He finds on cheap match covers.
PLEASE MAKE ME
TASTE LIKE A MAN
is the first one he reads after lighting up
an American Spirit cigarette on the corner
of Broadway and Houston. The painted Statue
of Liberty on the giant DKNY ad on the side
of the building winks her big blue eye
as if she understands what those words mean,
as if she could make him taste like a man.
The street sign changes to WALK
and the natural smoke of the natural cigarette
feels good in his lungs. He thinks
of the taste of fried garlic, of anise seeds,

In my Spanish cloak,
And old slouch hat,
And overshoes of felt,
And Tyke, my faithful dog,
And my knotted hickory cane,
I slipped about with a bull's-eye lantern
From door to door on the square,
As the midnight stars wheeled round,
And the bell in the steeple murmured
From the blowing of the wind;
And the weary steps of old Doc Hill
Sounded like one who walks in sleep,
And a far-off rooster crew.
And now another is watching Spoon River
As others watched before me.
And here we lie, Doc Hill and I

And Thou art One--One with th' eternal hills,
And with the flaming stars, and with the moon,
Translucent, cold. The sentinel of noon
That clothes the sky in robes of light and fills
The earth with warmth, the flowering fields, the rills,
The waving trees, the south wind's elfin rune,
Are One with Thee. All nature is in tune
With Thee, O Father, God--and if one wills
To humbly walk the fragrant, leaf-strewn path
And kneel in reverence 'neath the vaulted sky,
Hearing the hymnals of the waving trees

You lose your love for her and then
It is her who is lost,
And then it is both who are lost,
And nothing is ever as perfect as you want it to be.

In a very ordinary world
A most extraordinary pain mingles with the small routines,
The loss seems huge and yet
Nothing can be pinned down or fully explained.

You are afraid.
If you found the perfect love
It would scald your hands,
Rip the skin from your nerves,
Cause havoc with a computered heart.

You lose your love for her and then it is her who is lost.

And death shall have no dominion.
Dead man naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and the clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.

And death shall have no dominion.
Under the windings of the sea
They lying long shall not die windily;
Twisting on racks when sinews give way,

Adam, a brown old vulture in the rain,
Shivered below his wind-whipped olive-trees;
Huddling sharp chin on scarred and scraggy knees,
He moaned and mumbled to his darkening brain;
‘He was the grandest of them all was Cain!
‘A lion laired in the hills, that none could tire:
‘Swift as a stag: a stallion of the plain,
‘Hungry and fierce with deeds of huge desire.’

Grimly he thought of Abel, soft and fair
A lover with disaster in his face,
And scarlet blossom twisted in bright hair.
‘Afraid to fight; was murder more disgrace?’

Behold these jewelled, merchant Ancestors,
Foregathered in some chancellery of death;
Calm, provident, discreet, they stroke their beards
And move their faces slowly in the gloom,
And barter monstrous wealth with speech subdued,
Lustreless eyes and acquiescent lids.
And oft in pauses of their conference,
They listen to the measured breath of night’s
Hushed sweep of wind aloft the swaying trees
In dimly gesturing gardens; then a voice
Climbs with clear mortal song half-sad for heaven.

A silent-footed message flits and brings

It was a time when they were afraid of him.
My father, a bare man, a gypsy, a horse
with broken knees no one would shoot.
Then again, he was like the orange tree,
and young women plucked from him sweet fruit.
To meet him, you must be in the right place,
even his sons and daughter, we wondered
where was papa now and what was he doing.
He held the mystique of travelers
that pass your backyard and disappear into the trees.
Then, when you follow, you find nothing,
not a stir, not a twig displaced from its bough.

All work is over at the farm
And men and maids are ripe for glee;
Love slips among them sly and warm
Or calls them to the chestnut-tree.
As Colin looks askance at Jane
He draws his hand across his mouth;
She understands the rustic pain,
And something of the tender south
About her milkmaid beauty flits.
Her dress of lilac print for guide
Draws shepherd Colin where she sits,
Who, faring to her lovely side
To snatch his evening pension tries,
But skimming like a bird from clutch
The maid escapes his Cupid touch,

Looking upon this tree with its quaint pretension
Of holding the earth, a leveret, in its claws,
Or marking the texture of its living bark,
A grey sea wrinkled by the winds of years,
I understand whence this man's body comes,
In veins and fibres, the bare boughs of bone,
The trellised thicket, where the heart, that robin,
Greets with a song the seasons of the blood.

But where in meadow or mountain shall I match
The individual accent of the speech
That is the ear's familiar? To what sun attribute
The honeyed warmness of his smile?