Skip to main content

Poems On The Slave Trade - Sonnet I

Hold your mad hands! for ever on your plain
Must the gorged vulture clog his beak with blood?
For ever must your Nigers tainted flood
Roll to the ravenous shark his banquet slain?
Hold your mad hands! what daemon prompts to rear
The arm of Slaughter? on your savage shore
Can hell-sprung Glory claim the feast of gore,
With laurels water'd by the widow's tear
Wreathing his helmet crown? lift high the spear!
And like the desolating whirlwinds sweep,
Plunge ye yon bark of anguish in the deep;
For the pale fiend, cold-hearted Commerce there

Pan Beniowski - Final Part Of Canto Five

Surging like a vast current of salmon or sheatfish,
Coiling up and down like an iron serpent
That rears now its torso, now its head,
The armed horsemen breast the prairie grass. --
But hold! my song's device breaks down:
My Muse begs a rest, having drained her cup
Empty of sweet nectar; and so, farewell
To you, on that steppeland rise,


My pair of golden, sun-drenched statues!
My iron ranks wallowing in the grass and herbage!
One needs here the yearning of a Malczewski--
The kind found in men who are half angels.

Once More I Put my Bonnet On

Once more I put my bonnet on,
And tie the ribbons blue,
My showy poplin dress I don,
That's just as good as new,
And smooth and stately as a swan
Go sailing to my pew.
Once more, Ah! me, how oft, how oft,
Shall I the scene repeat?
With graceful ease and manner soft
I sink into my seat,
And round the congregation waft
The sense of odors sweet.

A finer form, a fairer face
Ne'er bent before the stole,
With more restraint, no spotless lace
Did firmer orbs control,

On Reading William Watson's Sonnet Entitled The Purple East

Restless the Northern Bear amid his snows
Crouched by the Neva; menacing is France,
That sees the shadow of the Uhlan's lance
On her clipped borders; struggling in the throes
Of wanton war lies Spain, and deathward goes.
And thou, O England, how the time's mischance
Hath fettered thee, that with averted glance
Thou standest, marble to Armenia's woes!
If 'twas thy haughty Dauther of the West
That stayed thy hand,, a word had driven away
Her sudden ire, and brought her to thy breast!
Thy blood makes quick her pulses, and some day,

Nuns Fret Not at Their Convent's Narrow Room

Nuns fret not at their convent's narrow room;
And hermits are contented with their cells;
And students with their pensive citadels;
Maids at the wheel, the weaver at his loom,
Sit blithe and happy; bees that soar for bloom,
High as the highest Peak of Furness-fells,
Will murmur by the hour in foxglove bells:
In truth the prison, unto which we doom
Ourselves, no prison is: and hence for me,
In sundry moods, 'twas pastime to be bound
Within the Sonnet's scanty plot of ground;
Pleased if some Souls (for such there needs must be)

Not marble nor the guilded monuments Sonnet 55

Not marble nor the gilded monuments
Of princes shall outlive this powerful rhyme;
But you shall shine more bright in these contents
Than unswept stone, besmear'd with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war's quick fire shall burn
The living record of your memory.
'Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room,
Even in the eyes of all posterity
That wear this world out to the ending doom.

Not from the stars do I my judgment pluck Sonnet 14

Not from the stars do I my judgment pluck,
And yet methinks I have astronomy;
But not to tell of good or evil luck,
Of plagues, of dearths, or seasons' quality;
Nor can I fortune to brief minutes tell,
Pointing to each his thunder, rain, and wind,
Or say with princes if it shall go well
By oft predict that I in heaven find.
But from thine eyes my knowledge I derive,
And, constant stars, in them I read such art
As truth and beauty shall together thrive
If from thyself to store thou wouldst convert:
Or else of thee this I prognosticate,

Nostalgia

Remember the 1340's? We were doing a dance called the Catapult.
You always wore brown, the color craze of the decade,
and I was draped in one of those capes that were popular,
the ones with unicorns and pomegranates in needlework.
Everyone would pause for beer and onions in the afternoon,
and at night we would play a game called "Find the Cow."
Everything was hand-lettered then, not like today.

Where has the summer of 1572 gone? Brocade and sonnet
marathons were the rage. We used to dress up in the flags

Nemesis

When through the nations stalks contagion wild,
We from them cautiously should steal away.
E'en I have oft with ling'ring and delay
Shunn'd many an influence, not to be defil'd.
And e'en though Amor oft my hours beguil'd,
At length with him preferr'd I not to play,
And so, too, with the wretched sons of clay,
When four and three-lined verses they compil'd.
But punishment pursues the scoffer straight,
As if by serpent-torch of furies led
From bill to vale, from land to sea to fly.
I hear the genie's laughter at my fate;

My Suicide

I've often wondered why
Old chaps who choose to die
In evil passes,
Before themselves they slay,
Invariably they
Take off their glasses?

As I strolled by the Castle cliff
An oldish chap I set my eyes on,
Who stood so singularly stiff
And stark against the blue horizon;
A poet fashioning a sonnet,
I thought - how rapt he labours on it!

And then I blinked and stood astare,
And questioned at my sight condition,
For I was seeing empty air -
He must have been an apparition.
Amazed I gazed . . . no one was there: