spring

Mournful groans, as when a tempest lowers,
Echo from the dreary house of woe;
Death-notes rise from yonder minster's towers!
Bearing out a youth, they slowly go;
Yes! a youth--unripe yet for the bier,
Gathered in the spring-time of his days,
Thrilling yet with pulses strong and clear,
With the flame that in his bright eye plays--
Yes, a son--the idol of his mother,
(Oh, her mournful sigh shows that too well!)
Yes! my bosom-friend,--alas my brother!--
Up! each man the sad procession swell!

There will be rose and rhododendron
When you are dead and under ground;
Still will be heard from white syringas
Heavy with bees, a sunny sound;

Still will the tamaracks be raining
After the rain has ceased, and still
Will there be robins in the stubble,
Brown sheep upon the warm green hill.

Spring will not ail nor autumn falter;
Nothing will know that you are gone,
Saving alone some sullen plough-land
None but yourself sets foot upon;

Saving the may-weed and the pig-weed

Spanish

Su idilio fue una larga sonrisa a cuatro labios...
En el regazo cálido de rubia primavera
Amáronse talmente que entre sus dedos sabios
Palpitó la divina forma de la Quimera.

En los palacios fúlgidos de las tardes en calma
Hablábanse un lenguaje sentido como un lloro,
Y se besaban hondo hasta morderse el alma!...
Las horas deshojáronse como flores de oro,

Y el Destino interpuso sus dos manos heladas...
Ah! los cuerpos cedieron, mas las almas trenzadas

[Supposed to be chanted to some rude instrument at a modern fireplace]


Chant we the story now
Tho' in a house we sleep;
Tho' by a hearth of coals
Vigil to-night we keep.
Chant we the story now,
Of the vague love we knew
When I from out the sea
Rose to the feet of you.

Bird from the cliffs you came,
Flew thro' the snow to me,
Facing the icy blast
There by the icy sea.
How did I reach your feet?
Why should I — at the end
Hold out half-frozen hands

SCENE, a forest TIME, the Evening

In Georgia's land, where Tefflis' towers are seen,
In distant view along the level green,
While evening dews enrich the glittering glade,
And the tall forests cast a longer shade,
Amidst the maids of Zagen's peaceful grove,
Emyra sung the pleasing cares of love.
Of Abra first began the tender strain,
Who led her youth with flocks upon the plain.
At morn she came those willing flocks to lead,
Where lilies rear them in the watery mead;

I - STARLIGHT

With two bright eyes, my star, my love,
Thou lookest on the stars above:
Ah, would that I the heaven might be
With a million eyes to look on thee.

Plato.


II - ROSELEAF

A little while the rose,
And after that the thorn;
An hour of dewy morn,
And then the glamour goes.
Ah, love in beauty born,
A little while the rose!

Unknown.


III - PHOSPHOR -- HESPER

O morning star, farewell!
My love I now must leave;

See the land, her Easter keeping,
Rises as her Maker rose.
Seeds, so long in darkness sleeping,
Burst at last from winter snows.
Earth with heaven above rejoices;
Fields and gardens hail the spring;
Shaughs and woodlands ring with voices,
While the wild birds build and sing.

You, to whom your Maker granted
Powers to those sweet birds unknown,
Use the craft by God implanted;
Use the reason not your own.
Here, while heaven and earth rejoices,
Each his Easter tribute bring-

At length the worst is o'er, and Thou art laid
Deep in Thy darksome bed;
All still and cold beneath yon dreary stone
Thy sacred form is gone;
Around those lips where power and mercy hung,
The dews of deaths have clung;
The dull earth o'er Thee, and Thy foes around,
Thou sleep'st a silent corse, in funeral fetters wound.

Sleep'st Thou indeed? or is Thy spirit fled,
At large among the dead?
Whether in Eden bowers Thy welcome voice
Wake Abraham to rejoice,

So swift the hours are moving
Unto the time unproved:
Farewell my love unloving,
Farewell my love beloved!

What! are we not glad-hearted?
Is there no deed to do?
Is not all fear departed
And Spring-tide blossomed new?

The sails swell out above us,
The sea-ridge lifts the keel;
For They have called who love us,
Who bear the gifts that heal:

A crown for him that winneth,
A bed for him that fails,
A glory that beginneth
In never-dying tales.

Yet now the pain is ended

Harshness vanished. A sudden softness
has replaced the meadows' wintry grey.
Little rivulets of water changed
their singing accents. Tendernesses,

hesitantly, reach toward the earth
from space, and country lanes are showing
these unexpected subtle risings
that find expression in the empty trees.