The morning breeze tended to the rose,
A maid-in-waiting, as the flower grows.
If in the sun you have a shady refuge,
Seek the shade of a rose, and one who glows.

My beloved is brighter than the sun,
Put in the heavens, my only one.
Placed the hearts upon the earth
To watch the sun’s daily run.

You are the moon and the sun is your slave;
As your slave, it like you must behave.
It is only your luminosity and light
That light of sun and moon can save.

Water ruffled and speckled by galloping wind
Which puffs and spurts it into tiny pashing breaks
Dashed with lemon-yellow afternoon sunlight.
The shining of the sun upon the water
Is like a scattering of gold crocus-petals
In a long wavering irregular flight.

The water is cold to the eye
As the wind to the cheek.

In the budding chestnuts
Whose sticky buds glimmer and are half-burst open
The starlings make their clitter-clatter;
And the blackbirds in the grass
Are getting as fat as the pigeons.

Oh haste while roses bloom below,
Oh haste while pale and bright above
The sun and moon alternate glow,
To pluck the rose of love.

Yea, give the morning to the lark,
The nightingale its glimmering grove,
Give moonlight to the hungry dark,
But to man's heart give love!

Then haste while still the roses blow,
And pale and bright in heaven above
The sun and moon alternate glow,
Pluck, pluck the rose of love.

At four o'clock
in the gun-metal blue dark
we hear the first crow of the first cock

just below
the gun-metal blue window
and immediately there is an echo

off in the distance,
then one from the backyard fence,
then one, with horrible insistence,

grates like a wet match
from the broccoli patch,
flares,and all over town begins to catch.

Cries galore
come from the water-closet door,
from the dropping-plastered henhouse floor,

where in the blue blur
their rusting wives admire,

I sat in the Muses' Hall at the mid of the day,
And it seemed to grow still, and the people to pass away,
And the chiselled shapes to combine in a haze of sun,
Till beside a Carrara column there gleamed forth One.

She was nor this nor that of those beings divine,
But each and the whole--an essence of all the Nine;
With tentative foot she neared to my halting-place,
A pensive smile on her sweet, small, marvellous face.

"Regarded so long, we render thee sad?" said she.
"Not you," sighed I, "but my own inconstancy!

Tracks of rain and light linger in
the spongy greens of a nature whose
flickering mountain--bulging nearer,
ebbing back into the sun
hollowing itself away to hold a lake,--
or brown stream rising and falling at the roadside, turning about,
churning itself white, drawing
green in over it,--plunging glassy funnels
fall--

And--the other world--
the windshield a blunt barrier:
Talk to me. Sh! they would hear us.
--the backs of their heads facing us--
The stream continues its motion of

The dog stops barking after Robinson has gone.
His act is over. The world is a gray world,
Not without violence, and he kicks under the grand piano,
The nightmare chase well under way.

The mirror from Mexico, stuck to the wall,
Reflects nothing at all. The glass is black.
Robinson alone provides the image Robinsonian.

Which is all of the room--walls, curtains,
Shelves, bed, the tinted photograph of Robinson's first wife,
Rugs, vases panatelas in a humidor.
They would fill the room if Robinson came in.

Robin Hood's mother, these twelve years now,
Has been gone from her earthly home;
And Robin has paid, he scarce knew how,
A sum for a noble tomb.

The church-yard lies on a woody hill,
But open to sun and air:
It seems as if the heaven still
Were looking and smiling there.

Often when Robin looked that way,
He looked through a sweet thin tear;
But he looked in a different manner, they say,
Towards the Abbey of Vere.

He cared not for its ill-got wealth,
He felt not for his pride;