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Diya

Look, Dear, how bright the moonlight is to-night!
See where it casts the shadow of that tree
Far out upon the grass. And every gust
Of light night wind comes laden with the scent
Of opening flowers which never bloom by day:
Night-scented stocks, and four-o'clocks, and that
Pale yellow disk, upreared on its tall stalk,
The evening primrose, comrade of the stars.
It seems as though the garden which you love
Were like a swinging censer, its incense
Floating before us as a reverent act
To sanctify and bless our night of love.

Divina Commedia

I.Written March 29, 1864.1.
Oft have I seen at some cathedral door
.
A laborer, pausing in the dust and heat,
.
Lay down his burden, and with reverent feet
.
Enter, and cross himself, and on the floor
.
Kneel to repeat his paternoster o'er;
.
Far off the noises of the world retreat;
.
The loud vociferations of the street
.
Become an undistinguishable roar.
.
So, as I enter here from day to day,
.

And leave my burden at this minster gate,
.

Distant Time

I know not from what distant time
thou art ever coming nearer to meet me.
Thy sun and stars can never keep thee hidden from me for aye.

In many a morning and eve thy footsteps have been heard
and thy messenger has come within my heart and called me in secret.

I know not only why today my life is all astir,
and a feeling of tremulous joy is passing through my heart.

It is as if the time were come to wind up my work,
and I feel in the air a faint smell of thy sweet presence.

Distant Authors

"Aqui esta encerrada el alma licenciado Pedro Garcias."

Dear books! and each the living soul,
   Our hearts aver, of men unseen,
Whose power to strengthen, charm, control,
   Surmounts all earth's green miles between.

For us at least the artists show
   Apart from fret of work-day jars:
We know them but as friends may know,
   Or they are known beyond the stars.

Their mirth, their grief, their soul's desire,
   When twilight murmuring of streams,

Disguises

High stretched upon the swinging yard,
I gather in the sheet;
But it is hard
And stiff, and one cries haste.
Then He that is most dear in my regard
Of all the crew gives aidance meet;
But from His hands, and from His feet,
A glory spreads wherewith the night is starred:
Moreover of a cup most bitter-sweet
With fragrance as of nard,
And myrrh, and cassia spiced,
He proffers me to taste.
Then I to Him:—‘Art Thou the Christ?’
He saith—‘Thou say’st.’

Like to an ox

Dirge

Knows he who tills this lonely field
To reap its scanty corn,
What mystic fruit his acres yield
At midnight and at morn?

In the long sunny afternoon,
The plain was full of ghosts,
I wandered up, I wandered down,
Beset by pensive hosts.

The winding Concord gleamed below,
Pouring as wide a flood
As when my brothers long ago,
Came with me to the wood.

But they are gone,— the holy ones,
Who trod with me this lonely vale,
The strong, star-bright companions
Are silent, low, and pale.

Dionysus

I bring ye wine from above,
From the vats of the storied sun;
For every one of yer love,
And life for every one.
Ye shall dance on hill and level;
Ye shall sing in hollow and height
In the festal mystical revel,
The rapurous Bacchanal rite!
The rocks and trees are yours,
And the waters under the hill,
By the might of that which endures,
The holy heaven of will!
I kindle a flame like a torrent
To rush from star to star;
Your hair as a comet’s horrent,
Ye shall see things as they are!
I lift the mask of matter;

Digression On Number 1, 1948

I am ill today but I am not
too ill. I am not ill at all.
It is a perfect day, warm
for winter, cold for fall.

A fine day for seeing. I see
ceramics, during lunch hour, by
Mir6, and I see the sea by Leger;
light, complicated Metzingers
and a rude awakening by Brauner,
a little table by Picasso, pink.

I am tired today but I am not
too tired. I am not tired at all.
There is the Pollock, white, harm
will not fall, his perfect hand

and the many short voyages. They'll
never fence the silver range.
Stars are out and there is sea

Dickeyville Grotto

The priest never used blueprints, but worked all
the many designs out of his head.


Father Wilerus,
transplanted Alsatian,
built around
this plain Wisconsin

redbrick church
a coral-reef en-
crustation--meant,
the brochure says,

to glorify America
and heaven simul-
taneously. Thus:
Mary and Columbus

and the Sacred Heart
equally enthroned
in a fantasia of quartz
and seashells, broken

dishes, stalactites
and stick-shift knobs--
no separation
of nature and art

Dialogue

Children

Pray dearest mother if you please
Cut up your double-curded cheese,
The oldest of the brotherhood.
It's ripe, no doubt and nicely good!
Your reputation will rise treble
As we the lucious morsel nibble.
Praise will flow from each partaker
Both on the morsel and the maker!


Madame

Your suit is vain,--upon my word,
You taste not yet my double-curd;
I know the hour,--the very minute
In which I'll plunge my cutteau in it;
Am I to learn of witless bairns
How I must manage my concerns?