Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back
the surging call of my dark sobbing.
Oh, to whom can we turn for help?
Not angels, not humans;

Too far away, oh love, I know,
To save me from this haunted road,
Whose lofty roses break and blow
On a night-sky bent with a load

Of lights: each solitary rose,
Each arc-lamp golden does expose
Ghost beyond ghost of a blossom, shows
Night blenched with a thousand snows.

Of hawthorn and of lilac trees,
White lilac; shows discoloured night
Dripping with all the golden lees
Laburnum gives back to light.

And shows the red of hawthorn set
On high to the purple heaven of night,

They throw in Drummer Hodge, to rest
Uncoffined -- just as found:
His landmark is a kopje-crest
That breaks the veldt around:
And foreign constellations west
Each night above his mound.

Young Hodge the drummer never knew --
Fresh from his Wessex home --
The meaning of the broad Karoo,
The Bush, the dusty loam,
And why uprose to nightly view
Strange stars amid the gloam.

Yet portion of that unknown plain
Will Hodge for ever be;
His homely Northern breast and brain
Grow to some Southern tree,

My road is fenced with the bleached, white bones
And strewn with the blind, white sand,
Beside me a suffering, dumb world moans
On the breast of a lonely land.
On the rim of the world the lightnings play,
The heat-waves quiver and dance,
And the breath of the wind is a sword to slay
And the sunbeams each a lance.

I have withered the grass where my hot hoofs tread,
I have whitened the sapless trees,
I have driven the faint-heart rains ahead
To hide in their soft green seas.

I have bound the plains with an iron band,

450

Dreams—are well—but Waking's better,
If One wake at morn—
If One wake at Midnight—better—
Dreaming—of the Dawn—

Sweeter—the Surmising Robins—
Never gladdened Tree—
Than a Solid Dawn—confronting—
Leading to no Day—

To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done.
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
Dark like me-
That is my dream!

To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done.
Rest at pale evening...
A tall, slim tree...
Night coming tenderly
Black like me.

Down home to-night the moonshine falls
Across a hill with daisies pied,
The pear tree by the garden gate
Beckons with white arms like a bride.

A savor as of trampled fern
Along the whispering meadow stirs,
And, beacon of immortal love,
A light is shining through the firs.

To my old gable window creeps
The night wind with a sigh and song,
And, weaving ancient sorceries,
Thereto the gleeful moonbeams throng

Beside the open kitchen door
My mother stands all lovingly,
And o'er the pathways of the dark

Samuel is forever talking of his elm --
But I did not need to die to learn about roots:
I, who dug all the ditches about Spoon River.
Look at my elm!
Sprung from as good a seed as his,
Sown at the same time,
It is dying at the top:
Not from lack of life, nor fungus,
Nor destroying insect, as the sexton thinks.
Look, Samuel, where the roots have struck rock,
And can no further spread.
And all the while the top of the tree
Is tiring itself out, and dying,
Trying to grow.

Doubt no more that Oberon—
Never doubt that Pan
Lived, and played a reed, and ran
After nymphs in a dark forest,
In the merry, credulous days,—
Lived, and led a fairy band
Over the indulgent land!
Ah, for in this dourest, sorest
Age man's eye has looked upon,
Death to fauns and death to fays,
Still the dog-wood dares to raise—
Healthy tree, with trunk and root—
Ivory bowls that bear no fruit,
And the starlings and the jays—
Birds that cannot even sing—
Dare to come again in spring!

Double red daisies, they’re my flowers,
Which nobody else may grow.
In a big quarrelsome house like ours
They try it sometimes—but no,
I root them up because they’re my flowers,
Which nobody else may grow.

Claire has a tea-rose, but she didn’t plant it;
Ben has an iris, but I don’t want it.
Daisies, double red daisies for me,
The beautifulest flowers in the garden.

Double red daisy, that’s my mark:
I paint it in all my books!
It’s carved high up on the beech-tree bark,
How neat and lovely it looks!