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A Song of the Lilac

Above the wall that's broken,
And from the coppice thinned,
So sacred and so sweet
The lilac in the wind!
And when by night the May wind blows
The lilac-blooms apart,
The memory of his first love
Is shaken on his heart.

In tears it long was buried,
And trances wrapt it round;
O how they wake it now,
The fragrance and the sound!
For when by night the May wind blows
The lilac-blooms apart,
The memory of his first love
Is shaken on his heart.

A Song of Sherwood

Sherwood in the twilight, is Robin Hood awake?
Grey and ghostly shadows are gliding through the brake,
Shadows of the dappled deer, dreaming of the morn,
Dreaming of a shadowy man that winds a shadowy horn.

Robin Hood is here again: all his merry thieves
Hear a ghostly bugle-note shivering through the leaves,
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.

Merry, merry England has kissed the lips of June:
All the wings of fairyland were here beneath the moon,

A Song of Pitcairn's Island

Come, take our boy, and we will go
Before our cabin door;
The winds shall bring us, as they blow,
The murmurs of the shore;
And we will kiss his young blue eyes,
And I will sing him, as he lies,
Songs that were made of yore:
I'll sing, in his delighted ear,
The island lays thou lov'st to hear.

And thou, while stammering I repeat,
Thy country's tongue shalt teach;
'Tis not so soft, but far more sweet,
Than my own native speech:
For thou no other tongue didst know,
When, scarcely twenty moons ago,
Upon Tahete's beach,

A Song of Autumn

‘Where shall we go for our garlands glad
At the falling of the year,
When the burnt-up banks are yellow and sad,
When the boughs are yellow and sere?
Where are the old ones that once we had,
And when are the new ones near?
What shall we do for our garlands glad
At the falling of the year?’
‘Child! can I tell where the garlands go?
Can I say where the lost leaves veer
On the brown-burnt banks, when the wild winds blow,
When they drift through the dead-wood drear?
Girl! when the garlands of next year glow,
You may gather again, my dear—

A Song in Storm

1914-18


Be well assured that on our side
The abiding oceans fight,
Though headlong wind and heaping tide
Make us their sport to-night.
By force of weather, not of war,
In jeopardy we steer.
Then welcome Fate's discourtesy
Whereby it shall appear
How in all time of our distress,
And our deliverance too,
The game is more than the player of the game,
And the ship is more than the crew!

Out of the mist into the mirk
The glimmering combers roll.
Almost these mindless waters work
As though they had a soul --

A Song from Shakespeare's Cymbeline Sung by Guiderus and Ar

To fair Fidele's grassy tomb
Soft maids and village hinds shall bring
Each op'ning sweet, of earliest bloom,
And rifle all the breathing spring.

No wailing ghost shall dare appear,
To vex with shrieks this quiet grove:
But shepherd lads assemble here,
And melting virgins own their love.

No wither'd witch shall here be seen,
No goblins lead their nightly crew:
The female fays shall haunt the green,
And dress thy grave with pearly dew!

The redbreast oft at ev'ning hours

A Song For Kilts

I

How grand the human race would be
If every man would wear a kilt,
A flirt of Tartan finery,
Instead of trousers, custom built!
Nay, do not think I speak to joke:
(You know I'm not that kind of man),
I am convinced that all men folk.
Should wear the costume of a Clan.
II
Imagine how it's braw and clean
As in the wind it flutters free;
And so conducive to hygiene
In its sublime simplicity.
No fool fly-buttons to adjust,--
Wi' shanks and maybe buttocks bare;

A Serious and Pathetical Contemplation of the Mercies of God

For all the mysteries, engines, instruments, wherewith the world is filled, which we are able to frame and use to thy glory.

For all the trades, variety of operations, cities, temples, streets, bridges, mariner's compass, admirable picture, sculpture, writing, printing, songs and music; wherewith the world is beautified and adorned.


Much more for the regent life,
And power of perception,
Which rules within.
That secret depth of fathomless consideration
That receives the information
Of all our senses,

A Sea-Spell

(For one of his own pictures)

Her lute hangs shadowed in the apple-tree,
While flashing fingers weave the sweet-strung spell
Between its chords; and as the wild notes swell,
The sea-bird for those branches leaves the sea.
But to what sound her listening ear stoops she?
What netherworld gulf-whispers doth she hear,
In answering echoes from what planisphere,
Along the wind, along the estuary?
She sinks into her spell: and when full soon
Her lips move and she soars into her song,
What creatures of the midmost main shall throng