Lady, the fates command, and I must go,---
Leaving the pleasant land so dear to me:
Here my heart suffered many a heavy woe:
But what is left to love, thus leaving thee?
Alas! that cruel land beyond the see!
Why thus dividing many a faithful heart,
Never again from pain and sorrow free,
Never again to meet, when thus they part?

I see not, when thy presence bright I leave,
How wealth, or joy, or peace can be my lot:
Ne'er yet my spirit found such cause to grieve
As now in leaving thee; and if thy thought

Good ladies, you that have your pleasure in exile,
Step in your foot, come take a place, and mourn with me a while,
And such as by their lords do set but little price,
Let them sit still: it skills them not what chance come on the dice.
But ye whom Love hath bound by order of desire
To love your lords, whose good deserts none other would require:
Come you yet once again, and set your foot by mine,
Whose woeful plight and sorrows great no tongue may well define.
My love and lord, alas, in whom consists my wealth,

[Kwannon, the Japanese goddess of mercy, is represented with many hands, typifying generosity and kindness. In one of these hands she is supposed
to hold an axe, wherewith she severs the threads of human lives.]


I am the ancient one, the many-handed,
The merciful am I.
Here where the black pine bends above the sea
They bring their gifts to me --
Spoil of the foreshore where the corals lie,
Fishes of ivory, and amber stranded,
And carven beads
Green as the fretted fringes of the weeds.

Age after age, I watch the long sails pass.

The Western sun, ere he sought his lair,
Skimm’d the treetops, and glancing thence,
Rested awhile on the curling hair
Of Kitty McCrae, by the boundary fence;
Her eyes looked anxious, her cheeks were pale,
For father was two hours late with the mail.

Never before had he been so late,
And Kitty wondered and wished him back,
Leaning athwart the big swing gate
That opens out on the bridle-track,
A tortuous path that sidled down

Am I kin to Sorrow,
That so oft
Falls the knocker of my door——
Neither loud nor soft,
But as long accustomed,
Under Sorrow's hand?
Marigolds around the step
And rosemary stand,
And then comes Sorrow—
And what does Sorrow care
For the rosemary
Or the marigolds there?
Am I kin to Sorrow?
Are we kin?
That so oft upon my door—
Oh, come in!

Bonnie Kilmeny gaed up the glen;
But it wasna to meet Duneira's men,
Nor the rosy monk of the isle to see,
For Kilmeny was pure as pure could be.
It was only to hear the yorlin sing,
And pu' the cress-flower round the spring;
The scarlet hypp and the hindberrye,
And the nut that hung frae the hazel tree;
For Kilmeny was pure as pure could be.
But lang may her minny look o'er the wa',
But lang may she seek i' the green-wood shaw;
Lang the laird o' Duneira blame,
And lang, lang greet or Kilmeny come hame!

Stranger, that massy, mouldering pile,
Whose ivied ruins load the ground,
Reechoed once to pious strains
By holy sisters breathed around.

There many a noble virgin came
To bid the world she loved....adieu;
There, victim of parental pride,
To years of hopeless grief withdrew.

Yes, proud St. Claire! thy costly walls
Have witnessed oft the mourner's pain;
And hearts in joyless durance bound,
Which sighed for kindred hearts in vain.

But never more within thy cells
Shall beauty breathe the fruitless sigh,

Then a woman said, "Speak to us of Joy and Sorrow."

And he answered:

Your joy is your sorrow unmasked.

And the selfsame well from which your laughter rises was oftentimes filled with your tears.

And how else can it be?

The deeper that sorrow carves into your being, the more joy you can contain.

Is not the cup that hold your wine the very cup that was burned in the potter's oven?

And is not the lute that soothes your spirit, the very wood that was hollowed with knives?

As a fisher-boy I fared

To the black rock in the sea,
And, while false gifts I prepared.

Listen'd and sang merrily,
Down descended the decoy,

Soon a fish attack'd the bait;
One exultant shout of joy,--

And the fish was captured straight.

Ah! on shore, and to the wood

Past the cliffs, o'er stock and stone,
One foot's traces I pursued,

And the maiden was alone.
Lips were silent, eyes downcast

As a clasp-knife snaps the bait,
With her snare she seized me fast,

Sometimes a light surprises
The Christian while he sings;
It is the Lord who rises
With healing in his wings:
When comforts are declining,
He grants the soul again
A season of clear shining,
To cheer it after rain.

In holy contemplation,
We sweetly then pursue
The theme of God's salvation,
And find it ever new:
Set free from present sorrow,
We cheerfully can say,
E'en let th' unknown to-morrow
Bring with it what it may.

It can bring with it nothing
But he will bear us through;