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Accordion

I

Some carol of the banjo, to its measure keeping time;
Of viol or of lute some make a song.
My battered old accordion, you're worthy of a rhyme,
You've been my friend and comforter so long.
Round half the world I've trotted you, a dozen years or more;
You've given heaps of people lots of fun;
You've set a host of happy feet a-tapping on the floor . . .
Alas! your dancing days are nearly done.
II
I've played you from the palm-belt to the suburbs of the Pole;
From the silver-tipped sierras to the sea.

Absence

Your words dropped into my heart like pebbles into a pool,
Rippling around my breast and leaving it melting cool.

Your kisses fell sharp on my flesh like dawn-dews from the limb,
Of a fruit-filled lemon tree when the day is young and dim.

But a silence vasty-deep, oh deeper than all these ties
Now, through the menacing miles, brooding between us lies.

And more than the songs I sing, I await your written word,
To stir my fluent blood as never your presence stirred.

Absence

WHEN from the craggy mountain's pathless steep,
Whose flinty brow hangs o'er the raging sea,
My wand'ring eye beholds the foamy deep,
I mark the restless surge­and think of THEE.
The curling waves, the passing breezes move,
Changing and treach'rous as the breath of LOVE;
The "sad similitude" awakes my smart,
And thy dear image twines about my heart.

When at the sober hour of sinking day,
Exhausted Nature steals to soft repose,
When the hush'd linnet slumbers on the spray,
And scarce a ZEPHYR fans the drooping ROSE;

About Troy

1

Troy O Troy
an archeologist
will sift your ashes through his fingers
yet a fire occurred greater than that of the Iliad
for seven strings--

too few strings
one needs a chorus
a sea of laments
and thunder of mountains
rain of stone

--how to lead
people away from the ruins
how to lead
the chorus from poems--

thinks the faultless poet
respectably mute
as a pillar of salt
--The song will escape unharmed
It escaped
with flaming wing
into a pure sky

The moon rises over the ruins

Aboriginal Death Song

Feet of the flying, and fierce
Tops of the sharp-headed spear,
Hard by the thickets that pierce,
Lo! they are nimble and near.
Women are we, and the wives
Strong Arrawatta hath won;
Weary because of our lives,
Sick of the face of the sun.

Koola, our love and our light,
What have they done unto you?
Man of the star-reaching sight,
Dipped in the fire and the dew.

Black-headed snakes in the grass
Struck at the fleet-footed lord—
Still is his voice at the pass,
Soundless his step at the ford.

A Zacinto

I'll never step ashore and feel your beach
the way I felt it as a barefoot child,
or see you waver in the windy reach
of goddess-bearing sea. You were the island
Venus made with her first smile,
Zakynthos, the moment she was born.
No song embraced your leafy sky,
not even his who sang the fatal storm
and how Ulysses, his misfortunes past
and beautiful with fame, sailed home at last.

Some will not return: I too
offend the powers that be, am banned
from home. Oh maternal land,
my words are all I have to send to you

A Year's Burden -- 1870

Fire and wild light of hope and doubt and fear,
Wind of swift change, and clouds and hours that veer
As the storm shifts of the tempestuous year;
Cry wellaway, but well befall the right.

Hope sits yet hiding her war-wearied eyes,
Doubt sets her forehead earthward and denies,
But fear brought hand to hand with danger dies,
Dies and is burnt up in the fire of fight.

Hearts bruised with loss and eaten through with shame
Turn at the time's touch to devouring flame;
Grief stands as one that knows not her own name,

A Wren's Nest


I

Among the dwellings framed by birds
In field or forest with nice care,
Is none that with the little Wren's
In snugness may compare.

II
No door the tenement requires,
And seldom needs a laboured roof;
Yet is it to the fiercest sun
Impervious, and storm-proof.

III
So warm, so beautiful withal,
In perfect fitness for its aim,
That to the Kind by special grace
Their instinct surely came.

IV
And when for their abodes they seek
An opportune recess,

A Wood Song

Now one and all, you Roses,
Wake up, you lie too long!
This very morning closes
The Nightingale his song;

Each from its olive chamber
His babies every one
This very morning clamber
Into the shining sun.

You Slug-a-beds and Simples,
Why will you so delay!
Dears, doff your olive wimples,
And listen while you may.

A Woman's Shortcomings

I

She has laughed as softly as if she sighed,
She has counted six, and over,
Of a purse well filled, and a heart well tried -
Oh, each a worthy lover!
They "give her time"; for her soul must slip
Where the world has set the grooving;
She will lie to none with her fair red lip:
But love seeks truer loving.

II