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Numbers

I like the generosity of numbers.
The way, for example,
they are willing to count
anything or anyone:
two pickles, one door to the room,
eight dancers dressed as swans.

I like the domesticity of addition--
add two cups of milk and stir--
the sense of plenty: six plums
on the ground, three more
falling from the tree.

And multiplication's school
of fish times fish,
whose silver bodies breed
beneath the shadow
of a boat.

Even subtraction is never loss,
just addition somewhere else:

Now, O Now in This Brown Land

Now, O now, in this brown land
Where Love did so sweet music make
We two shall wander, hand in hand,
Forbearing for old friendship' sake,
Nor grieve because our love was gay
Which now is ended in this way.

A rogue in red and yellow dress
Is knocking, knocking at the tree;
And all around our loneliness
The wind is whistling merrily.
The leaves -- - they do not sigh at all
When the year takes them in the fall.

Now, O now, we hear no more
The vilanelle and roundelay!
Yet will we kiss, sweetheart, before

November

The landscape sleeps in mist from morn till noon;
And, if the sun looks through, 'tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be,
Nor mark a patch of sky - blindfold they trace,
The plains, that seem without a bush or tree,
Whistling aloud by guess, to flocks they cannot see.

The timid hare seems half its fears to lose,
Crouching and sleeping 'neath its grassy lair,

Notice What This Poem Is Not Doing

The light along the hills in the morning
comes down slowly, naming the trees
white, then coasting the ground for stones to nominate.

Notice what this poem is not doing.

A house, a house, a barn, the old
quarry, where the river shrugs--
how much of this place is yours?

Notice what this poem is not doing.

Every person gone has taken a stone
to hold, and catch the sun. The carving
says, "Not here, but called away."

Notice what this poem is not doing.

The sun, the earth, the sky, all wait.

Nothing Stays Put

In memory of Father Flye, 1884-1985


The strange and wonderful are too much with us.
The protea of the antipodes—a great,
globed, blazing honeybee of a bloom—
for sale in the supermarket! We are in
our decadence, we are not entitled.
What have we done to deserve
all the produce of the tropics—
this fiery trove, the largesse of it
heaped up like cannonballs, these pineapples, bossed
and crested, standing like troops at attention,
these tiers, these balconies of green, festoons
grown sumptuous with stoop labor?

Nothing But Death

There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain.

Not yet 40, my beard is already white

Not yet 40, my beard is already white.
Not yet awake, my eyes are puffy and red,
like a child who has cried too much.

What is more disagreeable
than last night's wine?

I'll shave.
I'll stick my head in the cold spring and
look around at the pebbles.
Maybe I can eat a can of peaches.

Then I can finish the rest of the wine,
write poems 'til I'm drunk again,
and when the afternoon breeze comes up

I'll sleep until I see the moon
and the dark trees
and the nibbling deer

and hear

Not Iris in Her Pride

Not Iris in her pride and bravery
Adorns her arch with such variety;
Nor doth the Milk-white Way in frosty night
Appear so fair and beautiful in sight,
As do these fields and groves and sweetest bowers
Bestrewed and decked with parti-coloured flowers.
Along the bubbling brooks and silver glide,
That at the bottom doth in silence slide,
The water-flowers and lilies on the banks
Like blazing comets burgeon all in ranks;
Under the hawthorn and the poplar tree,
Where sacred Phoebe may delight to be,

Not Dead

Walking through trees to cool my heat and pain,
I know that David’s with me here again.
All that is simple, happy, strong, he is.
Caressingly I stroke
Rough bark of the friendly oak.
A brook goes bubbling by: the voice is his.
Turf burns with pleasant smoke;
I laugh at chaffinch and at primroses.
All that is simple, happy, strong, he is.
Over the whole wood in a little while
Breaks his slow smile.