Who ever loves, if he do not propose
The right true end of love, he's one that goes
To sea for nothing but to make him sick.
Love is a bear-whelp born: if we o'erlick
Our love, and force it new strange shapes to take,
We err, and of a lump a monster make.
Were not a calf a monster that were grown
Faced like a man, though better than his own?
Perfection is in unity: prefer
One woman first, and then one thing in her.
I, when I value gold, may think upon
The ductileness, the application,
The wholsomeness, the ingenuity,

That some day, emerging at last from the terrifying vision
I may burst into jubilant praise to assenting angels!
That of the clear-struck keys of the heart not one may fail
to sound because of a loose, doubtful or broken string!
That my streaming countenance may make me more resplendent
That my humble weeping change into blossoms.
Oh, how will you then, nights of suffering, be remembered
with love. Why did I not kneel more fervently, disconsolate
sisters, more bendingly kneel to receive you, more loosely

Oh, let me not serve so, as those men serve
Whom honour's smokes at once fatten and starve;
Poorly enrich't with great men's words or looks;
Nor so write my name in thy loving books
As those idolatrous flatterers, which still
Their Prince's styles, with many realms fulfil
Whence they no tribute have, and where no sway.
Such services I offer as shall pay
Themselves, I hate dead names: Oh then let me
Favourite in Ordinary, or no favourite be.
When my soul was in her own body sheathed,
Nor yet by oaths betrothed, nor kisses breathed

Mournful groans, as when a tempest lowers,
Echo from the dreary house of woe;
Death-notes rise from yonder minster's towers!
Bearing out a youth, they slowly go;
Yes! a youth--unripe yet for the bier,
Gathered in the spring-time of his days,
Thrilling yet with pulses strong and clear,
With the flame that in his bright eye plays--
Yes, a son--the idol of his mother,
(Oh, her mournful sigh shows that too well!)
Yes! my bosom-friend,--alas my brother!--
Up! each man the sad procession swell!

Do ye boast, ye pines, so gray and old,

There will be rose and rhododendron
When you are dead and under ground;
Still will be heard from white syringas
Heavy with bees, a sunny sound;

Still will the tamaracks be raining
After the rain has ceased, and still
Will there be robins in the stubble,
Brown sheep upon the warm green hill.

Spring will not ail nor autumn falter;
Nothing will know that you are gone,
Saving alone some sullen plough-land
None but yourself sets foot upon;

Saving the may-weed and the pig-weed
Nothing will know that you are dead,—

Spanish

Su idilio fue una larga sonrisa a cuatro labios...
En el regazo cálido de rubia primavera
Amáronse talmente que entre sus dedos sabios
Palpitó la divina forma de la Quimera.

En los palacios fúlgidos de las tardes en calma
Hablábanse un lenguaje sentido como un lloro,
Y se besaban hondo hasta morderse el alma!...
Las horas deshojáronse como flores de oro,

Y el Destino interpuso sus dos manos heladas...
Ah! los cuerpos cedieron, mas las almas trenzadas
Son el más intrincado nudo que nunca fue...

[Supposed to be chanted to some rude instrument at a modern fireplace]


Chant we the story now
Tho' in a house we sleep;
Tho' by a hearth of coals
Vigil to-night we keep.
Chant we the story now,
Of the vague love we knew
When I from out the sea
Rose to the feet of you.

Bird from the cliffs you came,
Flew thro' the snow to me,
Facing the icy blast
There by the icy sea.
How did I reach your feet?
Why should I — at the end
Hold out half-frozen hands
Dumbly to you my friend?

SCENE, a forest TIME, the Evening

In Georgia's land, where Tefflis' towers are seen,
In distant view along the level green,
While evening dews enrich the glittering glade,
And the tall forests cast a longer shade,
Amidst the maids of Zagen's peaceful grove,
Emyra sung the pleasing cares of love.
Of Abra first began the tender strain,
Who led her youth with flocks upon the plain.
At morn she came those willing flocks to lead,
Where lilies rear them in the watery mead;

From early dawn the livelong hours she told,

I - STARLIGHT

With two bright eyes, my star, my love,
Thou lookest on the stars above:
Ah, would that I the heaven might be
With a million eyes to look on thee.

Plato.


II - ROSELEAF

A little while the rose,
And after that the thorn;
An hour of dewy morn,
And then the glamour goes.
Ah, love in beauty born,
A little while the rose!

Unknown.


III - PHOSPHOR -- HESPER

O morning star, farewell!
My love I now must leave;
The hours of day I slowly tell,

See the land, her Easter keeping,
Rises as her Maker rose.
Seeds, so long in darkness sleeping,
Burst at last from winter snows.
Earth with heaven above rejoices;
Fields and gardens hail the spring;
Shaughs and woodlands ring with voices,
While the wild birds build and sing.

You, to whom your Maker granted
Powers to those sweet birds unknown,
Use the craft by God implanted;
Use the reason not your own.
Here, while heaven and earth rejoices,
Each his Easter tribute bring-
Work of fingers, chant of voices,