You -- you --
Your shadow is sunlight on a plate of silver;
Your footsteps, the seeding-place of lilies;
Your hands moving, a chime of bells across a windless air.

The movement of your hands is the long, golden running of light from a rising sun;
It is the hopping of birds upon a garden-path.

As the perfume of jonquils, you come forth in the morning.
Young horses are not more sudden than your thoughts,
Your words are bees about a pear-tree,
Your fancies are the gold-and-black striped wasps buzzing among red apples.

The barrack-square, washed clean with rain,
Shines wet and wintry-grey and cold.
Young Fusiliers, strong-legged and bold,
March and wheel and march again.
The sun looks over the barrack gate,
Warm and white with glaring shine,
To watch the soldiers of the Line
That life has hired to fight with fate.

Fall out: the long parades are done.
Up comes the dark; down goes the sun.
The square is walled with windowed light.
Sleep well, you lusty Fusiliers;
Shut your brave eyes on sense and sight,

In Arthur's house whileome was I
When happily the time went by
In midmost glory of his days.
He held his court then in a place
Whereof ye shall not find the name
In any story of his fame:
Caerliel good sooth men called it not,
Nor London Town, nor Camelot;
Yet therein had we bliss enow.
--Ah, far off was the overthrow
Of all that Britain praised and loved;
And though among us lightly moved
A love that could but lead to death,
Smooth-skinned he seemed, of rosy breath,
A fear to sting a lady's lip,
No ruin of goodly fellowship,

Only once more and not again--the larches
Shake to the wind their echo, "Not again,"--
We see, below the sky that over-arches
Heavy and blue, the plain

Between Tofana lying and Cristallo
In meadowy earths above the ringing stream:
Whence interchangeably desire may follow,
Hesitant as in dream,

At sunset, south, by lilac promontories
Under green skies ato Italy, or forth
By calms of morning beyond Lavinores
Tyrolward and to north:

As now, this last of latter days, when over

Someone was calling someone;
now they've stopped. Beyond the glass
the rose vines quiver as in
a light wind, but there is none:
I hear nothing. The moments pass,
or seem to pass, and the sun,
risen above the old birch,
steadies for the downward arch.

It is noon. Privacy is
one thing, but to be alone,
to speak and not to be heard,
to speak again the same word
or another until one
can no longer distinguish
the presence of silence or
what the silence is there for...

No one can begin anew

In a lonesome burial-place
Crouched a mourner white of face;
Wild her eyes--unheeding
Circling pomp of night and day--
Ever crying, "Well away,
Love lies a-bleeding!"

And her sighs were like a knell,
And her tears for ever fell,
With their warm rain feeding
That purpureal flower, alas!
Trailing prostrate in the grass,
Love lies a-bleeding.

Through the yews' black-tufted gloom
Crimson light fell on the tomb,
Funeral shadows breeding:
In the sky the sun's light shed
Dyed the earth one awful red--

Put forth thy leaf, thou lofty plane,
East wind and frost are safely gone;
With zephyr mild and balmy rain
The summer comes serenly on;
Earth, air, and sun and skies combine
To promise all that's kind and fair: -
But thou, O human heart of mine,
Be still, contain thyself, and bear.

December days were brief and chill,
The winds of March were wild and drear,
And, nearing and receding still,
Spring never would, we thought, be here.
The leaves that burst, the suns that shine,
Had, not the less, their certain date: -

How strange that here is nothing as it was!
The sward is young and new,
The sod there shapes a different mass,
The random trees stand other than I knew.
No, here the Past has left no residue,
No aftermath!
By a new path
The workmen homeward in the city twilight pass.

Yet was this willow here.
It hung as now its olive skeins aloft
Into the sky, then blue and clear,--
And yonder pair of poplar trees

Rose also, soft
And sibilant in the glory of the breeze.
It's early dark. One scarce distinguishes

To the Williamson Brothers


High noon. White sun flashes on the Michigan Avenue
asphalt. Drum of hoofs and whirr of motors.
Women trapsing along in flimsy clothes catching
play of sun-fire to their skin and eyes.

Inside the playhouse are movies from under the sea.
From the heat of pavements and the dust of sidewalks,
passers-by go in a breath to be witnesses of
large cool sponges, large cool fishes, large cool valleys
and ridges of coral spread silent in the soak of
the ocean floor thousands of years.

In vain you boast Poetic Names of yore,
And cite those Sapho's we admire no more:
Fate doom'd the Fall of ev'ry Female Wit,
But doom'd it then when first Ardelia writ.
Of all Examples by the World confest,
I knew Ardelia could not quote the best;
Who, like her Mistress on Britannia's Throne;
Fights, and subdues in Quarrels not her own.
To write their Praise you but in vain essay;
Ev'n while you write, you take that Praise away:
Light to the Stars the Sun does thus restore,
But shines himself till they are seen no more.