Why are all the survivors of the needle's eye
nude, as if their lifethread had disrobed
rather than sewn them. Sans coat-fare,
we proceed it seems only to precede;
birth to burial, are not yet here.

But when did we first start embracing
the wakes of ourselves in each other rather
than each other? As the fruit falls
to hiatus us, its bloom spoiled by last year's cores.

Or the sun whose portrait rots in our pores,
those sweatbeads blurred in closeup but clear afar--
that pointillist pap, that hybrid suicide.

Less time than it takes to say it, less tears than it takes to die; I've taken account of everything,
there you have it. I've made a census of the stones, they are as numerous as my fingers and some
others; I've distributed some pamphlets to the plants, but not all were willing to accept them. I've
kept company with music for a second only and now I no longer know what to think of suicide, for
if I ever want to part from myself, the exit is on this side and, I add mischievously, the entrance, the

I

A MAN builded a bugle for the storms to blow.
The focused winds hurled him afar.
He said that the instrument was a failure.

II

When the suicide arrived at the sky, the people there asked him: "Why?"
He replied: "Because no one admired me."

III

A man said: "Thou tree!"
The tree answered with the same scorn: "Thou man!
Thou art greater than I only in thy possibilities."

IV

A warrior stood upon a peak and defied the stars.

The day was wet, the rain fell souse
Like jars of strawberry jam, [1] a
sound was heard in the old henhouse,
A beating of a hammer.
Of stalwart form, and visage warm,
Two youths were seen within it,
Splitting up an old tree into perches for their poultry
At a hundred strokes [2] a minute.
The work is done, the hen has taken
Possession of her nest and eggs,
Without a thought of eggs and bacon, [3]
(Or I am very much mistaken happy)
She turns over each shell,
To be sure that all's well,
Looks into the straw

I will grieve alone,
As I strolled alone, years ago, down along
The Ohio shore.
I hid in the hobo jungle weeds
Upstream from the sewer main,
Pondering, gazing.

I saw, down river,
At Twenty-third and Water Streets
By the vinegar works,
The doors open in early evening.
Swinging their purses, the women
Poured down the long street to the river
And into the river.

I do not know how it was
They could drown every evening.
What time near dawn did they climb up the other shore,
Drying their wings?

I

There is one Mind, one omnipresent Mind,
Omnific. His most holy name is Love.
Truth of subliming import! with the which
Who feeds and saturates his constant soul,
He from his small particular orbit flies
With blest outstarting! From himself he flies,
Stands in the sun, and with no partial gaze
Views all creation; and he loves it all,
And blesses it, and calls it very good!
This is indeed to dwell with the Most High!
Cherubs and rapture-trembling Seraphim

EYES always open eyes
onions we were all found under
eyes never in a hurry wait for me
blink at the smash preserve the negative hold on a minute
(we are taking actuality as a section through sentiment at that point)

MICROPHONES tearing the remote controls controlling tears
twisting the tender cables urgent flowers suffer so
in evening close the door you can't come in
deface the setting sun when they is done
(three guggly waters play at hide and seek the moon what time is it)

CLOCK out important messages on his vanishing brain

When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
St. Patrick's Cathedral, St. Mark's Church, the largest synagogue in
Manhattan
First, there's family, brother, nephews, spry aged Edith stepmother
96, Aunt Honey from old Newark,
Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister-
in-law blonde Connie, five nephews, stepbrothers & sisters
their grandchildren,

He was believed by his peers to be an important poet,
But his erotic obsession, condemned and strictly forbidden,
Compromised his standing, and led to his ruin.

Over sixty, and a father many times over,
The objects of his attention grew younger and younger:
He tried to corrupt the sons of his dearest friends;
He pressed on them drinks and drugs,
And of course he was caught and publicly shamed.
Was his death a suicide? No one is sure.

But that’s not the whole story; it’s too sordid to tell.

Call it a good marriage -
For no one ever questioned
Her warmth, his masculinity,
Their interlocking views;
Except one stray graphologist
Who frowned in speculation
At her h's and her s's,
His p's and w's.

Though few would still subscribe
To the monogamic axiom
That strife below the hip-bones
Need not estrange the heart,
Call it a good marriage:
More drew those two together,
Despite a lack of children,
Than pulled them apart.

Call it a good marriage:
They never fought in public,