The blue jay scuffling in the bushes follows
Some hidden purpose, and the gush of birds
That spurts across the field, the wheeling swallows,
Have nested in the trees and undergrowth.
Seeking their instinct, or their pose, or both,
One moves with an uncertain violence
Under the dust thrown by a baffled sense
Or the dull thunder of approximate words.

On motorcycles, up the road, they come:
Small, black, as flies hanging in heat, the Boy,
Until the distance throws them forth, their hum
Bulges to thunder held by calf and thigh.

Through the pungent hours of the afternoon,
On the autumn slopes we have lightly wandered
Where the sunshine lay in a golden swoon
And the lingering year all its sweetness squandered.
Oh, it was blithesome to roam at will
Over the crest of each westering hill,
Over those dreamy, enchanted lands
Where the trees held to us their friendly hands!

Winds in the pine boughs softly crooned,
Or in the grasses complained most sweetly,
With all the music of earth attuned
In this dear ripe time that must pass so fleetly:

Oh, once I walked a garden
In dreams. 'Twas yellow grass.
And many orange-trees grew there
In sand as white as glass.
The curving, wide wall-border
Was marble, like the snow.
I walked that wall a fairy-prince
And, pacing quaint and slow,
Beside me were my pages,
Two giant, friendly birds.
Half swan they were, half peacock.
They spake in courtier-words.
Their inner wings a charriot,
Their outer wings for flight,
They lifted me from dreamland.
We bade those trees good-night.
Swiftly above the stars we rode.

There was Dai Puw. He was no good.
They put him in the fields to dock swedes,
And took the knife from him, when he came home
At late evening with a grin
Like the slash of a knife on his face.

There was Llew Puw, and he was no good.
Every evening after the ploughing
With the big tractor he would sit in his chair,
And stare into the tangled fire garden,
Opening his slow lips like a snail.

There was Huw Puw, too. What shall I say?
I have heard him whistling in the hedges
On and on, as though winter

Though after Death, Thanks lessen into Praise,
And Worthies be not crown'd with gold, but bayes;
Shall we not thank? To praise Thee all agree;
We Debtors must out doe it, heartily.
Deserved Nobility of True Descent,
Though not so old in Thee grew Ancient:
We number not the Tree of Branched Birth,
But genealogie of Vertue, spreading forth
To many Births in value. Piety,
True Valour, Bounty, Meeknesse, Modesty,
These noble off-springs swell Thy Name as much,
As Richards, Edwards, three, foure, twenty such:

IT was a dismal and a fearful night:
Scarce could the Morn drive on th' unwilling Light,
When Sleep, Death's image, left my troubled breast
   By something liker Death possest.
My eyes with tears did uncommanded flow,
   And on my soul hung the dull weight
   Of some intolerable fate.
What bell was that? Ah me! too much I know!

My sweet companion and my gentle peer,
Why hast thou left me thus unkindly here,
Thy end for ever and my life to moan?

No more the flow'ry scenes of pleasure rife,
Nor charming prospects greet the mental eyes,
No more with joy we view that lovely face
Smiling, disportive, flush'd with ev'ry grace.

The tear of sorrow flows from ev'ry eye,
Groans answer groans, and sighs to sighs reply;
What sudden pangs shot thro' each aching heart,
When, Death, thy messenger dispatch'd his dart?
Thy dread attendants, all-destroying Pow'r,
Hurried the infant to his mortal hour.
Could'st thou unpitying close those radiant eyes?
Or fail'd his artless beauties to surprise?

Thus, some tall tree that long hath stood
The glory of its native wood,
By storms destroyed, or length of years,
Demands the tribute of our tears.

The pile, that took long time to raise,
To dust returns by slow decays:
But, when its destined years are o'er,
We must regret the loss the more.

So long accustomed to your aid,
The world laments your exit made;
So long befriended by your art,
Philosopher, 'tis hard to part!--

When monarchs tumble to the ground,
Successors easily are found:

Th'imprison'd winds slumber within their caves
Fast bound: the fickle vane, emblem of change,
Wavers no more, long-settling to a point.
All nature nodding seems compos'd: thick steams
From land, from flood up-drawn, dimming the day,
"Like a dark ceiling stand:" slow thro' the air
Gossamer floats, or stretch'd from blade to blade
The wavy net-work whitens all the field.
Push'd by the weightier atmosphere, up springs
The ponderous Mercury, from scale to scale
Mounting, amidst the Torricellian tube.

The critical attitude
Strikes many people as unfruitful
That is because they find the state
Impervious to their criticism
But what in this case is an unfruitful attitude
Is merely a feeble attitude. Give criticism arms
And states can be demolished by it.

Canalising a river
Grafting a fruit tree
Educating a person
Transforming a state
These are instances of fruitful criticism
And at the same time instances of art.