christian's sigh.

III

Not all the darkness of the land
Can hide the lifted eye and hand;
Nor need the clanging conflict cease,
To make Thee hear our cries for peace.

(FROM THE GERMAN OF MARTIN LUTHER)

O heart of mine! lift up thine eyes
And see who in yon manger lies!
Of perfect form, of face divine--
It is the Christ-child, heart of mine!

O dearest, holiest Christ-child, spread
Within this heart of mine thy bed;
Then shall my breast forever be
A chamber consecrate to thee!

Beat high to-day, O heart of mine,
And tell, O lips, what joys are thine;
For with your help shall I prolong
Old Bethlehem's sweetest cradle-song.

Glory to God, whom this dear Child

As the dawn was breaking the Sambhur belled
Once, twice, and again!
And a doe leaped up -- and a doe leaped up
From the pond in the wood where the wild deer sup.
This I, scouting alone, beheld,
Once, twice, and again!

As the dawn was breaking the Sambhur belled
Once, twice, and again!
And a wolf stole back -- and a wolf stole back
To carry the word to the waiting Pack;
And we sought and we found and we bayed on his track
Once, twice, and again!

As the dawn was breaking the Wolf-pack yelled
Once, twice, and again!

The toils are pitched, and the stakes are set,
Ever sing merrily, merrily;
The bows they bend, and the knives they whet,
Hunters live so cheerily.

It was a stag, a stag of ten,
Bearing its branches sturdily;
He came silently down the glen,
Ever sing hardily, hardily.

It was there he met with a wounded doe,
She was bleeding deathfully;
She warned him of the toils below,
O so faithfully, faithfully!

He had an eye, and he could heed,
Ever sing so warily, warily;
He had a foot, and he could speed--

Write it. Write. In ordinary ink
on ordinary paper: they were given no food,
they all died of hunger. "All. How many?
It's a big meadow. How much grass
for each one?" Write: I don't know.
History counts its skeletons in round numbers.
A thousand and one remains a thousand,
as though the one had never existed:
an imaginary embryo, an empty cradle,
an ABC never read,
air that laughs, cries, grows,
emptiness running down steps toward the garden,
nobody's place in the line.

We stand in the meadow where it became flesh,

He thought he saw an Elephant
That practised on a fife:
He looked again, and found it was
A letter from his wife.
"At length I realize," he said,
"The bitterness of life!"

He thought he saw a Buffalo
Upon the chimney-piece:
He looked again, and found it was
His Sister's Husband's Niece.
"Unless you leave this house," he said,
"I'll send for the police!"

he thought he saw a Rattlesnake
That questioned him in Greek:
He looked again, and found it was
The Middle of Next Week.
"The one thing I regret," he said,

How tuneful is the voice of sea,
What true accord in ocean's murmur,
And in the reed's light, rhythmic tremour
What tender musicality!

In nature all is harmony,
A consonance fore'er agreed on,
And 'tis alone our phantom freedom
That is disturbingly off-key.

Whence comes this breach? How to explain
Why with the sea its song sonorous
The soul declines to sing in chorus?
Why does the thinking reed complain?

If this world were mine, the stereo
starts, but can't begin
to finish the phrase. I might survive
it, someone could add, but that
someone's not here. She's crowned
with laurel leaves, the place
where laurel leaves would be
if there were leaves, she's not
medieval Florence, not
Blanche of Castile. Late March
keeps marching in old weather,
another slick of snow to trip
and fall into, another bank
of inconvenient fact. The sky
is made of paper and white reigns,
shredded paper pools into her afterlife,

How many paltry foolish painted things,
That now in coaches trouble every street,
Shall be forgotten, whom no poet sings,
Ere they be well wrapped in their winding-sheet!
Where I to thee eternity shall give,
When nothing else remaineth of these days,
And queens hereafter shall be glad to live
Upon the alms of thy superfluous praise.
Virgins and matrons, reading these my rhymes,
Shall be so much delighted with thy story
That they shall grieve they lived not in these times,
To have seen thee, their sex's only glory:

How many bards gild the lapses of time!
A few of them have ever been the food
Of my delighted fancy,—I could brood
Over their beauties, earthly, or sublime:
And often, when I sit me down to rhyme,
These will in throngs before my mind intrude:
But no confusion, no disturbance rude
Do they occasion; 'tis a pleasing chime.
So the unnumbered sounds that evening store;
The songs of birds—the whispering of the leaves—
The voice of waters—the great bell that heaves
With solemn sound,—and thousand others more,