Blest be the God of love,
Who gave me eyes, and light, and power this day,
Both to be busy, and to play.
But much more blest be God above,
Who gave me sight alone,
Which to himself he did deny:
For when he sees my ways, I die:
But I have got his son, and he hath none.

What have I brought thee home
For this thy love? have I discharg'd the debt,
Which this day's favour did beget?
I ran; but all I brought, was foam.
Thy diet, care and cost
Do end in bubbles, balls of wind;
Of wind to thee whom I have crost,

What is the name you called me?--
And why did you go so soon?

The crows lift their caws on the wind,
And the wind changed and was lonely.

The warblers cry thier sleepy-songs
Across the valley gloaming,
Across the cattle-horns of early stars.

Feathers and people in the crotch of a treetop
Throw an evening waterfall of sleepy-songs.

What is the name you called me?--
And why did you go so soon?

from Senlin: A Biography


It is moonlight. Alone in the silence
I ascend my stairs once more,
While waves, remote in a pale blue starlight,
Crash on a white sand shore.
It is moonlight. The garden is silent.
I stand in my room alone.
Across my wall, from the far-off moon,
A rain of fire is thrown . . .
There are houses hanging above the stars,
And stars hung under a sea:
And a wind from the long blue vault of time
Waves my curtain for me . . .
I wait in the dark once more,
Swung between space and space:

Full moon rising on the waters of my heart,
Lakes and moon and fires,
Cloine tires,
Holding her lips apart.

Promises of slumber leaving shore to charm the moon,
Miracle made vesper-keeps,
Cloine sleeps,
And I'll be sleeping soon.

Cloine, curled like the sleepy waters whtere the moonwaves start,
Radiant, resplendently she gleams,
Cloine dreams,
Lips pressed against my heart.

Sleep, McKade.
  Fold up the day. It was a bright scarf.
  Put it away.
  Take yourself to pieces like a house of cards.

It is time to be a grey mouse under a tall building.
  Go there. Go there now.
  Look at the huge nails. Run behind the pipes.
  Scamper in the walls.
  Crawl towards the beckoning girl, her breasts are warm.
  But here is a dead man. A murderer?
  Kill him with your pistol. Creep past him to the girl.

Sleep, McKade.

Ornamental clouds
compose an evening love song;
a road leaves evasively.
The new moon begins

a new chapter of our nights,
of those frail nights
we stretch out and which mingle
with these black horizontals.

'Tis evening; the black snail has got on his track,
And gone to its nest is the wren,
And the packman snail, too, with his home on his back,
Clings to the bowed bents like a wen.

The shepherd has made a rude mark with his foot
Where his shadow reached when he first came,
And it just touched the tree where his secret love cut
Two letters that stand for love's name.

The evening comes in with the wishes of love,
And the shepherd he looks on the flowers,
And thinks who would praise the soft song of the dove,

THE DAYS go by—the days go by,
Sadly and wearily to die:
Each with its burden of small cares,
Each with its sad gift of gray hairs
For those who sit, like me, and sigh,
“The days go by! The days go by!”
Ah, nevermore on shining plumes,
Shedding a rain of rare perfumes
That men call memories, they are borne
As in life’s many-visioned morn,
When Love sang in the myrtle-blooms—
Ah, nevermore on shining plumes!

Where is my life? Where is my life?
The morning of my youth was rife
With promise of a golden day.

Ye sacred Fyres, and powers aboue,
Forge of desires working loue,
Cast downe your eye, cast downe your eye
Vpon a Mayde in miserie.
My sacrifice is louers blood :
And from eyes salt teares a flood :
All which I spend, all which I spend
For thee Ascanio, my deare friend :
And though this houre I must feele
The bitter sower of pricking steele,
Yet ill or well, yet ill or well
To thee Ascanio still farewell

'Twas grace that taught my heart to fear.

Calm comes from burning.
Tall comes from fast.
Comely doesn't come from come.
Person comes from mask.

The kin of charity is whore,
the root of charity is dear.
Incentive has its source in song
and winning in the sufferer.

Afford yourself what you can carry out.
A coward and a coda share a word.
We get our ugliness from fear.
We get our danger from the lord.