He reads my latest attempt at a poem
and is silent for a long time, until it feels
like that night we waited for Apollo,
my mother wandering in and out of her bedroom, asking,
Haven't they landed yet? At last
Dugan throws it on the table and says,
This reads like a cheap detective novel
and I've got nothing to say about it. It sits,
naked and white, with everyone's eyes
running over it. The week before
he'd said I had a problem with time,
that in my poems everything
kept happening at once. In 1969,
the voice of Mission Control

Call it to mind, O my love.
Dear were your eyes as the day,
Bright as the day and the sky;
Like the stream of gold and the sky above,
Dear were your eyes in the grey.
We have lived, my love, O, we have lived, my love!
Now along the silent river, azure
Through the sky's inverted image,
Softly swam the boat that bore our love,
Swiftly ran the shallow of our love
Through the heaven's inverted image,
In the reedy mazes round the river.
See along the silent river,
II
See of old the lover's shallop steer.

Naturally it is night.
Under the overturned lute with its
One string I am going my way
Which has a strange sound.

This way the dust, that way the dust.
I listen to both sides
But I keep right on.
I remember the leaves sitting in judgment
And then winter.

I remember the rain with its bundle of roads.
The rain taking all its roads.
Nowhere.

Young as I am, old as I am,

I forget tomorrow, the blind man.
I forget the life among the buried windows.
The eyes in the curtains.
The wall

When the Present has latched its postern behind my tremulous stay,
And the May month flaps its glad green leaves like wings,
Delicate-filmed as new-spun silk, will the neighbours say,
'He was a man who used to notice such things'?

If it be in the dusk when, like an eyelid's soundless blink,
The dewfall-hawk comes crossing the shades to alight
Upon the wind-warped upland thorn, a gazer may think,
'To him this must have been a familiar sight.'

If I pass during some nocturnal blackness, mothy and warm,

Some day, when trees have shed their leaves
And against the morning's white
The shivering birds beneath the eaves
Have sheltered for the night,
We'll turn our faces southward, love,
Toward the summer isle
Where bamboos spire to shafted grove
And wide-mouthed orchids smile.

And we will seek the quiet hill
Where towers the cotton tree,
And leaps the laughing crystal rill,
And works the droning bee.
And we will build a cottage there
Beside an open glade,
With black-ribbed blue-bells blowing near,

WHEN, on an empty night in later years
Thou ponderest over sorrowful sweet things,
While troubling with cold hands the muted strings
Of Memory's lute now silent in thine ears,
These words shall sweep with soft descent of tears--
Shall wound the air with sudden thrust of wings
Bringing the Past to thee as Winter brings
To naked boughs the colour April wears.
Thou shalt read over, in less fortunate days,
Forgotten pages till thy heart be moved
To sudden pity and to passionate praise
Of what thou didst not heed nor understand;

I. Kempton, Pennsylvania


Perhaps the last of the light
lifting this evening from the field of wheat

means something. Perhaps the view
includes us, and we are not errors
in the landscape

or meant to be erased. The painter, it's true,
prefers not to preserve
our figures in the brush

of hills layered into green. Perhaps he too
is careless with the truth. What lies

have you had to tell to land you here

outside Kempton, with the creek rising behind us?
How did the story sound? If I say your hand

Fine living . . . a la carte?
Come to the Waldorf-Astoria!

LISTEN HUNGRY ONES!
Look! See what Vanity Fair says about the
new Waldorf-Astoria:

"All the luxuries of private home. . . ."
Now, won't that be charming when the last flop-house
has turned you down this winter?
Furthermore:
"It is far beyond anything hitherto attempted in the hotel
world. . . ." It cost twenty-eight million dollars. The fa-
mous Oscar Tschirky is in charge of banqueting.
Alexandre Gastaud is chef. It will be a distinguished
background for society.

1.

Each of us like you
has died once,
has passed through drift of wood-leaves,
cracked and bent
and tortured and unbent
in the winter-frost,
the burnt into gold points,
lighted afresh,
crisp amber, scales of gold-leaf,
gold turned and re-welded
in the sun;

each of us like you
has died once,
each of us has crossed an old wood-path
and found the winter-leaves
so golden in the sun-fire
that even the live wood-flowers
were dark.

2.

Not the gold on the temple-front

Adam lay ibounden,
Bounden in a bond.
Four thousand winter
Thoght he not too long.
And all was for an appil,
And appil that he tok,
As clerkes finden
Wreten in here book.
Ne hadde the appil take ben,
The appil taken ben,
Ne hadde never our lady
A ben hevene quene.

Blessed be the time
That appil take was,
Therefore we moun singen
Deo gracias.