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Inscription 06 - For A Monument In The New Forest

This is the place where William's kingly power
Did from their poor and peaceful homes expel,
Unfriended, desolate, and shelterless,
The habitants of all the fertile track
Far as these wilds extend. He levell'd down
Their little cottages, he bade their fields
Lie barren, so that o'er the forest waste
He might most royally pursue his sports!
If that thine heart be human, Passenger!
Sure it will swell within thee, and thy lips
Will mutter curses on him. Think thou then
What cities flame, what hosts unsepulchred

Inscription 05 - For A Monument At Silbury-Hill

This mound in some remote and dateless day
Rear'd o'er a Chieftain of the Age of Hills,
May here detain thee Traveller! from thy road
Not idly lingering. In his narrow house
Some Warrior sleeps below: his gallant deeds
Haply at many a solemn festival
The Bard has harp'd, but perish'd is the song
Of praise, as o'er these bleak and barren downs
The wind that passes and is heard no more.
Go Traveller on thy way, and contemplate
Glory's brief pageant, and remember then
That one good deed was never wrought in vain.

Inscription 03 - For A Cavern That Overlooks The River Avon

Enter this cavern Stranger! the ascent
Is long and steep and toilsome; here awhile
Thou mayest repose thee, from the noontide heat
O'ercanopied by this arch'd rock that strikes
A grateful coolness: clasping its rough arms
Round the rude portal, the old ivy hangs
Its dark green branches down, and the wild Bees,
O'er its grey blossoms murmuring ceaseless, make
Most pleasant melody. No common spot
Receives thee, for the Power who prompts the song,
Loves this secluded haunt. The tide below
Scarce sends the sound of waters to thine ear;

Inkerman. The Battle Field by Moonlight

Above the vale of Inkerman,
Calmly the moon's rays fell,
Revealing as by light of day,
That deep and lonely dell;
Tchernaya's waters as a band
Of silver graceful flowed,
But who can paint the ghastly scene,
Which those bright rays disclosed!
Thickly as leaves around the path
Through copse and brush-wood dense,
Lay piles of dead and wounded men,
Slain in that fierce defense.
The fearful moan, the struggles fierce,
The hoarse and gurgling cry
Comes on the night wind sweeping past,

Infinitely

The hounds of despair, the hounds of the autumnal wind,
Gnaw with their howling the black echoes of evenings.
The darkness, immensely, gropes in the emptiness
For the moon, seen by the light of water.

From point to point, over there, the distant lights,
And in the sky, above, dreadful voices
Coming and going from the infinity of the marshes and planes
To the infinity of the valleys and the woods.

And roadways that stretch out like sails
And pass each other, coming unfolded in the distance, soundlessly,

Infinite Variety

In my one love are many loves entwined;
Each hour makes me unfaithful to the last;
The beauty present dims the beauty past;
Of her worst rivals is her self combined.
When she is pale, in her dear cheek I find
The fairest shade on earth was ever cast;
And if she blush, that hue is not surpassed
In roses ruffled by the wanton wind.
Sometimes her sweet lips droop to a purpose sad;
Then all my soul in loving sympathy
Burns to dispel her sadness with a kiss;
And when they flash and curve in laughter glad,

Indian Love Song

She

LIKE a serpent to the calling voice of flutes,
Glides my heart into thy fingers, O my Love!
Where the night-wind, like a lover, leans above
His jasmine-gardens and sirisha-bowers;
And on ripe boughs of many-coloured fruits
Bright parrots cluster like vermilion flowers.


He

Like the perfume in the petals of a rose,
Hides thy heart within my bosom, O my love!
Like a garland, like a jewel, like a dove
That hangs its nest in the asoka-tree.
Lie still, O love, until the morning sows

Indian Dancer

EYES ravished with rapture, celestially panting, what passionate bosoms aflaming with fire
Drink deep of the hush of the hyacinth heavens that glimmer around them in fountains of light;
O wild and entrancing the strain of keen music that cleaveth the stars like a wail of desire,
And beautiful dancers with houri-like faces bewitch the voluptuous watches of night.


The scents of red roses and sandalwood flutter and die in the maze of their gem-tangled hair,
And smiles are entwining like magical serpents the poppies of lips that are opiate-sweet;

Inchcape Rock

No stir in the air, no stir in the sea,
The Ship was still as she could be;
Her sails from heaven received no motion,
Her keel was steady in the ocean.

Without either sign or sound of their shock,
The waves flow’d over the Inchcape Rock;
So little they rose, so little they fell,
They did not move the Inchcape Bell.

The Abbot of Aberbrothok
Had placed that bell on the Inchcape Rock;
On a buoy in the storm it floated and swung,
And over the waves its warning rung.

When the Rock was hid by the surge’s swell,

Incarnation

OUR little queen of dreams,
Our image of delight,
Which whitens east and gleams
And beckons from the height,
Takes on her human form—is here in mortal sight.

We two have loved her long,
Have known her eyes for years;
We worshipped her with song
The spirit only hears,
And now she comes to us new-washed with blood and tears.

Her radiant self she veils
With vesture meet for earth,
And, knowing all, inhales
The lethal air of birth,