O you,
Who came upon me once
Stretched under apple-trees just after bathing,
Why did you not strangle me before speaking
Rather than fill me with the wild white honey of your words
And then leave me to the mercy
Of the forest bees?

I

The despot treads thy sacred sands,
Thy pines give shelter to his bands,
Thy sons stand by with idle hands,
Carolina!
He breathes at ease thy airs of balm,
He scorns the lances of thy palm;
Oh! who shall break thy craven calm,
Carolina!
Thy ancient fame is growing dim,
A spot is on thy garment's rim;
Give to the winds thy battle hymn,
Carolina!

II

Call on thy children of the hill,
Wake swamp and river, coast and rill,

Trees in the old days used to stand
And shape a shady lane
Where lovers wandered hand in hand
Who came from Carentan.

This was the shining green canal
Where we came two by two
Walking at combat-interval.
Such trees we never knew.

The day was early June, the ground
Was soft and bright with dew.
Far away the guns did sound,
But here the sky was blue.

The sky was blue, but there a smoke
Hung still above the sea
Where the ships together spoke
To towns we could not see.

Could you have seen us through a glass

O meadow lark, so wild and free,
It cannot be, it cannot be,
That men to merchandise your spell
Do close you in a wicker hell!
II
O hedgerow thrush so mad with glee,
it cannot be, it cannot be,
They rape you from your hawthorn foam
To make a cell of steel your home!
III
O blackbird in the orchard tree,
In cannot be, it cannot be,
That devils in a narrow cage
Would prison your melodic rage!
IV
O you who live for liberty,
Can you believe that it can be,
That we of freedom's faith destroy

Blue and gold, and mist and sunlight,
Veils of colour blent and blown
In melodic monotone.
Dark and bright, and white and dun light
Clash and flash, as into one light
Trembling thro’ an opal stone,
Over green robes of the mountain
And the blue skirts of the sea,
Spreading from a sacred fountain
Hymeneal harmony.

Drums and trumpets of the ocean,
Oboe spirits of the wind,
Violins of forest kind,
Flutes that breathe the trees’ devotion,
Blending, hymn the joyous motion

How do you enter that Manila
frame of mind, that woven
mat of noodle house restaurants,

that dawn of tapis tasting women,
that hankering of hourly hauntings?
Drive along Roxas Boulevard

when the moon has just clocked
out of third shift and the sea horses
are returning to their feeding stables.

Walk the afternoon trees of Taft Avenue
and talk to the mechanics of Sunday
medicine. Ask them for recipes

to cure fire-retardant love. Bask
in the baying of mahogany dogs on Mabini
street and pass through the red

I have no store
Of gryphon-guarded gold;
Now, as before,
Bare is the shepherd's fold.
Rubies nor pearls
Have I to gem thy throat;
Yet woodland girls
Have loved the shepherd's note.

Then pluck a reed
And bid me sing to thee,
For I would feed
Thine ears with melody,
Who art more fair
Than fairest fleur-de-lys,
More sweet and rare
Than sweetest ambergris.

What dost thou fear?
Young Hyacinth is slain,
Pan is not here,
And will not come again.
No horned Faun
Treads down the yellow leas,

O rivers rolling to the sea
From lands that bear the maple-tree,
How swell your voices with the strain
Of loyalty and liberty!

A holy music, heard in vain
By coward heart and sordid brain,
To whom this strenuous being seems
Naught but a greedy race for gain.

O unsung streams--not splendid themes
Ye lack to fire your patriot dreams!
Annals of glory gild your waves,
Hope freights your tides, Canadian streams!

St. Lawrence, whose wide water laves
The shores that ne'er have nourished slaves!

At last the air fragrant, the bird's bubbling whistle
Succinct in the unknown unsettled trees:
O little Charles, beside the Georgian colleges
And milltown New England; at last the wind soft,
The sky unmoving, and the dead look
Of factory windows separate, at last,
From windows gray and wet:
for now the sunlight
Thrashes its wet shellac on brickwalk and gutter,
White splinters streak midmorning and doorstep,
Winter passes as the lighted streetcar
Moves at midnight, one scene of the past,

It is winter in California, and outside
Is like the interior of a florist shop:
A chilled and moisture-laden crop
Of pink camellias lines the path; and what
Rare roses for a banquet or a bride,
So multitudinous that they seem a glut!

A line of snails crosses the golf-green lawn
From the rosebushes to the ivy bed;
An arsenic compound is distributed
For them. The gardener will rake up the shells
And leave in a corner of the patio
The little mound of empty shells, like skulls.

By noon the fog is burnt off by the sun