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Mary's Girlhood for a Picture

This is that blessed Mary, pre-elect
God's Virgin. Gone is a great while, and she
Dwelt young in Nazareth of Galilee.
Unto God's will she brought devout respect,
Profound simplicity of intellect,
And supreme patience. From her mother's knee
Faithful and hopeful; wise in charity;
Strong in grave peace; in pity circumspect.

So held she through her girlhood; as it were
An angel-water'd lily, that near God
Grows and is quiet. Till, one dawn at home,

Mary Arden

When a simple English maiden,
Nested warm in Wilmicote,
Sang forth like a lark uprising
Heavenward with its morning note,
Did no English ear that listened,
Even then, foretouched by fame,
Tremble to the prophet-music
Fountain-headed in thy name,
Mary Arden?
And to thee thyself, O tell me!
Shade of Shakespeare’s mother, tell me!
Did no dazzling vision come,
Banishing all thoughts of gloom,
Of the bardic grandeurs waiting
On thy matron fate, when He
Who in time should call thee mother

Martha

"Once...Once upon a time..."
Over and over again,
Martha would tell us her stories,
In the hazel glen.

Hers were those clear gray eyes
You watch, and the story seems
Told by their beautifulness
Tranquil as dreams.

She'd sit with her two slim hands
Clasped round her bended knees;
While we on our elbows lolled,
And stared at ease.

Her voice and her narrow chin,
Her grave small lovely head,
Seemed half the meaning
Of the words she said.

"Once...Once upon a time..."

Margaret Fuller Slack

I would have been as great as George Eliot
But for an untoward fate.
For look at the photograph of me made by Penniwit,
Chin resting on hand, and deep-set eyes --
Gray, too, and far-searching.
But there was the old, old problem:
Should it be celibacy, matrimony or unchastity?
Then John Slack, the rich druggist, wooed me,
Luring me with the promise of leisure for my novel,
And I married him, giving birth to eight children,
And had no time to write.
It was all over with me, anyway,
When I ran the needle in my hand

Marching Song

I

Bring the comb and play upon it!
Marching, here we come!
Willie cocks his highland bonnet,
Johnnie beats the drum.
II
Mary Jane commands the party,
Peter leads the rear;
Feet in time, alert and hearty,
Each a Grenadier!
III
All in the most martial manner
Marching double-quick;
While the napkin, like a banner,
Waves upon the stick!
IV
Here's enough of fame and pillage,
Great commander Jane!
Now that we've been round the village,
Let's go home again.

March

Slayer of the winter, art thou here again?
O welcome, thou that's bring'st the summer nigh!
The bitter wind makes not thy victory vain,
Nor will we mock thee for thy faint blue sky.
Welcome, O March! whose kindly days and dry
Make April ready for the throstle's song,
Thou first redresser of the winter's wrong!

Yea, welcome March! and though I die ere June,
Yet for the hope of life I give thee praise,
Striving to swell the burden of the tune
That even now I hear thy brown birds raise,
Unmindful of the past or coming days;

Manhattan Streets I Saunter'd, Pondering


MANHATTAN'S streets I saunter'd, pondering,
On time, space, reality--on such as these, and abreast with them,
prudence.


After all, the last explanation remains to be made about prudence;
Little and large alike drop quietly aside from the prudence that
suits immortality.

The Soul is of itself;
All verges to it--all has reference to what ensues;
All that a person does, says, thinks, is of consequence;
Not a move can a man or woman make, that affects him or her in a day,

Man and Wife

Tamed by Miltown, we lie on Mother's bed;
the rising sun in war paint dyes us red;
in broad daylight her gilded bed-posts shine,
abandoned, almost Dionysian.
At last the trees are green on Marlborough Street,
blossoms on our magnolia ignite
the morning with their murderous five day's white.
All night I've held your hand,
as if you had
a fourth time faced the kingdom of the mad -
its hackneyed speech, its homicidal eye -
and dragged me home alive. . . . Oh my Petite,
clearest of all God's creatures, still all air and nerve:

Mamba The Bright Eyed An Aboriginal Reminiscence

Canto I.

XXVIII.

The day had fled, the moon arose,
Night straight began with evening's close--
A night whose calm and silvery sheen
Befitted well the wild yapeen.1
Within the circle of the camp
Blazed the clear fire, while measured tramp
Of dancing warriors shook the ground,
To song and time-sticks' throbbing sound.
There twice two hundred feet advanced,
There twice a hundred malkas2 glanced
Bright in the moon, that silvered o'er
The arms that all those malkas bore.
Wild the device, and strange the sign

Male Phoenix Pleads With Female Phoenix

This male phoenix has returned to his old home,
from roaming the four seas searching for his mate.
Time was not yet ripe, there was no way to meet her;
then what a surprise: this evening I come up to this hall,
and there's a dazzling maiden in the women's quarters.
The room near but she far: this poisons my guts.
How can we entwine our necks like mandarin ducks?
How can we flutter about, and together soar?

Lady phoenix, lady phoenix: come with me and nest,
be supported, breed with me, forever be my wife,