Mud is Beauty in the making,
Mud is melody awaking;
Laughter, leafy whisperings,
Butterflies with rainbow wings;
Baby babble, lover's sighs,
Bobolink in lucent skies;
Ardours of heroic blood
All stem back to Matrix Mud.

Mud is mankind in the moulding,
Heaven's mystery unfolding;
Miracles of mighty men,
Raphael's brush and Shakespear's pen;
Sculpture, music, all we owe
Mozart, Michael Angelo;
Wonder, worship, dreaming spire,
Issue out of primal mire.

In the raw, red womb of Time
Man evolved from cosmic slime;

When this country it was woody,
Its great champion, Mrs. Moody,
She showed she had both pluck and push,
In her work, roughing in the bush.

For there all alone she will dwell,
At time McKenzie did rebel,
Outbreak her husband strove to quell --
Her own grand struggles she doth tell.

Round bush life she threw a glory,
Pioneer renowned in story;
But her tale it is more cheering
When she wrote about the clearing.

Her other sister, Mrs. Traill,
Though eighty-six, she doth not fail;

Mr Kessler, you know, was in the army,
And he drew six dollars a month as a pension,
And stood on the corner talking politics,
Or sat at home reading Grant's Memoirs;
And I supported the family by washing,
Learning the secrets of all the people
From their curtains, counterpanes, shirts and skirts.
For things that are new grow old at length,
They're replaced with better or none at all:
People are prospering or falling back.
And rents and patches widen with time;
No thread or needle can pace decay,

I know that he told how I snared his soul
With a snare which bled him to death.
And all the men loved him,
And most of the women pitied him.
But suppose you are really a lady, and have delicate tastes,
And loathe the smell of whisky and onions.
And the rhythm of Wordsworth's "Ode" runs in your ears,
While he goes about from morning till night
Repeating bits of that common thing;
"Oh, why should the spirit of mortal be proud?"
And then, suppose:
You are a woman well endowed,
And the only man with whom the law and morality

Old Mr. Philosopher
Comes for Ben and Claire,
An ugly man, a tall man,
With bright-red hair.

The books that he’s written
No one can read.
“In fifty years they’ll understand:
Now there’s no need.

“All that matters now
Is getting the fun.
Come along, Ben and Claire;
Plenty to be done.”

Then old Philosopher,
Wisest man alive,
Plays at Lions and Tigers
Down along the drive—

Gambolling fiercely
Through bushes and grass,
Making monstrous mouths,
Braying like an ass

Alas my brother! the cry of the mourners of old
That cried on each other,
All crying aloud on the dead as the death-note rolled,
Alas my brother!

As flashes of dawn that mists from an east wind smother
With fold upon fold,
The past years gleam that linked us one with another.

Time sunders hearts as of brethren whose eyes behold
No more their mother:
But a cry sounds yet from the shrine whose fires wax cold,
Alas my brother!

Mount Kearsarge shines with ice; from hemlock branches
snow slides onto snow; no stream, creek, or river
               budges but remains still. Tonight
we carry armloads of logs

from woodshed to Glenwood and build up the fire
that keeps the coldest night outside our windows.
Sit by the woodstove, Camilla,
               while I bring glasses of white,

for Chris


I'm a penny fallen from heaven's
corner pocket, anybody's overcoat, pick me up
and I'll bring you all kinds of luck. I'm a fence
burning down, love locked in a box, I'm a map

of hand-me-down tomorrows, the last
but one, or anywhere you never wanted
to go, but now. I'm a clock without a face,
I'm blind like time, so lead me on: wear me

on your wrist and I'll tell you things
you might not know, secrets spilled
like a rain forecast. I'm a cup you can
drink me from, cut glass and lucid

I am tired of the heave and swell,
the deep lunge in the belly, the gut's
dumb show of dance and counterdance,
sway and pause, the pure jig of nausea
in the pit of a spinning world.
Where the body moves, the mind
often lags, clutching deck, anchor,
the gray strap that hangs like the beard
of death from the train's ceiling,
the mind lost in the slow bulge

Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor—
Bare.
But all the time
I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So, boy, don't you turn back.
Don't you set down on the steps.
'Cause you finds it's kinder hard.
Don't you fall now—
For I'se still goin', honey,
I'se still climbin',