'Twas after dread Pultowa's day,
When fortune left the royal Swede -
Around a slaughtered army lay,
No more to combat and to bleed.
The power and glory of the war,
Faithless as their vain votaries, men,
Had passed to the triumphant Czar,
And Moscow’s walls were safe again -
Until a day more dark and drear,
And a more memorable year,
Should give to slaughter and to shame
A mightier host and haughtier name;
A greater wreck, a deeper fall,
A shock to one - a thunderbolt to all.

II

Such was the hazard Of the die;

Maybe he believes me, maybe not.
Maybe I can marry him, maybe not.

Maybe the wind on the prairie,
The wind on the sea, maybe,
Somebody, somewhere, maybe can tell.

I will lay my head on his shoulder
And when he asks me I will say yes,
Maybe.

New York: You take a train that rips through versts.
It feels as if the trains were running over your ears.

For many hours the train flies along the banks
of the Hudson about two feet from the water. At the stops,
passengers run out, buy up bunches of celery,
and run back in, chewing the stalks as they go.

Bridges leap over the train with increasing frequency.

At each stop an additional story grows
onto the roofs. Finally houses with squares
and dots of windows rise up. No matter how far
you throw back your head, there are no tops.

May dew and haze
I catch in taut canvases.
Stuffed in a costrel tight,
I'll take them home come light.
Blissful constellations blaze
the Zodiac cites.
Planets make marriages
guarding my rite.
And now I pick the rotted plant
of bitter and of living life.
Vatic bubbling rants...
Flame, fiery ally!
All from death must sink from sight,
(Are the stars in well or sky?)
Clear stubble of bygone vine
I'm given again to derive.
Bark and pinkish light, -
Everything's back from dust.
Whoever knows no terror of decay

Come Jack, our place is with the ruck
On the open road today,
Not with the tepid "footpath sneak"
Or with the wise who stop away.

A straggling, tame procession, perhaps,
A butt for burgess scorn;
Its flags are ragged sentiments,
And its music's still unborn.

Though none respectable are here,
And trim officials ban,
Our duty, Jack, is not with them,
But here with Hope and Man.

Nor have we cause for shame, who see,
In the glory-lighted street,
The Old Brigade of Liberty
The partial ranks complete.

The wind is tossing the lilacs,
The new leaves laugh in the sun,
And the petals fall on the orchard wall,
But for me the spring is done.

Beneath the apple blossoms
I go a wintry way,
For love that smiled in April
Is false to me in May.

Round clouds roll in the arms of the wind,
The round earth rolls in a clasp of blue sky,
And see, where the budding hazels are thinned,
The wild anemones lie
In undulating shivers beneath the wind.

Over the blue of the waters ply
White ducks, a living flotilla of cloud;
And, look you, floating just thereby,
The blue-gleamed drake stems proud
Like Abraham, whose seed should multiply.

In the lustrous gleam of the water, there
Scramble seven toads across the silk, obscure leaves,

Mother of man's time-travelling generations,
Breath of his nostrils, heartblood of his heart,
God above all Gods worshipped of all nations,
Light above light, law beyond law, thou art.

Thy face is as a sword smiting in sunder
Shadows and chains and dreams and iron things;
The sea is dumb before thy face, the thunder
Silent, the skies are narrower than thy wings.

Angels and Gods, spirit and sense, thou takest
In thy right hand as drops of dust or dew;
The temples and the towers of time thou breakest,

Mad March, with the wind in his wings wide-spread,
Leaps from heaven, and the deep dawn's arch
Hails re-risen again from the dead
Mad March.

Soft small flames on rowan and larch
Break forth as laughter on lips that said
Nought till the pulse in them beat love's march.

But the heartbeat now in the lips rose-red
Speaks life to the world, and the winds that parch
Bring April forth as a bride to wed
Mad March.

Author Note: The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England. I have
adopted the metre of Mr. Lewis's Alonzo and Imogene--a poem deservedly
popular.


I.

Who is she, the poor Maniac, whose wildly-fix'd eyes
Seem a heart overcharged to express?
She weeps not, yet often and deeply she sighs,
She never complains, but her silence implies
The composure of settled distress.


II.

No aid, no compassion the Maniac will seek,