Skip to main content

Sonnet XIX Restore Thy Tresses

Restore thy tresses to the golden ore,
Yield Citherea's son those arcs of love,
Bequeath the heav'ns the stars that I adore,
And to th'Orient do thy pearls remove.
Yield thy hands' pride unto th'ivory white,
T'Arabian odors give thy breathing sweet,
Restore thy blush unto Aurora bright,
To Thetis give the honor of thy feet.
Let Venus have thy graces, her resign'd,
And thy sweet voice give back unto the Spheres,
But yet restore thy fierce and cruel mind
To Hyrcan tigers and to ruthless bears.

Sonnet XII

Like as a dryad, from her native bole
Coming at dusk, when the dim stars emerge,
To a slow river at whose silent verge
Tall poplars tremble and deep grasses roll,
Come thou no less and, kneeling in a shoal
Of the freaked flag and meadow buttercup,
Bend till thine image from the pool beam up
Arched with blue heaven like an aureole.
See how adorable in fancy then
Lives the fair face it mirrors even so,
O thou whose beauty moving among men
Is like the wind's way on the woods below,
Filling all nature where its pathway lies

Sonnet V

A tide of beauty with returning May
Floods the fair city; from warm pavements fume
Odors endeared; down avenues in bloom
The chestnut-trees with phallic spires are gay.
Over the terrace flows the thronged cafe;
The boulevards are streams of hurrying sound;
And through the streets, like veins when they abound,
The lust for pleasure throbs itself away.
Here let me live, here let me still pursue
Phantoms of bliss that beckon and recede, --
Thy strange allurements, City that I love,
Maze of romance, where I have followed too

Sonnet On An Alpine Night

My hand, a little raised, might press a star-
Where I may look, the frosted peaks are spun,
So shaped before Olympus was begun,
Spanned each to each, now, by a silver bar.
Thus to face Beauty have I traveled far,
But now, as if around my heart were run
Hard, lacing fingers, so I stand undone.
Of all my tears, the bitterest these are.

Who humbly followed Beauty all her ways,
Begging the brambles that her robe had passed,
Crying her name in corridors of stone,
That day shall know his weariedest of days -

Sonnet LX Define My Weal

Define my weal, and tell the joys of Heav'n;
Express my woes, and show the pains of Hell;
Declare what fate unlucky stars have giv'n,
And ask a world upon my life to dwell;
Make known the faith that Fortune could not move;
Compare myu worth with others' base desert;
Let virtue be the touchstone of my love,
So may the heav'ns read wonders in my heart;
Behold the clouds which have eclips'd my sun,
And view the crosses which my course do let;
Tell me if ever since the world begun
So fair a rising had so foul a set,

Sonnet IV Bright Star of Beauty

Bright star of beauty, on whose eyelids sit
A thousand nymph-like and enamour'd Graces,
The Goddesses of Memory and Wit,
Which there in order take their several places;
In whose dear bosom sweet delicious Love
Lays down his quiver, which he once did bear,
Since he that blessed Paradise did prove,
And leaves his mother's lap to sport him there.
Let others strive to entertain with words;
My soul is of a braver metal made;
I hold that vile which vulgar wit affords;
In me's that faith which Time cannot invade.

Sonnet IV

Up at his attic sill the South wind came
And days of sun and storm but never peace.
Along the town's tumultuous arteries
He heard the heart-throbs of a sentient frame:
Each night the whistles in the bay, the same
Whirl of incessant wheels and clanging cars:
For smoke that half obscured, the circling stars
Burnt like his youth with but a sickly flame.
Up to his attic came the city cries --
The throes with which her iron sinews heave --
And yet forever behind prison doors
Welled in his heart and trembled in his eyes

Sonnet II But Only Three in All God's Universe

But only three in all God's universe
Have heard this word thou has said,--Himself, beside
Thee speaking, and me listening! and replied
One of us...that was God,...and laid the curse
So darkly on my eyelids, as to amerce
My sight from seeing thee,--that if I had died,
The deathweights, placed there, would have signified
Less absolute exclusion. Nay is worse
From God than from all others, O my friend!
Men could not part us with their worldly jars,
Nor the seas change us, nor the tempests bend;
Our hands would touch for all the mountain-bars:

Sonnet CXVI Let me not to the marriage of true minds

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,

Sonnet 36 - When we met first and loved, I did not build

XXXVI

When we met first and loved, I did not build
Upon the event with marble. Could it mean
To last, a love set pendulous between
Sorrow and sorrow? Nay, I rather thrilled,
Distrusting every light that seemed to gild
The onward path, and feared to overlean
A finger even. And, though I have grown serene
And strong since then, I think that God has willed
A still renewable fear . . . O love, O troth . . .
Lest these enclasped hands should never hold,
This mutual kiss drop down between us both