What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,

A MIDDLE-AGE INTERLUDE.

ROSA MUNDI; SEU, FULCITE ME FLORIBUS.
A CONCEIT OF MASTER GYSBRECHT,
CANON-REGULAR OF SAID JODOCUS-BY-THE-BAR,
YPRES CITY. CANTUQUE, Virgilius.
AND HATH OFTEN BEEN SUNG
AT HOCK-TIDE AND FESTIVALES. GAVISUS
ERAM, Jessides.

(It would seem to be a glimpse from the
burning of Jacques du Bourg-Mulay, at Paris,
A. D. 1314; as distorted by the refraction from
Flemish brain to brain, during the course of
a couple of centuries.)

[Molay was Grand Master of the Templars

I am a man now.
Pass your hand over my brow.
You can feel the place where the brains grow.

I am like a tree,
From my top boughs I can see
The footprints that led up to me.

There is blood in my veins
That has run clear of the stain
Contracted in so many loins.

Why, then, are my hands red
With the blood of so many dead?
Is this where I was misled?

Why are my hands this way
That they will not do as I say?
Does no God hear when I pray?

I have no where to go
The swift satellites show

O fleece, that down the neck waves to the nape!
O curls! O perfume nonchalant and rare!
O ecstasy! To fill this alcove shape
With memories that in these tresses sleep,
I would shake them like penions in the air!

Languorous Asia, burning Africa,
And a far world, defunct almost, absent,
Within your aromatic forest stay!
As other souls on music drift away,
Mine, O my love! still floats upon your scent.

I shall go there where, full of sap, both tree
And man swoon in the heat of the southern climates;

In the spirit’s solitary hours
It is lovely to walk in the sun
Along the yellow walls of summer.
Quietly whisper the steps in the grass; yet always sleeps
The son of Pan in the grey marble.

At eventide on the terrace we got drunk on brown wine
The red peach glows under the foliage.
Tender sonata, joyous laughter.

Lovely is this silence of the night.
On the dark plains
We gather with shepherds and the white stars.

When autumn rises
The grove is a sight of sober clarity.
Along the red walls we loiter at ease

What phantom is this that appears
Through the purple mist of the years,
Itself but a mist like these?
A woman of cloud and of fire;
It is she; it is Helen of Tyre,
The town in the midst of the seas.
II
O Tyre! in thy crowded streets
The phantom appears and retreats,
And the Israelites that sell
Thy lilies and lions of brass,
Look up as they see her pass,
And murmur "Jezebel!"
III
Then another phantom is seen
At her side, in a gray gabardine,
With beard that floats to his waist;
It is Simon Magus, the Seer;

From plains that reel to southward, dim,
The road runs by me white and bare;
Up the steep hill it seems to swim
Beyond, and melt into the glare.
Upward half-way, or it may be
Nearer the summit, slowly steals
A hay-cart, moving dustily
With idly clacking wheels.
By his cart's side the wagoner
Is slouching slowly at his ease,
Half-hidden in the windless blur
Of white dust puffiing to his knees.
This wagon on the height above,
From sky to sky on either hand,

Hear the voice of the Bard,
Who present, past, and future, sees;
Whose ears have heard
The Holy Word
That walk'd among the ancient trees;

Calling the lapsed soul,
And weeping in the evening dew;
That might control
The starry pole,
And fallen, fallen light renew!

'O Earth, O Earth, return!
Arise from out the dewy grass!
Night is worn,
And the morn
Rises from the slumbrous mass.

'Turn away no more;
Why wilt thou turn away?
The starry floor,
The watery shore,

not of silver nor of coral,
but of weatherbeaten laurel.

Here, he introduced a sea
uniform like tapestry;

here, a fig-tree; there, a face;
there, a dragon circling space --

designating here, a bower;
there, a pointed passion-flower.

One day in March, my little girl and I had lunch together.
We looked outside, across the lawn, and talked about the weather.
The wind was strong; the cedar trees were in its billows dancing.
The clouds were moving swiftly by; the scene was quite entrancing.


'Look, daddy, 'Maureen said to me, 'how hard the wind is blowing!
I betcha on a colder day, that blowing would be snowing!
And what is it keeps yonder rocks from leaving where they're staying,